Newspaper clipping from the Austin American-Statesman, dated October 3rd, 1992. The featured article discusses the annual conference of the National Association of Artists' Organizations (NAAO), which was held at the Mexic-Arte Museum in Austin, Texas. A photograph of a man and an woman, Guillermo Gómez-Peña and Coco Fusco, accompanies the piece. Guillermo Gómez-Peña wears intricately embroidered pants, spiked wrist cuffs, a neck covering with fringe, and a spotted face mask. Coco Fusco wears a flowered headdress, gas mask, shell necklace, flowered armband, spotted bikini top, and grass skirt. The pair are linking arms and otherwise appear expressionless.

Newspaper clipping featuring a tentative agenda for the 8th Annual National Association of Artists Organizations (NAAO). The conference ran from September 30, 1992 to October 4th, 1992 at the Mexic-Arte Museum in Austin, Texas.

Clipping advertising sessions, panels, and events occurring at the 8th annual National Association of Artists Organizations (NAAO) between the dates of September 30th, 1992 and October 4th, 1992. The conference was held at the Mexic-Arte Museum in Austin, Texas.

Letter from Sylvia Orozco and Rudy Guglielmo of the Mexic-Arte Museum in Austin, Texas presenting a tentative agenda for the regional meeting of the National Association of Artists' Organizations (NAAO). The conference was held on June 28th, 1992.

Publication from the Mexic-Arte Museum outlining events, exhibits, and other news.

Photograph of the Mexic-Arte building. On the top two floors, there is a large mural on the side of the building. There are large tubes coiled in a window and lead down the side of a building. One of the tubes leads to the center of another part of the mural. From the window to the left of the first one, there is a dragon-like form that swoops downward beneath the window to the right and a floor below. This artwork is the beating heart installation as part of the Return of Quetzalcoatl exhibit. People can be seen walking on the streets and sidewalks.

Photograph of the cover of a book named "Pasion Por Frida." The book cover has a white background and the word "pasion" is in red at the top. In the center, there is a read square with an image of Frida Kahlo in a blue hood on top. At the bottom of book, the words "for Frida" is in black. All of the words are completely capitalized and the title translates to "Passion for Frida."

Photograph close-up of an art installation featuring images of skulls, ears of corn, and dishes of food with ornamental textile objects hanging in the background.

Photograph close-up of an ear of corn and several dried corn husks laid on a floor of corn kernels with two rattles and a stone head figure above them in the background.

Photograph close-up of many dried corn husks and dried chili peppers along the top.

Catalog for the "Counter Colón-ialismo" exhibit including biographies of participating artists, descriptions of the art pieces in the exhibit, and other information about the series.

Photograph of part of an art installation featuring the image of a skull surrounded by flowers; there is a drawing on the wall on the left and a poem (in Classical Nahuatl) in the background.

Photograph of a drawing of a tree on a wall with part of a Nahuatl text to the left and right of it.

Photograph of the Pasion Por Frida art exhibit. There are many pictures of Frida Kahlo and her artwork hanging on the walls. In the room, there is a podium that exhibits a framed sketch by Frida Kahlo. Alongside the pictures there are pieces of paper that provide written information.

Photograph of two men Onstage playing instruments. The man on the left is playing a guitar and the man on the right has a native form of the flute that he plays vertically. Equipment, such as microphones, is set up Onstage. In the middle of the men there is a poster with a picture of a Native American man and words on the right. Silhouettes of audience members can be seen in the foreground.

Photograph of two men Onstage playing instruments. The man on the left is playing a guitar and the man on the right has a native form of the flute that he plays vertically rather than horizontally to the side. Equipment, such as microphones, is set up Onstage.

Photograph of an art installation featuring dried grass on the floor, pots of flowers and several lights lining the walls, a (possibly Nahuatl) text and various drawings on the walls, and paper banners with different drawings hanging from the ceiling.

Photograph of several pots of flowers in a row on the ground with dried grass on the floor in the front of them; part of a (possibly Nahuatl) text is on the wall in the background.

Photograph of an art installation text titled "Contributions of Our Food from the Americas" listing various foods in English, Spanish, and Nahuatl; in the background there is a drawing of a cactus.

Photograph of a man in a chair with a binder on his lap. To his right, there is a cluttered table with a small television, man and other items on it. The wall on the left has large windows and lights above them that face upward. The wall on the right has glass shelves and many artworks hanging above them. The far wall also has a few pieces hanging.

Photograph of a man bent down preparing an art installation that consists of several bunches of dried flowers hanging from the ceiling and a floor covered in dried flower petals.

Photograph of a conference meeting at the National Association of Artists' Organizations Conference. There are many people in chair sitting in a circle. There are some people on the outskirts of the main circle. On the left is sitting Pio Pulido.

Photograph of a conference meeting at the eighth National Association of Artists' Organizations Conference. The conference was located at the Mexic-Arte Museum. There are a group of people in chairs sitting in a circle. Some have notebooks in their laps and are taking notes.

Photograph of the Pasa Calle procession opening for the National Association of Artists' Organizations Conference. The opening procession is called "Please Don't Discover Me" by Guillermo Gomez-Pena. There is a line of people in the street following one another. At the start of the line is a shirtless man with a mask covering his whole head, but his eyes, nose and mouth. On his chest, it reads "Please Don't Discover Me." Behind him a man is holding a pole that has one end of a banner attached and the other end is being carried by children in a line.