The sculpture depicts a woman holding an infant and along her form, vertically, are numerous small figures. The sculpture is painted in polychrome.

The detail view of this sculpture shows the main body of the female figure as well as the infant. The sculpture is painted in polychrome.

Overall view of Santo Spirito entrance façade. From the Italian Renaissance Period.

Interior view of aisle in Santo Spirito. From the Italian Renaissance Period.

Interior view of nave and choir in Santo Spirito. From the Italian Renaissance Period.

Detail view above portal with Doge and the lion of St. Mark and window treatment

Close-up of Doge Francesco Foscari, 1885, by L. Ferrari to replace orig. destroyed in 1797 and lion of St. Mark

Far left center panel detail: top reliefs

Overall view of entrance façade, E flank and dome of Santo Spirito. From the Italian Renaissance Period.

Madonna assumes a posture of humility with her head and gaze lowered. Christ child rests on her lap and two angels are depicted in roundels in both upper corners of the painting.

15th-century Book of Hours originating from the Nothern Netherlands [Utrecht], ca. 1430s. Dutch text from the Long Hours of the Cross displayed in single column, 19 lines, gothic book hand. Rubrics in red, capitals struck with red, eight one-line initials in red or blue, verso with one three-line initial in burnished gold embellished with red penwork and extensions' full border composed of a vertical bar border of burnished gold and blue with white tracery, the bars with hairline stems emanating from each end and spreading across the top and bottom and along the fore-edge margin, these vines bearing burnished gold trefoils, delicate daisies, and pink and green buds, with the text opened by a 10-line initial "H" in highly burnished gold on a pink and blue ground with white tracery, in the center of the initial a draped flowering vine.