This traditional folk song is a lullaby usually sang when a kid is naughty. It says, you cry when you’re hold or placed on your cradle. Tomorrow I will not babysit you.

This Liangmai traditional folk song was composed by Namsongwi of Nallong village and sung by W. Mathiusongbou of Tudon. The song talks about the love of the composer for his girl.

The song was composed by Lungthonbuibou. According to the singer, the village of the composer is not clearly known, but people say he belongs to either Maguilong or Nkou village. The song is about the composer praising the beauty of a girl. It was sung by W. Mathiusongbou of Tudon village and recorded at Tamei.

This song is about a boy addressing his lover who follows her parents advice and married another, and also about the life achievement of the singer Hinglung of L. Pabram village. The singer is from Chiang village, Tamenglong district Manipur.

This is a Liangmai traditional song by a legendary composer Hungennang. The current song was sang by Mr. Phenlakbou of Thalon village, Tamenglong district, Manipur.

This traditional lullaby is sung for baby boy. It says, do not marry a crooked person, but rather, marry a person who is as smooth as water. The singer is Gumthuiliu of Taningjam village, Manipur.

This a traditional agricultural song. It refers to a person who is selfish in that she/he works less when she/he works in other’s farm but works hard in her/her own field. The singer is from Taningjam village, Manipur.

This is a traditional lullaby usually sung to soothe a baby when his/her parents come late from the farm. The singer is from Taningjam village, Manipur.

The Liangmai folk song is composed by Injinlinnang of Taningjam village and sung by Tekphutlakbou.

This Liangmai folk song is composed by Kenchangyiyang of Taningjam village. The present song was sung by Kenchangyiyang of Taningjam village.

This is a traditional Liangmai folk song composed by legendary Mangaisang of Nsong village. The current song was sung by Rampi of Nzau village.

This is a traditional Liangmai folk song composed by Pasongbou. The current song was sung by Chahotlokbou of Nzau village.

This one of the most popular songs of Kaihuii. The song was sang by Mr. Thunphulakbou of Samziuram (originally of Ntu village). The first two minutes of the video introduced about the purpose and ethics of the data collection, and also how the data will be archived.

This folk song is about the life of the composer, Kaihui of Niamning. According to the singer, this is the first song Kaihuii composed. The singer is originally from Ntu village, then settled in Samjiuram, Peren district, Nagaland.

This is a folk tale entitled 'Palung kawipui nai kasapui racham' narrated by Mrs. Lamwiniuliu of Maguilong village.

This is a traditional song composed by a legendary Kaihuii. The title of the song is 'Kaihuii namtu thonbo' and sung by Khangkabou Mataina of Maguilong Village, Manipur. The lyrics of the song talks about his personal love for his village.

This folk tale is a in horror story. The story is about a man who visited the village of his parents-in-law and discovered they are human eaters (cannibals).

This folk song is about a man who could not win the heart of his lover. The legendary composer of the song is Niureng of Kalalong village. The singer is from Nzau village, Nagaland. This video was recorded by Azanbou Nbung.

The speaker narrates about the practice of pulling big logs to build a bridge. This practice was passed down from many generations and it is still in practice today. Because this practice has been done since since our ancestors' time, people selflessly take part in pulling big stones and logs. Every villager contributes in this community work.

This narration is about the practice of pulling logs for pillar and post. The speaker narrates about some accompanying activities like elders beating drum and singing while logs are being pulled in the olden days.

The speaker narrates about earlier times when their ancestors used to built grand house and conduct ceremonies and pull pillars, posts, and big logs to build bridges. Before they start pulling the bridge materials, their ancestors performed a ritual called kaphi-kapaibo. While performing the ritual, the log will be cleaned with different types of leaves from end to end. This ritual is done so that they would carry the bridge materials easily. It is done to ward off injury or to avoid any sickness so that the villagers would reach their destination without any hindrance.

The speaker describes the process of beating the katu, an herb used in community fishing. Bundles of katu are beaten with a wooden rod to produce juice and bubbles.

The speaker narrates about the traditional practice of community fishing in Tharon village called makukha zuanbo. Tharon people do this from time to time during March-April.

The speaker narrates about the preparation for community fishing. In order to go fishing, some twenty or thirty people go to identify the spot. Based on everyone’s opinion, they decided on a place to do the fishing. A day before fishing, some members also go deep to the forest to collect katu, the herb used for fishing. Each member contributes their labor even before the real fishing begins.