Traditional musical performances recorded in Taipei in 1971.

Traditional musical performances and chanting recorded in Taipei.

Handwritten notes and transcriptions of Akha songs.

Handwritten notes and transcriptions of word lists and short narratives about body parts, child birth, agriculture, names, adjectives, weather, ancestors, and making yeast.

Handwritten notes and transcriptions of traditional narratives.

Handwritten notes and transcriptions of traditional narratives and death rituals.

Recording of a personal letter to a family member about Chhingi's daughter, Nutei.

Recording of a personal letter to a family member.

Recording of a personal letter to a family member.

Recording of a personal letter to a family member about when they plan to come home for a visit.

Recording of Thangpuii, Lalnunthangi Chhangte's paternal grandmother, recounting memories from her childhood. When she was younger, a Lai neighbor from Burma had a ceremony that was interesting to her because it was from a different culture. She learned about headhunting, and a war that happened between north and south Mizoram during the mid-1800s. She says people go to war because they believe whoever you kill in life becomes your slave in the afterlife. Finally, she discusses getting married to her husband.

Recording of Thangpuii, Lalnunthangi Chhangte's paternal grandmother, describing her childhood in Mizoram, including the clothing she wore, her siblings, and how she resembled her parents.

Draft of the grammar of KokBorok with some placeholders. The grammar describes derivational and inflectional morphology and includes interlinear-glossed text examples.

Photograph of Lamkang tradtional bead necklaces called pthxii in Lamkang. These beads were first designed and introduced by Donnu Sankhil in the early 1980s.According to the different knik patterns of the Lamknang for knik myaar ksen, niktxil and diiphuun knik.

This book gives an overview of the canon of Kom folklore and customs such as weaving, hunting, traditional clothing, domestication of animals, and social practices like marriage, kinship, and naming children.

Photograph of [diphuun ksen] a Lamkang traditional wrap around worn by women, 'knik'. Woven by Tony Khular, of Thamlakhuren village, this knik was designed by Sankhil Thampool Khularnu of Thamlakhuren village in the early 1970s. She designed this diphuun ksen with the Lamkang Tkar buw K'err, also called 'Angbrasu buw'. It was worn by the Lamkang choir in the competition with Tkar buw Kpool during the Manipur Baptist Convention in Mao Songsong.

This document discusses a Z39.50 Interoperability Testing framework. In a first phase of the Z39.50 Interoperability Testbed, a large dataset of MARC records was used. In this work, the authors are exploring how a set of special, diagnostic MARC records can be developed and used to identify interoperability problems between a Z39.50 client and a Z39.50 server providing access to a database of bibliographic records supporting the search and retrieval functions of an online library catalog. The authors refer to these special, diagnostic records as radioactive MARC records. It discusses the various components and identifies the tasks related to developing and implementing the components.

Photograph of Lamkang traditonal earring known as thlumthler. Thlumthler is worn during the cultural dances, festivities and ceremonies. This piece is beaded by Sankhil Thampol Khularnu of Thamlakhuren village.

Photograph of Lamkang traditonal earring known as thlumthler. This piece is worn during the cultural dances, festivities and ceremonies. This piece is beaded by Sankhil Thampol Khularnu of Thamlakhuren village.

Photograph of a necklaces Kep pthxii. The traditional Kep was used in two line string but this is modernized version of the same Kep pthxii.

Photograph of a bracelet called Chavei in Lamkang. It is worn by women on both hands while performing the Lamkang cultural dance.This piece is handed to to Tony Khular by her mother Sankhil Thampol Khularnu of Thamlakhuren village.

Photograph of Lamkang Tradtional necklaces called, [arloa kep haar used in Lamkang cultural dance performances. These are ornaments that are normally handed down from the grandmother to the mother and daughters in the Lamkang traditions. These pieces are of Tony Khular ornaments handed down by her mother.

Photograph of Lamkang tradtional headgear for women called Changbom in Lamkang. This is worn during the cultural dance performances in any community festivities and ceremonies.This piece is handed down to Tony Khular by her mother Sankhil Thampol Khular of Thamlakhuren village.

Photograph of Lamkang Khunou dancers performing at the Lamkang Snu Lop conference at Mantri Pantha. Here we can see how the women were dancing performing the male dancers role.