Photograph of a Native American man in a hat and suit jacket leaning on tree. The man is elderly and his outfit is distinctly American. There is an open field behind him.

Photograph of a young Lionel Robinson (1915-1930) posing for a portrait in a light-colored coat with a matching hat. He stands in a carved wooden chair and looks to the right of the photographer.

Copy negative of a fire on a ship at a shipyard in Orange, Texas. Large billows of smoke rise from the docked ship. Another ship is on the water directly adjacent to the ship on fire. Another, smaller boat, approaches the fire.

Copy negative of a large gaff-rigged sailing vessel leaving port in Orange, Texas. The photograph was taken from the International Shipyard in Orange.

Copy negative of dozens of International Ship Builders on the deck of a ship going to work. he men wear various items of casual clothing, but all of the men visible are wearing hats. The photograph was taken from a smaller boat at a higher vantage point.

Copy negative of the City of Shreveport Ship launching from a shipyard in Orange, Texas. The ship is in a dry dock, heading into the water. Several passengers stand on the deck of the ship. One waves a large American flag.

Copy negative of International Shipyard in Orange, Texas. The photographer is positioned across a body of water, looking at a large ship that is docked parallel to the shoreline. Several one-story buildings are visible on the left of the frame.

Copy negative of two tankers flanked by two tugboats out on the water at a shipyard in Orange, Texas. The four vessels are docked on the left side of the frame, though they largely obscure the dock itself.

Photograph of the San Marcos Baptist Academy posing for a portrait. The students wear uniforms and hold various brass instruments and two drums. Two men in the back wave an American flag and the state flag of Texas.

Pamphlet providing an overview of the town of El Paso and brief descriptions of missions and tourist spots in El Paso and its counterpart, Juarez.

Photograph of George Washington and Lucy Evans posing for a family picture with 21 other family members on the steps of a porch. The couple stand on the porch, surrounded by the rest of the adults. The children sit lined up on the lowest step with a dog.

Postcard of the vault in the First National Bank in Waco. The large, circular vault door is open, revealing another barrier of metal bars behind it.

Photograph of the Faudi family posing for a portrait. The parents sit in the middle of the frame as their children surround them. The subjects are identified as Jacob H. Faudi, Olga Wolff Faudi, Esther Faudi, Lydia Faudi, Phillip Faudi, Marvin Faudi, and Alice Faudi.

Postcard of Vincent Carr (left), John Kane (middle), and Horace Nelson (right) posing together for a portrait. A handwritten message is scrawled across the dedicated correspondence space as well as around the front of the card. The message in the correspondence space reads: "Hello Mame Skeet said to tell you he still loved you but I know he don't like you like I do Horace." The message at the top of the front of the card reads "going to moving picture show every night and am painting the town red white and so sweet blue." A message on the side and bottom margins of the front of the card reads "watch him go tho some old bashful barefoot boy but nevertheless he still loves son H. N." A message written next to Vincent Carr reads "ain't he cute the dear boy." The card is addressed to Miss Mammie Parker of Bonham, Texas.

Photograph of the Waco Public Library, a Beaux Arts style structure with trees and a well-manicured lawn. The structure was located at 1717 Austin Avenue in Waco, Texas. It was the former home of William Waldo Cameron (1878-1939) and was designed by Roy E. Lane.

Photograph of Clara Evans Willis posing with a cannon on her honeymoon in San Antonio. She is standing between the right wheel and the back of the barrel. She wears a large hat and a long dress with a relaxed silhouette.

Photograph of Ruth Coleman (1912-), James Archie Coleman (1882-1966), David Wesley Coleman (1850-1923), and Elvin Littleton Coleman (1828-1914) taken outside. The two oldest men and the baby sit while the youngest man stands.

Photograph of the interior of the Westbrook & Evans mercantile store. Walter Philmore Evans Jr. (Age 5) is posing in a World War I uniform in the middle of the store. Several adults stand behind counters lining both sides of the building.

Photograph of Onie Robinson holding his daughter, Mary Frances Robinson at the Robinson home. There is a battle house in the background.

Photograph of a cotton gin, corn elevator plant, and the Evans & Westbrook mercantile store in Lorena, Texas. In the distance, Walter Philmore Evans Sr. and Walter Philmore Evans Jr. (age 1.5 years) are posing together.

Photograph of a young Brooke Doswell Smith (1911-1988) sitting on top of a wooden pergola with a dog in their lap.

Photograph of Clyde Eiland posing for a photograph in front of a tree as the wind blows his hair and tie back. A note on the back of the card reads "Clyde Eiland Armor & Co. B'wood Tex."

Photograph of Beulah Williams Evans (1880-1968) posing for a portrait. Her hair is pulled into an elaborate updo with a comb and she wears a light-colored dress with a wide neckline. She wears a small pendant around her neck.

Photograph of May McSween Harris (Mrs. L. A. Robinson) posing for a portrait in her wedding dress. The dress features button details along the sides and shoulders along with a dark-colored collar. She wears a hat with a large feather at the top.