Postcard that advertises an annual exhibition that was presented by the Mexic-Arte Museum entitled, "25th Annual Día de los Muertos." The front of the postcard features the title of the exhibition, photographs from previous celebrations, and the logo of the Mexic-Arte Museum. The reverse side of the postcard includes information about the celebration, a procession, and a community altar exhibition. The dates, times, registration, and admissions information are included for these events. Postage and sponsor information is also included.

Postcard that advertises an exhibition that was presented by the Mexic-Arte Museum entitled, "Everything's Going to Be Okay, Young Latino Artists Exhibition # 13". The front of the postcard features a typographic illustrated art print by Luis David Contreras II along with the logo of the Mexic-Arte Museum. The reverse side of the postcard includes a paragraph about the exhibition, a list of participating artists, and information about receptions, a members' preview, and a performance. Sponsor and postage information is also included.

Postcard that advertises an exhibition that was presented by the Mexic-Arte Museum entitled "The 23rd Annual Día de los Muertos [Day of the Dead] Exhibition and Celebration". The front of the postcard features the photograph of a young girl with a painted face and wearing traditional Mexican costume along with a list of event highlights, featured artists, the title, and dates. Several sponsor logos are pictured along the bottom of the postcard. The back of the postcard includes postage information on the right-hand side, and details about the exhibition on the left. This information includes details about registration and participation the parade, admissions, workshops, and an artist tribute.

Postcard that advertises an exhibition that was presented by the Mexic-Arte Museum entitled, "Totally Cool Totally Art". The front of the postcard depicts a graphically-rendered gallery wall with three picture frames hanging on it. The first and largest frame contains the exhibition title in blue lowercase type. The frame at the very top next to it is the smallest and contains an "@" symbol. The frame below this contains the logo to the Mexic-Arte Museum. There are black silhouettes of people standing around the front as well as the background behind the wall. The date of the opening reception is included at the bottom of the postcard. The opposite side of the postcard includes the exhibition and museum names, the address of the museum, and the date and times of the opening reception.

Postcard that advertises "The 20th Annual Día de los Muertos Family Event" Celebration, which was presented by the Official Mexican and Mexican American Fine Art Museum of Texas and the Mexic-Arte Museum. The front of the photograph features a black and white photograph of an outdoor Mexican altar with photo credits included at the bottom of the image. On the right-hand side of the postcard, there is a list of events that will be at the celebration as well as the date of the event, the logo of the Mexic-Arte Museum, and museum contact information. The flip side of the postcard features a more detailed itinerary of the major events that will be at the celebration. There is also sponsor and admission information.

Postcard advertising an exhibit entitled "Brazilian Visual Poetry", which is curated by Regina Vater. The front of the postcard features the title of the exhibition in large red and blue letters. Some of the counter spaces of the letters are filled in with gray, and the word "Visual" is connected to the word "Poetry" through artistic rendering. The front of the postcard also contains a list of fifty-three Hispanic poets that are participating in the exhibition. The names of the better-known poets are larger, and placed as a border around the Mexic-Arte Museum logo and exhibit information. The back of the postcard outlines the details of the exhibit, including the date and time of the reception and information on other exhibits that are happening at the same time.

Postcard advertising a photography exhibition presented by the Consulate General of Mexico, the Mexican Community Center, and the Mexic-Arte Museum entitled "Cofradía de Luz [Brotherhood of Light], An Exhibition from El Centro de la Imagen, Mexico City". The postcard, which is printed on white transparent paper, features exhibit information including the title, sponsors and their logos, the participants, and the date and time of the event.

Postcard from Myrna to Sterling Houston, prominent San Antonio playwright. The postcard comes after Myrna traveled to various locations in Europe, including the Tate Modern in London, where this particular postcard was acquired. It shows a mixed media painting by the artist Chris Ofili of a woman in profile. The hand-written note also mentions that she is back in Puerto Rico.

Exhibition flyer for Sterilized for Your Protection, a collection of work by Adrian Parra. The exhibition was held at the Mexic-Arte Museum in Austin, Texas from January 12th, 2001 to February 24th, 2001. An opening reception was held on January 12th, 2001. This exhibition was part of the museum's Diversity and Emergence Series. Flyer is printed on white and pink patterned tissue paper.

Postcard invitation that advertises and exhibition that exhibits the work by Malaquías Montoya, a renowned Chicano artist, at the Mexic-Arte Museum in Austin, Texas. The exhibit ran from July 31, 1998 to August 29th, 1998. The front of the postcard features a painting titled "The Beating," which was created using acrylic wash pencil and pastel on paper. The painting is of a bald man who holds his right hand at his brow in an expression of pain.

Postcard from a friend of Sterling Houston's sent to his home in San Antonio, Texas. The note on the back expresses gratitude for receiving one of his plays - Le Griffon - and goes on to discuss personal matters. She appears to be recently married and expecting her first child. The front of the postcard shows a family of sequin artists in Haiti working in their home.

