Photograph of a bedroom at the Guest House. A single bed occupies most of the room's space and has a light pink blanket with a floral pattern covering the bed. Two stacks of two pillows sit at the head of the bed. the bottom pillows matching the bed's blanket while the top pillows are teal or a pale green. A fifth pillow leans against the others, designed as being teal with white stripes. The frame of the bed is made up of roughly shaped wooden logs, as is a support beam extending across the room's ceiling. On the white wall at the back of the room, to the right of the bed, hang a deer head, short white lamp, and a small dark object. Below these items sits a small nightstand with two books on it. On the other side of the bed is a small nightstand with a base of curving wood. Above this object on the wall is a short white lamp and a fish mounted on a wood board.

Photograph of a bedroom at the May House. The room's walls are covered by a dense pattern of pink and yellow flowers, the white background behind them heavily obscured. In the left wall of the room is a tall window set into a white frame and covered by a long lacey fabric. A yellow tassel hangs from off-camera above the window. A bed with a black frame, white pillow, and white blanket has been placed with its head against the right wall. To the left of the bed is a white lamp while to the right is a wooden end table, its top occupied by a small clock and a plant in a small white cup. Hanging on the wall above the end table is a painted oval portrait of a person white short dark hair and blue clothing.

Photograph of a bedroom at the Redbud Inn. A bed sits centered against a wall of the bedroom, its frame made of a dark wood while colorful flower-illustrated sheets cover its mattress. Two matching pillows lean against the bed's headboard. On either side of the bed, in each visible corner of the room, are small end tables that both have white lamps on them. The left one has a small white clock next to it while the right one has a white phone in front of it. The walls of the room are a plain white and leave little room around the bed, creating a narrow sense of space.

Photograph of a bedroom at the Redbud Inn. The room's walls are covered by a blue, pink, and green pattern of flowers, which is contrasted by the plain white ceiling. A small ceiling fan with brown fan blades and a white light hangs over a bed with a dark wood frame, blanket, and two pillows. The bed's blanket and pillows have matching patterns of green and pink flowers clustered tightly together in a visually busy design. At the foot of the bed is a dark wooden box with two magazines on top of it. On either side of the head of the bed are nightstands, the left one having a phone on top of it while the right one has a small lamp. At the right edge of the photo, next to the lamp night table, is a closed white door.

Photograph of a bedroom at the Redbud Inn. The room is dark, illuminated only by sunlight coming through two partially covered windows. The windows are each on a wall near a corner of the room and have shades covering their upper halves as well as lace drapes covering the full length of the windows. A large wooden object, possibly a manger, sits silhouetted in front of the windows. In front of the manger is a dimly visible bed. To the right of the windows is a large piece of furniture with a leafy plant on its top. To the left of the windows is another large piece of furniture, this one with a pitcher on top of it.

This home movie includes Texas Lieutenant Governor Ben Barnes attending an unknown event in Denton, Texas. Footage includes Barnes being filmed by an unknown cameraman in front of a KDNT car.

This home movie includes footage of Texas Lieutenant Governor Ben Barnes attending an unknown event in Denton, Texas and riding a horse in a parade with Rex Cauble. Being driven in the parade are the wives of Barnes and Cauble, president of North Texas State University C.C. Nolen, and Miss Denton Jackie Barret being driven in a Leon McNatt Motor Company car.

Photograph of a boy leaning against a tree.

Photograph of a boy riding a bicycle.

Photograph of a brick path at Civic Center Park. The path's bricks are a pale tan color and are interrupted towards the middle of the photo by a short white bridge with simple railings. On either side of the brick path are groups of bushes, the ones closer to the path being small and light green running alongside darker green bushes while larger red bushes grow further back. A plain metal lamppost rises from a group of short bushes growing to the left of the brick path. In the distance, multiple large trees with dark green foliage grow throughout a green lawn. On the back side of the physical photograph there's a watermarked pattern of the text "Fujifilm picture paper". There is also two labels on the photograph's back, one saying "Civic Center Park, Denton CUB, 414 w. Parkway, Denton TX 76201" while the other appears to say "Denton l. NETARR99".

