Photograph of an older man standing on a street corner and looking off to the side. He is wearing black pants, a blue, long-sleeve collared shirt, a black hat, an eye patch, and glasses. The front entrance of a cafe can be seen behind him which has two newspaper racks on each side of its front door, including one for the Victoria Advocate. A group of men is gathered behind the man, standing beside the building's exterior wall.

Cyanotype produced from a 6 x 6 negative of a barbed-wire fence post surrounded by tall blades of grass.

A Van Dyke brown print of two barmaids standing in the kitchen and washing glasses. Hanging on the wall across from them is a menu of the drinks available for purchase. The sink faucet is blocking the view of the first woman to the left, and the woman to the right is blurred a bit by her movements.

Photograph of a bookcase in Larry McMurtry's bookstore Booked Up in Archer, Texas.

Photograph of a bookcase in Larry McMurtry's bookstore Booked Up in Archer, Texas.

Cyanotype produced from a photographic negative of buildings and roads in the middle of a city. The building on the left is very ornate, as the windows are decorated with filigree. A single car is parked in the parking lot to the right of the building and the rest of the city is quiet.

A Van Dyke brown print of a small white building taken from behind a large cinderblock that takes up most of the foreground. The house is surrounded by a large yard and no neighboring homes are visible in the print.

Cyanotype produced from a photographic negative of a busy city at night. In the center of the print are soft blurs of light to indicate cars driving by and the long-exposure of the negative capturing the same movement of light again and again.

Photograph of brothers Charles, John and Byrd Williams III, standing together in a living room and posing for their portraits in dress suits.

Photograph of a cloister of the First Methodist Chuch, leading into the courtyard.

Close portrait of Pam Williams whose facial features are the highlighted parts.

Close up portrait of an unidentified woman. The woman is wearing a white t-shirt and has her hair up and has dangle earrings from her lobes.

Cyanotype produced from a photographic negative of two women's dresses hanging in front of a businesses store window that's taken from outside on the sidewalk. Children's toys are lined along the bottom of the window also on display.

Cyanotype produced from a photographic negative of two women's dresses hanging in front of a businesses store window that's taken from outside on the sidewalk. Children's toys are lined along the bottom of the window also on display.

Contact sheet featuring images of Byrd Williams IV and an unidentified woman.

Cyanotype produced from a photographic negative of a statue of Jesus on the crucifix. The first image is Jesus' body, the second image is Jesus' torso and legs, and the final image is Jesus' legs and feet.

Diptych of an old community bathhouse and a triptych of snapshots of a modern restroom.

Diptych of an Egyptian wall, featuring a King and Queen being offered drinks from their slave, the second image is from inside a bar, where only two patrons are visible.

Diptych of a wall and stair-well in the city of Chicago. The sign on the wall reads, "^ Choral Level and > Sage Level."

Photograph of a family seated on a sofa and posing together for a family portrait in their home.

Fisheye portrait of film actor William Devane, taken from a Fuji film camera. Devane is seated at a poker table, where broken peanut shells, limes, and other trash are scattered about. Devane is not looking at the camera when his picture was taken.

Cyanotype produced from a photographic negative of a sign for the "Glo Dry Cleaning Laundry Alterations" and a building.

Cyanotype produced from a photographic negative of a sign for the "Glo Dry Cleaning Laundry Alterations" and a building.

Cyanotype produced from a photographic negative of a hand pointing at a mirror and being reflected back. Red droplets of paint have fallen onto the photograph during the markup phase of critique.