My work explores my identity as a Latino, veteran, and father, and counteracts the lack of positive representation of men of color in society. While they are similar to traditional piñatas in their design and construction, my sculptures are based on abstract representations of my internalized identity. These anthropomorphic forms stand rather than being hung, enacting ownership over their space. This allows them to take on a newly assigned identity and presence. These forms allow me to display, articulate, and communicate. the struggles I have experienced throughout my life because of systemic oppression.

Art work in Cardboard, Tissue paper, and paper by artist Saxon Martinez, as part of an exhibition entitled "Candalaria Paredes and Delores Martinez" in the Cora Stafford Gallery, University of North Texas, from April 4 to April 8, 2023.

Art work in Cardboard and wood by artist Saxon Martinez, as part of an exhibition entitled "Candalaria Paredes and Delores Martinez" in the Cora Stafford Gallery, University of North Texas, from April 4 to April 8, 2023.

Art work in Steel, wood, and cardboard by artist Saxon Martinez, as part of an exhibition entitled "Candalaria Paredes and Delores Martinez" in the Cora Stafford Gallery, University of North Texas, from April 4 to April 8, 2023.

Art work in tissue paper, cardboard, and paper, by artist Saxon Martinez, as part of an exhibition entitled "Candalaria Paredes and Delores Martinez" in the Cora Stafford Gallery, University of North Texas, from April 4 to April 8, 2023.

Art work in mulberry paper, cardboard, by artist Saxon Martinez, as part of an exhibition entitled "Candalaria Paredes and Delores Martinez" in the Cora Stafford Gallery, University of North Texas, from April 4 to April 8, 2023.

Art work in cardboard, tissue paper, and paper, by artist Saxon Martinez, as part of an exhibition entitled "Candalaria Paredes and Delores Martinez" in the Cora Stafford Gallery, University of North Texas, from April 4 to April 8, 2023.

Art work in matboard, tissue paper, and cardboard, by artist Saxon Martinez, as part of an exhibition entitled "Candalaria Paredes and Delores Martinez" in the Cora Stafford Gallery, University of North Texas, from April 4 to April 8, 2023.

Art work in matboard, mulberry paper, and paint, by artist Saxon Martinez, as part of an exhibition entitled "Candalaria Paredes and Delores Martinez" in the Cora Stafford Gallery, University of North Texas, from April 4 to April 8, 2023.

Art work in foamular and tissue paper, by artist Saxon Martinez, as part of an exhibition entitled "Candalaria Paredes and Delores Martinez" in the Cora Stafford Gallery, University of North Texas, from April 4 to April 8, 2023.

Art work in tissue paper, cardboard, and paper, by artist Saxon Martinez, as part of an exhibition entitled "Candalaria Paredes and Delores Martinez" in the Cora Stafford Gallery, University of North Texas, from April 4 to April 8, 2023.

Art work in cardboard, tissue paper, and paper, by artist Saxon Martinez, as part of an exhibition entitled "Candalaria Paredes and Delores Martinez" in the Cora Stafford Gallery, University of North Texas, from April 4 to April 8, 2023.

Art work in tissue paper, cardboard, and paper, by artist Saxon Martinez, as part of an exhibition entitled "Candalaria Paredes and Delores Martinez" in the Cora Stafford Gallery, University of North Texas, from April 4 to April 8, 2023.

Art work in mulberry paper, paint, wood, and metal, by artist Saxon Martinez, as part of an exhibition entitled "Candalaria Paredes and Delores Martinez" in the Cora Stafford Gallery, University of North Texas, from April 4 to April 8, 2023.

In the monotypes I have done, a third figure has emerged in the spontaneity of the process as a simple face shape and element of composition. Virtually ignored by the others the third figure becomes a puzzle as to its complete role. As this third figure came about from a natural development in the monotypes, I have explored its meaning in my paintings for the creative project in lieu of thesis. I have investigated the role of the third figure in meaning and content as I introduced it to the interaction of the two figures in my paintings.

I decided to simplify the composition of my work in subject matter, color, size and style without destroying its visual impact. Experimentation in surface quality gave variety to the simplified content. My main commitment to the accomplishment of this problem was to avoid complexity in any form. I wanted to give as much information as possible using minimal means.

This project was designed to afford me the opportunity to work with the possibility of combining painting and music through the creation of narrative art. I endeavored to produce a body of work in which the individual paintings and songs would also stand on their own as autonomous works, and still function as components of a work that was larger in scope. The challenge was to develop the visual and verbal elements into a unified whole.

In this creative project, I investigated the combination of photographic images with more spontaneous visual elements in collaged drawing and monoprints in order to produce both visually strong and personally meaningful works.

The Untidy Story of Goldie Showers is a collaborative paper written by Lee Murray and me with the approval of the Graduate School and submitted in partial fulfillment of the requirements of both degrees. Chapter Four is different in each of the two papers which we have submitted to the Graduate School. Since this chapter contains the overall conclusion to the project we considered it best to present our individual impressions rather than to attempt a joint statement. The video tape produced in connection with this project is on file in the North Texas State Art Department slide library.

The problem was to investigate illusionary space as affected by dark surfaces using the elliptical and spherical shapes from previous work. I explored the potential of visual tension, movement, pattern, and various degrees of space on surfaces of opposite tonalities from those previously used. An investigation of space on dark surfaces was undertaken and ten works completed.

There were no restrictions as to style or technique, and since my previous works had been realistic, this direction was to be continued during the entire investigation. The primary objective was to create a series of drawings and paintings which would concentrate on the basic facial topography and idiosyncrasies of a constant model with variations in color, scale, medium, and expression.

To investigate this process I selected, as my creative project, the execution of a series of drawings. The objective of my creative project was the synthesis of additive/subtractive procedures of a drawing from its inception to its completion. A written journal was utilized to gather data pertinent to the investigation.

The purpose of this study is to examine the development of a series of paintings and drawings confined to the subject of trains and the derailings of trains. This creative project includes a descriptive study which documents the development as it occurs in the series. The written material is utilized with regard to its relevance in uncovering pertinent conditions and events that contributed to the drawing and painting processes during the execution of the series.

In selecting a thesis project, my interest and experience with fibre-tip pen drawings suggested that further investigations would be profitable. Fibre-tip pens provide a fast and convenient means to draw under outdoor conditions. The pens make dense black and consistent lines at whatever speed they are moved. The ink supply is automatic; not requiring a separate container for dipping and not requiring cleaning. Fibre-tip pens designed to make lines of different widths are commercially available at low cost.