Photograph of Bryan Reffner celebrating a win at the O'Reilly 400 NASCAR Craftsman Truck Series race held at Texas Motor Speedway on October 13, 2000. Reffner wears a tan and red hat with the O'Reilly logo on it and a bleu jumpsuit with bands of red, orange, and yellow around the waist and elbows. Across the stripes on the waist of the jumpsuit is the word "Menards", spelled out in white letters. Logos decorate the collar and chest of the jumpsuit while Reffner's full name adorns the blue belt around his waist in white stitching. Reffner raises his arms into the air as red, white, and blue confetti fills the area around him. A white, yellow, and red striped wall sits behind Reffner and has large, blurry words across its width. The label on the back of the photo describes Reffner as winning the race with the #3 Johns Manville Chevrolet.

Photograph of Bryan Reffner posing with a helmet after winning the O'Reilly 400 NASCAR Craftsman Truck Series race held at Texas Motor Speedway on October 13, 2000. Reffner's helmet is black with an image of a waving Texas flag on the side along with the race's logo. Reffner himself wears a gray and black ballcap with a logo on it and a blue jumpsuit with red, orange, and yellow stripes around the waist and elbows. There are logos on and around the jumpsuit's collar while the chest is decorated by "JM" in large blue letters. below which is "Johns Manville" and then "Menards" in white. Behind Reffner is a wall with a large logo on a red background, above which is red text on a yellow stripe and then the Texas Motor Speedway name and logo on a white background. According to the label on the back of the photograph, Reffner won in the #3 Johns Manville Chevrolet and set a track record of 180.371 during his qualifying run for the race.

Photograph of Buddy Lazier (#91) and Robbie Buhl (#24) leading the Casino Magic 500 Indy Racing Northern Light Series race held at Texas Motor Speedway. Lazier's car is white and blue, driving in the bottom right corner of the image, while Buhl's car is orange and blue and moves to the left of Lazier. Four other cars follow farther behind, varying from red to yellow to white in color. The road the vehicles race on is divided into three lanes by white dashed lines and has a short white wall separating the race's audience from the road. The wall has "Texas" painted on it next to a logo and has a tall fence line along its top. The race's audience is seated in a large swath of bleachers, the farthest ones shaded by a large rectangular building held aloft by numerous columns. The words "Texas Motor Speedway" are painted onto the building's top right corner.

Photograph of Buddy Lazier celebrating his Indy Racing Northern Light Series championship at the Excite 500 race held at Texas Motor Speedway on October 15, 2000. Lazier wears a white and black jumpsuit with logos across the chest and a blue and yellow helmet with its clear visor pushed up. The front of the helmet has a "Delta Faucet" logo on it while the jumpsuit and Lazier's car have "Xerox" logos on them. The car also has "Firestone" and "Coors Light" logos on it. A circular black object sits in front of Lazier on top of his vehicle. As he raises his glove-clad hands into the air a group of people crowds around his car, some holding cameras.

Photograph of Buddy Lazier squinting as he watches the scoring tower during the Excite 500 Indy Racing Northern Light Series race held at Texas Motor Speedway. Lazier's helmet is yellow and blue with the Coors Light logo and the Colorado flag on the yellow section while the bleu section has the text "Delta Faucet" and Lazier" on it. Lazier's clear visor has a red line across its top edge, which has the Bell logo at its left end, and has been lifted up. Lazier also wears a white top with text including the Firestone logo on it.

Business card for Chuck Carpenter, staff executive, Denton Chamber of Commerce.

This home movie includes footages of businesses in downtown Denton, Texas including Western Auto Associate Store, Shraders Pharmacy, the Texas Theater, Austin Shoes, Franklins, Denman Hardware, Inc., The Shamrock Shoes, Stone's Shoe Store, Taliaferros, Lawhon Music Co., J.C. Penney, Co., and the Denton Typewriter Exchange.

Photograph of a cabinet at Roadrunner Farm. The cabinet nearly reaches the ceiling of the room it's placed in and is painted primarily green with its doors and drawers painted in brown and with flower imagery. On top of the cabinet are clumps of brown and orange plants and a sculpture of a duck. To the right of the cabinet, a small white basket of magazines sits on the floor. In front of the cabinet in the foreground of the photo is a blue and white patterned chair with wooden armrests placed to the right of an open door and facing into the room. The walls of the room are a slightly yellow off-white while the floor is covered with dark square tiles. The ceiling appears the be wooden or wood patterned.

