Fewer geometrical analyses have been made of paintings than of any other group of works of art. For this reason ten paintings by a typical Florentine painter, Botticelli, were chosen by the author in order to find out; first, the extent to which geometrical divisions were used in determining the enclosing rectangles and the main lines of the composition; second, whether or not the same geometrically determined relationships were used by Botticelli frequently enough to be considered an important determinant of his style.

In this study sixteen early stone buildings at Fredericksburg, Texas, are described and evaluated as examples of indigenous architecture. Chapter II presents a brief history of the founding of Fredericksburg. Chapter III presents a description of the town site and a discussion of the native materials as used by the pioneer immigrants in the construction of residences and other buildings. Chapter IV is devoted to a detailed description of fourteen buildings as specific examples of the indigenous architecture. Representative photographs of the buildings as they now appear, as well as floor plans, illustrate the text. Two early churches of the indigenous type, accompanied by photographs and floor plans, are discussed in Chapter V. In Chapter VI a summary of the study is given and conclusions are presented.

The problem of this study was to make a transcription of the third movement of Dvorak's Symphony Number Five in E Minor from the "New World" for a class A symphonic band. A critical discussion of the musical and technical problems involved was included as a supplement or complement, as was a brief history of the composers life and works. In the arrangement of the data, the discussions were presented before the transcription might be readily understood.

Paintings of Raphael and Titian were chosen for study (1) to ascertain the extent to which they used geometry, and (2) to determine, if possible, the differences and likenesses in their underlying schemas, and (3) to determine how geometrical divisions, if used, affected the character of their paintings.