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The Devil and the Details: Negotiating Virtuosity, Agency, and Authenticity in Karlheinz Stockhausen’s Kathinkas Gesang als Luzifers Requiem for Solo Flute
An Instructional Guide to Teaching Kurtág’s Játékok Volume I to Beginning and Intermediate Piano Students
Polyphonic Harmony in Three of Ferruccio Busoni’s Orchestral Elegies
Constructions of Choir Identity in a High School
A Performance Edition of the Alessandro Rolla Concerto in F for Viola and Orchestra, Op 4 (Bi 549)
Selected Operas of Isabelle Aboulker As Repertoire for the University Opera Studio
Under the Influence of Marc Blitzstein: Examining Leonard J Lehrman’s Uses of Serial Techniques for Dramatic Purposes in Karla
Violetting Through August’s End (Or the Sunset in Water, the Carillon-chime in Square): an Original Chamber Opera and a Critical Essay on the Trajectory of American Minimalist Opera
The 1896 Vienna Tonkünstler-verein Competition: the Three Award-winning Works and Seven Anonymous Submissions with Clarinet
The Automatic Compensating Euphonium As the Ideal Choice for Performing Music Composed Originally for Ophicleide
Babel: a Composition for Rock Band, Soprano Quartet, and Chamber Ensemble—music and Critical Essay
“Before I Die…”: Original Composition with a Critical Essay Exploring the Techniques of Six Crossover Composers
Carlos Guastavino’s Sonata Para Trombón O Trompa Y Piano: Analysis of Argentine Song and Formal Western Music Tradition Applied to Trombone Repertoire
The Combination of Eastern and Western Musical Worlds: Korean Performance Techniques Applied to Western Symphony Orchestra in Relation to Isang Yun’s Tänzerische Fantasie Für Großes Orchester, Muak (1987)
A Comparative Examination of Six American Master Trumpet Teachers and the Regional Schools of Playing That They Represent
A Comparison of Rhythm, Articulation, and Harmony in Jean-michel Defaye’s À La Manière De Stravinsky Pour Trombone Et Piano to Common Compositional Strategies of Igor Stravinsky
An Examination of Text Reflection and Imagery in Zoltán Gárdonyi’s Fünf Lieder Nach Gedichten Von Rainer Maria Rilke
The First Movement of Piano Sonata in B-flat Minor by Julius Reubke: a Comparison of Three Editions From the Performer’s Point of View
Gordon Binkerd’s “Intermezzo” From Essays for the Piano (1976): a Comprehensive Analysis of Brahmsian Compositional Influences and Stylistic Elements
The Influence of Indigenous Bushmen Musical Elements and Significant Compositional Traits on Niel Van Der Watt’s Song Cycle, Die Wind Dreun Soos ‘N Ghoera, ‘N Siklus Boesman-mites
The Measurement of Occupational Identity Among Undergraduate Preservice Music Teachers: a Test Development Study
Pedagogical Applications of Scat-singing Within the Jazz Trombone Studio
A Performance Guide for the Unique Challenges in Concerto for Tuba and Chamber Orchestra by Jan Bach
A Performance Guide to the Dramatic, Vocal, and Musical Challenges of Judith Weir’s Opera, King Harald’s Saga
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