Sheet music for "By What Lost Campfire," for mezzo soprano. The poem is written by Arthur Sampley and the music is by George Minter. The lyrics are "By what lost camp fire/ what lone height did deserts streching [sic] far, what/ comrades faces framed in light guide western star./ Up slopes I shall not/ climb again down trails the grasses hide, past/ camps where sleeping friends have lain too late to/ ride. to one dark peak a-/ gainst the sky on which the faint trail ends./ guide star and camp fire till I spy those fire lit friends."

Composition for solo piano

Composition for solo piano

A copy of the Alma Mater of McMurry College, arranged by John Rogers.

Twenty-four exercises for solo piano

Composition for solo piano.

The last of the U.S. Army Soldier Shows "Blueprint Specials" to be published, "OK, USA" is a musical revue on the theme of U.S. soldiers returning to the United States and finding it finding it as foreign and exotic as any country overseas because they have been away and living under extreme circumstances for so long. Like the other "Blueprint Specials," this show includes a complete script (multiple copies this time); a conductor's score and complete set of instrumental parts; a sample program; set and costume designs; and detailed instructions for producing the show using whatever materials are at hand. Unlike the other "Blueprint Specials," it includes no information on the librettists, songwriters, and other staff who worked on the show.

"About Face!" was the first in a series of Soldier Shows "Blueprint Specials" created by the Special Services Division of the Army Service Forces during World War II to provide soldiers stationed overseas with all the resources they need to stage an original, full-length, Broadway-style revue for their fellow soldiers. Each "Blueprint Special" includes a libretto, set and costume designs, conductor's score, and individual vocal and instrumental parts, as well as detailed instructions for staging the show effectively. Costumes and sets can be constructed from local scrap materials, the sketches that compose the libretto can be omitted or added to according to local needs and time constraints, and the big band style musical accompaniment can be reduced or expanded to accommodate whatever players are available. Each show features one scene where any number of specialty acts can be inserted to showcase local talent.

"Hi Yank!" was the second of the Soldier Shows "Blueprint Specials" to be published. It was inspired by "Yank: The Army Weekly"—a magazine published by the U.S. military and distributed to members of the armed forces during World War II. Each episode of this revue is titled after a section of the magazine, and most of the scenes feature cartoonist George Baker's Sad Sack character, who debuted in the first issue of "Yank." Even the cover of the revue, which features both Sad Sack and his eternal nemesis the Sarge, is a parody of the cover of "Yank" magazine. Unlike the first "Blueprint Special" ("About Face!"), which had input from civilians, "Hi, Yank!" was a true soldier show—conceived, written, composed, acted, and produced entirely by currently enlisted Army service members, although most of the show's creators and performers had previous professional experience in show business.

Compilation of a script, parts (including conductor's score; 1 vocal part with melody and lyrics; and 13 instrumental parts), stage directions, dance routines, scenic and costume designs (including instructions on how to make them from waste and salvage materials), a sample program template, and general notes on how to produce a musical revue, intended for a women's army audience. The story depicts the goddess Athena growing bored with her life on Olympus and descending to Earth to find fulfillment as a WAC named Mary Brown.

Sheet music for the "You Always Hurt the One You Love" arranged for voice and piano with lyrics that express the inevitability of heartbreak. The front cover includes an illustration of a young woman with her head in her hands and handwritten notes that read, "Letha Edwards, Officers Club."

A selection of opening choruses, choral finales, sketches with comedy songs, and miniature musical comedies, mostly excerpted from pre-existing Broadway shows with lyrics adapted to Army, Navy, or Marine Corps themes. Soldiers were encouraged to incorporate these numbers into their own shows, adapting them further as needed, and to use them as inspiration for writing their own original numbers.

Wartime copy of the music sheet for the 857th Aviation Engineer Battalion song composed, in part, by Everette "Tex" Frazier. This copy was presented and dedicated to the commanding officer of the unit, Lt. Col. William E. Hotchkiss.

SATB anthem with Accomp. ad lib.