General view from E of the Roman Aqueduct, Reign of Trajan. Tallest arches are 29 meters. From the Roman Imperial Period.

Detail view from E of the Roman Aqueduct, Reign of Trajan. Tallest arches are 29 meters. From the Roman Imperial Period.

Raking view from the S of the Roman Aqueduct, Reign of Trajan. Tallest arches are 29 meters. From the Roman Imperial Period.

Raking view from the S of the Roman Aqueduct, Reign of Trajan. Tallest arches are 29 meters. From the Roman Imperial Period.

Detail view from the S with Cathedral seen through arch of the Roman Aqueduct, Reign of Trajan. Tallest arches are 29 meters. From the Roman Imperial Period.

Raking view of lower portion of the Roman Aqueduct, Reign of Trajan; approaching the city from the E. Tallest arches are 29 meters high. From the Roman Imperial Period.

It is a round disc with painting of christ. Upper half of the body is visible with one hand holding a book and the other hand in gestural position. There is a circular disc behing the figure with painted motifs in green, blue and white colors. There is visible clothing worn by christ and textures are visible on the dark blue cloth worn over inside layer of clothing. Book has geen, yellow, red and white color motifs. Other than this there are two small circular discs on the plate with written text in latin. They are blue, white and red in color. Other than that metal is visible with plain golden surface.

Interior of the Mosque of Córdoba with some of the 36 piers and 514 columns. From the Islamic Architecture Period.

View of the arabesque above portal of the Mosque of Córdoba. From the Islamic Architecture Period. ó

Architecture

Detail view of statue of San Fernando (Juan Ron) above portal

The facade of the house shows the color and many textural patterns. The windows are dressed with a variety of balconies and grids.

The view is of the corner of the house with a close view of colored ceramic tiles and textures.

The close detail view is of the exterior facade and shows the yellow flower decorated ceramic tiles and the wrought iron fence with its flower decorations.

The view is a close detail of the winged dragon like creature atop the fence and behind can be seen the yellow flowery design on the blue-green ground of the ceramic tiles.

The view is of one of the turrets and the juxtaposition of colorful ceramic tiles laid on the rough red bricks.

The close view of the exterior of the building shows the detail of the alternating flowered ceramic tiles with plain white tiles as well as two small cupids that sit on a ledge. A vertical stained glass window is also shown.

A small cupid sits atop a window ledge with the alternating pattern of white tiles and flowered tiles behind.

In this view the rough undressed stone is visible juxtaposed next to the rough red brick and the smooth decorative ceramic tiles.

Caixa Forum is the former Casarramona textile factory. The canopy sheltering the main entrance was designed by Arata Isozaki.

The view shows the bench and mirror against the wall in an open area with patterned tile on the floor.

The view is of the northeast corner exterior wall with the juxtaposition of the white travertine plinth and the highly patterned and bookended blue green marble.

The view is a close detail of the exterior wall showing the highly figured marble.

The view is of the entry, the travertine plinth and the marble exterior wall.