Postcard inviting the recipient to visit the Rosario Cabrera and Swallow exhibits at the Mexic-Arte Museum in Austin, Texas. The Rosario Cabrera exhibit ran from March 13th, 1998 to April 18th, 1998. The front of the postcard features two images set side by side. The leftmost image is a photograph of a young woman. The woman's hair reaches just below her ears and is pinned to one side. Her smile is enigmatic and she looks directly at the camera. The rightmost image appears to be a sketch of the same woman, though some changes have been made. In this image the woman looks slightly to her right and much attention is paid to her hair. The drawing has an unfinished quality to it.

Postcard inviting the recipient to visit exhibits of The Purple Land and Cultural Dialogue at the Mexic-Arte Museum in Austin, Texas. Both exhibits ran from January 16th, 1998 to February 28th, 1998.

Postcard invitation from The Marsh, a theatre venue in San Francisco, to Sterling Houston, prominent San Antonio playwright. The invitation is for Civil Sex, a performance starring Brian Freeman, founder of the Postmodern African-American Homosexuals (Pomo Afro Homos).

Postcard inviting the recipient to visit an exhibition of divine art to be auctioned at the Mexic-Arte Museum in Austin, Texas. The Auction Party was held on December 14th, 1996. Divine art to be auctioned included "contemporary & traditional Retablos and Ex-votos," or votive paintings. The front of the postcard, which is blue in color, features a drawing of the Virgin Mary clasping her hands in prayer.

Postcard advertising an exhibit of selections from the Mexican Print Collection. The exhibit was held at the Mexic-Arte Museum in Austin, Texas and ran from September 13th, 1996 to October 12th, 1996. The front of the postcard features a drawing of a woman with long hair and slightly squinted eyes. The drawing is labeled: "Lacandon Woman by Raúl Anguiano."

Postcard inviting the recipient to visit the Mascaranas Mexicanas exhibit at the Mexic-Arte Museum in Austin, Texas. The exhibit ran from May 3rd, 1996 to June 15th, 1996 and a reception was held on May 3rd, 1996. The front of the postcard features a photograph of an ornate mask. An almost human face with a mustache, two sets of horns, and an open mouth is surrounded be creatures. A bird sits atop the head as a snake wraps around it and three lizards crawl up the neck. The mask is painted in dark green, gold, and red colors.

Postcard inviting the recipient to attend the album release of Buena Suerte, Señorita by Flaco Jimenez. The concert benefited the Mexic-Arte Museum in Austin, Texas and was held on May 23rd, 1996. The front of the postcard includes a photograph of a man playing an accordion while standing in front of a train. The man looks up at the sky while a woman leans against the train.

Postcard from the Virginia Center for the Creative Arts to Sterling Houston, prominent San Antonio playwright. The postcard has been sent as a formality, indicating that they have received his application material and will be notified of a decision in the month of January.

Postcard from Richard and Jennifer Armstrong to Sterling Houston, prominent San Antonio playwright. A short note on the back discusses problems with a project and terrible weather. They hope to go to San Antonio occasionally. The front cover shows a view of Mt. Lassen and Manzanita Lake in Mt. Lassen, California.

Postcard from John to Sterling Houston, prominent San Antonio playwright. John talks about how great it was to spend time with Sterling and Arnie, and about a storm that hit them after they left. The front of the postcard shows an athletic man in light-colored boxers holding a shirt.

Postcard of several lines of text and printed images regarding the Danish Cultural Center. At the top left, there is a line drawing of the "Pioneer House," which, according to the caption beneath it, was "one of the pre-1900 houses, restored and furnished to reflect the early lifestyle of the Danevang pioneers." The small image shows a a two-story house with a smaller, single-story structure in the background and two flag poles in the foreground bearing the American and Danish flags. The drawing opposite on the top right corner is of a long structure with a mansard roof, which, according to its caption, is the museum. It is "reminiscent of an old Danish barn, it houses artifacts of the early days of the immigrants plus displays of farming, community life and Danish culture." In the very center, there is an outlined image of the state of Texas, with a tiered, bold line of text in red that reads, "Danish Culture Center." On the back of the postcard, there is further information about the Center. It reads: "Located approximately 12 miles south of El Campo on Hwy. 71 South and CR 426. The Cultural Center was established in 1992 and opened …

Flyer advertising the Mexic-Arte Museum's 1st annual exhibition of Texas Environmental Art in Austin, Texas. The exhibition ran from April 5th to 27th, 1991.

Postcard for the opening exhibition of A Chest of "Purls", a fiber arts show at the Carver Gallery in the Carver Community Cultural Center. The show featured the work of Nettie Jackson Bellinger, Gloria Bryant, Beverly Ann Dudley, and Harriet Kelly. The postcard was sent to Mr and Mrs. C. T. Harris.