Magazine clipping of a single front and back leaf with full color lithograph commercially printed illustrations featuring a clarinet musician and a helicopter rescue mission. The font of the leaf shows a collage like image with music notes, clarinets, records, buildings and classic busts on a red background. The back of the page shows a helicopter coming to rescue a lone solider stranded in the ocean.

Magazine clipping of a single front and back leaf with full color lithograph commercially printed illustrations with descriptive text featuring airplanes and the Naval Air Transportation Service. The page serves as an advertisement for electric propellers and their role in the Pacific theatre of the war.

Seated nude woman with shoulder-length light brown hair with a pale yellow wreath of flowers on her head and behind her. Single lithograph pin-up doll cut out estimated to be from the 1940s to early 1950s.

Magazine clipping of a single front and back leaf with full color lithograph commercially printed illustrations featuring the US Air Force and airplanes. The front illustrations shows a canary yellow "Hellcat" airplane flying framed by clouds with descriptive text that reads "Brightly-Painted Hellcat is believed a special gunnery target". The verso side shows soldiers looking over a map on a runway near a "button-nose" tagged plane.

A page from Esquire Magazine featuring front and back Kodachrome photography collages.

A single front and back page from Esquire magazine featuring color Kodachrome photographs of women and descriptive text. This page features American actress Marjorie Woodworth [1919-2000].

Clipping from LIFE Magazine featuring a grand prize winning cartoon by Basil Wolverton. The cartoon appears to be a man with very pronounced teeth and ears smiling with this neck extended forward. The text below notes the detail that the artists wife thought the subject was too human to win a cartoon contest. The backside of the leaf includes lists of editors and contributors of the magazine and some advertisements.

A spread from Esquire magazine featuring a brunette Varga Girl wearing a light blue quilted robe with a magnolia tucked in her hair.

A spread from an unidentified magazine featuring printed color photo reproductions of women and lithograph prints of paintings without descriptive text.

A spread from an unidentified magazine featuring printed color photographs of women in fashionable clothes and reproduction lithographs of paintings, without descriptive text.

A page from an unidentified magazine featuring a front and back leaf of women models posed in fashionable clothes and accessories. The front features a Kodachrome collage of a woman standing by a mirror with her reflection turned to face herself wearing a slightly different dress followed by a printed color photograph of a woman with black hair in a blue evening gown posed on a striped couch.

Single pin-up doll cut out from Esquire Magazine.

Page from True Magazine featuring an illustration of a Petty Girl followed by a reproductive print of 3 men and a woman on a white sailboat. Pin-ups by artist George Petty or "Petty Girls" first made their appearance in 1933 and into the 1950s set the standard for American female beauty. The hallmarks of Petty pin-ups are elongated limbs most noted in the legs, a flirtatious smile, and telephones.

Page from True Magazine featuring an illustration of a Petty Girl followed by a reproduction of an Audubon print of the male Wild Turkey, Meleagris gallopavo.Pin-ups by artist George Petty or "Petty Girls" first made their appearance in 1933 and into the 1950s set the standard for American female beauty. The hallmarks of Petty pin-ups are elongated limbs most noted in the legs, a flirtatious smile, and telephones.

A page center spread from True magazine featuring an illustration of a blonde Petty Girl kneeling in a blue military uniform paired with the text "...so take my advice and just bet your shirt!" followed by a page of illustrations and descriptive text of fashionable American swimwear by painter William Pachner. Pin-ups by artist George Petty or "Petty Girls" first made their appearance in 1933 and into the 1950s set the standard for American female beauty. The hallmarks of Petty pin-ups are elongated limbs most noted in the legs, a flirtatious smile, and telephones.

Page from True magazine featuring an illustration of a Petty Girl and a painting of a winter morning scene that is a reference to the printers Currier and Ives. Pin-ups by artist George Petty or "Petty Girls" first made their appearance in 1933 and into the 1950s set the standard for American female beauty. The hallmarks of Petty pin-ups are elongated limbs most noted in the legs, a flirtatious smile, and telephones.

A front and back spread from the December edition of Esquire Magazine 1940. This spread features a color reproduction of a Hurrell photograph of actress Pamela Randall [1918-1991] followed on the reverse by eight card illustrations featuring reproductive etchings by Howard Baer and descriptive text by Phil Stack.

A spread from Esquire magazine featuring an illustration of two Varga Girls representing the United States (the pilgrim) and Spain (the senorita) paired with a two stanza verse "Nice Neighbors" by Phil Stack. On the following side of the spread is a reproduction offset lithograph print of various sports and recreation fashion watercolor illustrations by Robert Goodman for the May edition of 1941.

A spread from Esquire magazine featuring an illustration of a Varga Girl styled as a bride in a wedding dress, veil, and stockings throwing her shoe paired with a two stanza verse "Bouquet for a Bride" by Phil Stack. On the following side of the spread is a reproduction offset lithograph print of men's fashion illustrations by William Pachner featuring hats accompanied by descriptive text for the June edition 1943.

A spread from Esquire magazine featuring an illustration of a redhead Varga Girl flying styled to a card and gambling theme paired with a two stanza verse "Curves are Trumps" by Phil Stack. On the following side of the spread is a reproduction offset lithograph print of sketches and photographs celebrating fathers day clipped from the June edition of Esquire Magazine in 1943.

A spread from Esquire magazine featuring an illustration of a brunette Varga Girl wearing a floor-length silver dress paired with the verse Patriotism Minus by Phil Stack. On the following side of the spread is a reproduction offset lithograph print of men's fashion illustrations by William Pachner featuring shoes and socks for every occasion accompanied with labels and descriptive text.

A spread from Esquire magazine featuring an illustration of a blonde Varga Girl posing holding a pencil and letter paper paired with a two stanza verse "V Mail for a Solider" by Phil Stack. On the following side of the spread is a reproduction offset lithograph print of men's fashion illustrations by William Pachner accompanied by descriptive text.

A front and back spread from the February edition of Esquire Magazine 1942. This spread features a color reproduction of a Hurrell photograph of 1930s actress Billie Seward [1912-1982] followed on the reverse by men's fashion illustrations by William Pachner accompanied by descriptive text.

A spread from Esquire magazine featuring an illustration of a blonde Varga Girl flying wearing a matching gold dress and robe set paired with a two stanza verse "Love Cries "Uncle" by Phil Stack. On the following side of the spread is a reproduction offset lithograph print of men's fashion illustrations by William Pachner featuring the color star grey and descriptive text.