Works of art in Wood (MDF), Metal (Pewter), Wood Dye, Recycled cotton yarn, and Backing cloth by artist Atinuke Adeleke, as part of a 2023 MFA exhibition entitled "Asepo" in the North Cora Stafford Gallery 1201 W Mulberry St, Denton, TX, from April 19 to April 22, 2023. Asepo is a simulated domestic space that speaks to being a product of the hybridization of cultures, the sense of displacement, and the need for belonging that comes with being a hybrid of sorts.

Works of art in Custom printed fabric, Wood (MDF), Clear Acrylic sheet, Acrylic Rods, Pewter, LED lights, by artist Atinuke Adeleke, as part of a 2023 MFA exhibition entitled "Asepo" in the North Cora Stafford Gallery, 1201 W Mulberry St, Denton, TX from April 19 to April 22, 2023. Asepo is a simulated domestic space that speaks to being a product of the hybridization of cultures, the sense of displacement, and the need for belonging that comes with being a hybrid of sorts.

Recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Graduate Artist Certificate (GAC) degree.

Recital presented at the UNT College of Music Kenton Hall in partial fulfillment of the Graduate Artist Certificate (GAC) degree.

Choir concert performed at the UNT College of Music Winspear Hall.

Recital presented at the UNT College of Music Concert hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.

Collegium Singers and Baroque Orchestra performance at the UNT College of Music Winspear Performance Hall.

Recording of Risto Holopainen's Variasjonar over ei stille (silence et version). Variasjonar over ei stille (Silence and Variations) is based upon two poems by the composer. Although originally written in Swedish, here they appear translated by Elin Lotsberg into her own West-Norwegian dialect. Her readings of the poems, with widely differing characters, provides the sonic and structural material for the entire composition. Several phrases were transcribed and then resynthesized in a "blown-up" manner. The overall time proportions in the piece also relates to the proportions of speech and silence between the stanzas in a particular reading. The material was recorded at the Norwegian State Academy of Music in 1996, and the work was realized at NoTAM (Norwegian network for Technology, Acoustics and Music) in October 1997.

The view down from above shows many desks on the lower level and lighted shelving.

Recording of Elizabeth Anderson's Mimoyecques. The piece consists of two sets of recordings and electronics. One set of recordings would be made in and around the fortress and would serve as the base where the imprisonment, death, and transfiguration themes would be built. The second recording is in the languages of the 18 nationalities of the laborers. The central section of the work illustrates the idea of terror freedom is suddenly, inexplicably removed. The final section explores the concept of the departure of the souls of the victims.

Studio portrait of the Hatch family wearing formal clothing and posing in front of a textured background. Four of the boys are standing in a line at the back (left-to-right: Gregory, Garrett, Travis, and Trent) and, in the front row, the parents are seated in chairs with another of the brothers standing at either side and the youngest seated on his parents' knees in the center (left-to-right: Berkley, Carol, Quentin, Gerald, and Randall).

The electroacoustic piece 'Etapper' ('stages') is based on a text selected from the novel 'Kontrapunktisk' by the Norwegian writer Ole Robert Sunde. In the piece the spoken and whispered sounds from the writers reading of the text have been transformed, mainly by the use of digital and analogue filtering, echo and reverb techniques. Transitions of noise, also derived from these vocal sounds, have been used to mark the hidden transfigurations that lead the development from one stage to the next. 'Etapper' is commissioned by The Norwegian Centre of Writers. It received 1. and 2. prize in the International Rostrum for Electroacoustic Music in Stockholm 1988.

Photograph of the front and side of a one-story, gabled stone house taken from the driveway at the south corner. It has a small porch with decorative wooden posts and a gabled roof with wood trim around the eaves. There is a chimney on the right corner of the roof and trees and bushes are planted around the house, obscuring part of the building.

Photograph of a bust of Otfried Hans Freiherr von Meusebach, which is set in a tall granite sculpture of stacked blocks in a "v" shape and has a text plaque posted below. The sculpture is in a median at an entrance to the Fredericksburg Pioneer plaza, which also has several planters and decorative rocks. The front entrance of the Vereins Kirche Museum is visible in the background; it is an octagonal, white, one-story building with a smaller second-story that is painted the same shade of blue as the door and shutters.

Photograph of the Burton Farmer's Gin building taken from the northeast corner. The building has corrugated metal siding and segments that have multiple stories. A metal water tower is visible at the right side of the building.

Photograph of three young boys, identified from left to right as Shawn Whetten, Curtis Whetten, and Randy Schmidt swimming in a concrete pool. A wire fence and portions of a yard are visible in the background behind them. Parts of sticker that look like a jean pocket are affixed to the bottom of the photo.

Photograph of three adult members of the First Baptist Church of Rockwall, standing outside the church building.

Photograph of two young women, members of the First Baptist Church of Rockwall, standing in front of the church building.

Skirt of peach color cotton crochet.

Group of four dental instruments that have handles made of decoratively-carved mother-of-pearl with jewels. From the bottom to top: a spoon excavator, a hand-held mirror, a second spoon excavator, and a tongue depressor.

Man's necktie of navy, white, and black check silk.

Photograph of a passion play depicting Jesus' resurrection held by the First Baptist Church of Rockwall. He stands at center in a white robe, talking to a woman with in a black garment with a headdress. Behind the actors is a cardboard cut-out painting of Jesus' tomb and a rock rolled away from its entrance.

Contact print of Darla Ward and Billy Kirkpatrick posing together in front of a blank wall with long, light-colored curtains on either side. Kirkpatrick is wearing a dark-colored suit with a necktie and Ward is wearing a light-colored formal dress with a tulle skirt and a bolero-style jacket. Their names are handwritten on the back.

Contact print of Tommy Phillip and Christina Vandiver posing in front of a blank wall with long, light-colored curtains on either side, with Phillip turned slightly to look at Vandiver, who is facing forward. Gourley is wearing a dark-colored suit with a necktie and a boutonniere pinned to his right lapel; Grosser is wearing a light-colored formal dress and has a lace shawl around her shoulders. Their names are handwritten on the back.