Interview with Robert Bane, a Army WWII veteran from Garland, Texas. Bane discusses his family background, basic training, deployment to the Battle of the Bulge, General George S. Patton, experiences in combat with the 63rd Infantry Division during the drive into Germany, his comrades, crossing the Rhine, liberating Dachau, returning to the states, and his work with the Freemasons. In appendix is a photograph of Bane with his medals.

Interview with James Spears, an ammunition worker on the home front during WWII. He describes the war as he saw it from the home front.

Interview with Ernest Kelley, a Texas National Guard WWII veteran from Antioch, Texas (now the Red River Army Depot), who served with the 112th Cavalry. Kelley discusses growing up in the Depression, joining the Guard, mobilization and training, horses, the Louisiana Maneuvers, deployment to New Caledonia, landing on Woodlark island and action there, the Battle of Arawe, redeployment to Australia, the Battle of Driniumor River in New Guinea, the Battles of Leyte and Luzon, returning to the United States, and reflections on his time in the Army. In appendix is a list of people and places named in the interview with lat/long coordinates, descriptions of military equipment, and the 112th's WWII service chronicle.

Interview with James Spears, an ammunition worker on the home front during WWII. He describes the war as he saw it from the home front.

The last of the U.S. Army Soldier Shows "Blueprint Specials" to be published, "OK, USA" is a musical revue on the theme of U.S. soldiers returning to the United States and finding it finding it as foreign and exotic as any country overseas because they have been away and living under extreme circumstances for so long. Like the other "Blueprint Specials," this show includes a complete script (multiple copies this time); a conductor's score and complete set of instrumental parts; a sample program; set and costume designs; and detailed instructions for producing the show using whatever materials are at hand. Unlike the other "Blueprint Specials," it includes no information on the librettists, songwriters, and other staff who worked on the show.