"Antiquarian bookshop and autograph shop [of] Heinrich Hinterberger." A catalog of Heinrich Schenker's library. The catalog is divided into three parts: I. Music; II. Musical Rarities; III. Theater, Ballet, Dance.

Envelope of letter addressed to Elfriede Oppel containing a photo of her and correspondence between Franz Liszt and Carl Loewe.

Reprint of a photograph of Reinhard Oppel.

Autograph score for an a cappella SATB choral piece set to a Reformation text; composed in Bonn.

Fair copy manuscript of two pieces for 'cello and piano by Oppel written in pen.

Handwritten sketch of Sanctus from Messe II (found in Box B, Folder 1, Item 6 in this collection).

Double-sized page of sketches on staff paper with the second page crossed out in red pencil.

Two pages of sketches for string(?) quartet.

List of Oppel's works handwritten on one side of an envelope. Cancelled postmark on reverse.

List of Oppel's works in his handwriting.

First page of a mirror canon for four voices and brief sketches in Oppel's handwriting. The third word in the title is difficult to discern but the first word, "Spiegel," translates to "mirror."

Fair copy score of the first three pages of a string quintet.

Essay entitled "On Beethoven's Relationship with Mozart and Ph. Em. Bach." Text uses incipits from the eponymous composers' works and counterpoint examples to illustrate Oppel's prose arguments.

Envelope containing information on Oppel's compositions

Autograph sketch for a chorale.

Handwritten pencil sketch of last six pages of unknown composition likely for piano and orchestra (in reduced score).

Four preludes.

Two piano etudes: Op. 31, No. 1 (for the left hand); Op. 31, No. 2

Score of "Two songs for one singer with piano accompaniment" published as Op. 3 in Berlin by Ries & Erler with plate number R.7685 E. Contains "Über ein Stündlein" ("About an Hour") and "Irrlichtergesang" ("Wispy Light Song").

Two songs set by Reinhard Oppel: 1. Über ein Stündlein (Paul Heyse); 2. Irrlichtergesang (W. Walloth).

Printed text of two Hungarian folksongs translated into German by Max Farkas and set to music by Reinhard Oppel: "Komm nicht in später Nacht" ("Do not come late at night") and "Hinterm Dorfe flieβt die Szamos" ("The Szamos flows behind the village").

Program for Regents Faculty Lecture by Dr. Timothy Jackson, Associate Professor of Music Theory, College of Music on "The 'New Teaching' 1928-1935 and 2001-: the Reinhard Oppel Memorial Collection at UNT and Schenkerian Analysis in the New Millennium." Program includes a WebCT Demonstration by Jennifer Sadoff, doctoral student, teaching fellow, and winner of the Toulouse Doctoral Fellowship and scholarships from the Jewish Federations of Chicago and Dallas. Other participants include Melissa Hall, piano, and Heejung Kang, performing Liebeslied ("Love Song") by Oppel, Schliesse mir die Augen Beide ("Close Both My Eyes") by Paul Kletzki, Über ein Stündlein ("In a Short While") by Oppel, Fugue by Hans Weisse for Heinrich Schenker, and Klavierstuck ("Piano Piece") Op. 4, No. 1 by Heinrich Schenker.