Photograph of the Campus Theatre exterior in Denton, TX. The theatre building is made of pale-yellow bricks and consists of two rectangular sections, the one closer to the camera shorter than the section behind it. The entrance to the theatre is set into the building a short distance, shaded by the shorter section of the building rising above it. A white sign with a green border sits attached to the street-facing side of the building, set above the height of the theatre's entrance. The sign says in red letters, "Inherit the Wind" and "May 9 18". Rising above the sign is a tall rectangular sign with a curving top, its surface green and color and vertically spelling "Campus" in white letters. The upper half of the sign has three lines of accent color attached to its right side, two of them green while the third is red. On the street alongside the theatre building are two parked vehicles. Along the sidewalk in front of the building is a line of small trees. Other shops sit next to the theatre building, extending into the background of the photo.

Photograph of the Campus Theatre exterior in Denton, TX, at night. The theatre's entrance is lit up by yellow lights under the base of the building's signs, illuminating the doors and ticket booth below. The sign immediately above the theatre's front doors faces towards the left side of the photo and consists of a white horizontal rectangle across its center with red letters spelling out "The Man Who Came to Dinner" on its left half and "Leslie Enlow Mar 10" on its right half. Simple swirls lit up in red line the top and bottom edge of the sign. The theatre's second sign rises above the first sign and is vertically rectangular in shape, though the top right corner of the sign is curved. This sign has red swirl lights along its left edge and green lights that spell out "Campus" down the height of the sign. Lines of red light decorate the top edge of the sign and the top half of its right edge. Parked at the bottom corners of the photo are vehicles, positioned parallel to the curbs on either side of the theatre building. The sky behind the building is a dark blue-purple at the photo's …

Photograph of the Campus Theatre sign in Denton, TX at night. The bottom half of the theatre's sign is triangular in shape, though only its left side visible in the photo. This part of the sign has an illuminated white rectangle across its center with red letters spelling out "Dancexpress", "Dance", Festival", and "May 29 30". Simple swirls lit up in red line the top and bottoms edge of the triangular sign while a line of green lights decorates the outer edge of the sign's underside. Also occupying the sign's underside are rows of circular yellow lights. The other half of the theatre's sign rises above the triangular portion and is rectangular in shape, though the top left corner of the sign is curved. This sign has red swirl lights along its narrow edge that faces away from the theatre building, whereas the wider side of the sign facing the camera has green lights that spell out "Campus". The sky filling the right half of the photo's background is a dark blue, while the front wall of the theatre building fills the left half of the photo behind its signs.

Photograph of a canopy bed at Godfrey's Place Inn. The bead is fully covered by a dark green sheet patterned faintly with leaves and is partially covered at its far end by a folded, woven blanket. There is also a white bedframe extending into the space above the bed, though it lacks any curtains. On the ceiling near the bedframe is a white ceiling fan. The ceiling itself, as well as the walls, are also white in color. At the far right corner of the bed is a tall green plant sitting on the floor, its tallest stem nearly touching the ceiling. In the corner of the room opposite the bed is a blue cabinet with multiple drawers that have small wooden knobs on them. On top of the cabinet is a small blue lamp, two framed photos, and a small birdhouse. On the floor to the left of the cabinet is a small blue basket with a handle arching over it. In the center of the wall to the cabinet's right is a large window covered by a white opaque shade lined by white lacey cloth along its top. A similar line of lacey cloth runs along the top …

Photograph of a canopy bed at Godfrey's Place Inn. The frame of the canopy bed is white and lacks any drapes except for some white cloth hanging against the room's wall at the head of the bed. The surface of the bed is covered by a dark red blanket and four pillows, three white ones and two red ones. At the end of the bed is a white woven blanket that's been folded into a rectangle. On either side of the bed are wooden side tables with white lamps on them, both turned on to dimly illuminate the room. The right side table has what may be a large remote on it while the left side table has a cylindrical object on it along with what appears to be a rectangular clock. On the wall to the left of the left side table hangs an image of multiple people looking at a wooden fence. To the left of the image is a large window covered by a white opaque shade lined by lacey cloth along the window's top edge.

Photograph of a canopy bed at Healing Springs Ranch. The bed is covered by a blanket patterned with green stripes separated by lines of flowers, with matching pillows sitting at the head of the bed. On top of those pillows are cushions, or thinner pillows, which are solid white, gold and pink in color. Rising above the bed on the wall behind it is a swatch of green cloth covered at its center and edges by a white lace cloth. The two layers of fabric have been pinned to the wall by bronze-colored cupid figures, creating a pyramid shape as the fabric widens to the sides as it falls down the wall. The wall itself is a plain white. To the right of the bed is a wood nightstand with a white lace lamp sitting atop it.