Recording of Mary Burke eliciting words with gemination in a frame sentence with Sumshot Khular. Each word is a noun ending in a consonant uttered in the frame 'ava ___=a ktxhaa ktxhaa', meaning 'that ___ is nice/beautiful' to observe the affect of the '=a' enclitic on the final consonant of the target word.

Recording of Mary Burke eliciting words with the '=a' enclitic from Sumshot Khular. Each word is a noun ending in a consonant to observe the affect of the '=a' enclitic on the final consonant of the target word. After the word list, Sumshot reads a list of personal names with the enclitic '=u' on them. In this version, target words and names do not occur in a frame sentence. This was part of the Fall 2017 LING 5300 Phonology course.

Recording of Mary Burke eliciting words with gemination in a frame sentence with Sumshot Khular. Each word is a noun ending in a consonant to observe the affect of the '=a' enclitic on the final consonant of the target word. In this version, target words do not occur in a frame sentence. This was part of the Fall 2017 LING 5300 Phonology course.

Sumshot Khular reads a list of names along with the agentive marker -ngi.

Shekarnong Sankhil discusses the origin of clan names with Shobhana Chelliah while visiting UNT.

Shekarnong Sankhil of Thamlapokpi Village talks to Shobhana Chelliah about how the Lamkang traditionally carried out burials.

A recording of imperative verbs in the frame "Please X" as told by Daniel Tholung and Shekarnong Sankhil. The recording is useful for tone and segment information. Recorded at UNT in 2009.

A discussion of the Totlang Festival by Shekarnong Sankhil.

Transcription of an elicitation session of how space is encoded in Lamkang. The sentences were based on those in an LTBA (Linguistics of the Tibeto-Burman Area) article on Qiang languages that was under review at the time of elicitation.

Photograph of a poster presentation about reduplication in Lamkang at the ICOLSI-38 conference at IIT Guwahati, Assam, India

Lamkang Hyms written in an older orthography. A few of the contributors are listed in the preface.

Shekarnong Sankhil talks about the relationship of the Lamkang to the Naga groups.

At the University of North Texas, Shekarnong Sankhil sings a harvest song.

Photograph of [buw kupmom] feeding Kamla Bhasin by Sumshot Khular during the month long program organized by SANGAT in Dhulikhel, Nepal. Kamla Bhasin is an Indian developmental feminist activist, poet, author, and social scientist.

Handwritten notes of verb paradigms in Lamkang by Daniel Tholung when discussing verb paradigms with Willem de Reuse at the University of North Texas.

Beshot Tholung of Thamlapokpi telling the origin story during a seminar on Culture and Origin of the Lamkangs organized by Lamkang Kurchuknao Kunpun at Charangching Kullen-Khunkha in 2006.

A photograph of Lamkang leaders and elders gathered with younger speakers during the seminar on Culture and Origin of the Lamkangs, organized by the Lamkang Kurchuknao Kunpun at Charangching Khullen-Khunkha in 2006. From left, Sankhil Shekarnong, Ex-Member of District Councilm with Dilbung Ringo Kamlun, Former President CNPO.

A photograph Laapuu singing traditional songs while the dancers perform the dance at a seminar on Culture and Origin of the Lamkangs. Organized by the Lamkang Kurchuknao Kunpun at Charangching Khullen-Khunkha village in 2006.

A photograph of the performance of a traditional Lamkang dance, displaying the traditional jewelry and costume of the Lamkang people, including porcupine quills on the women's dresses and hornbill feathers on the men's.

Lamkang dancers ready to perfom the Saa K'aai dance during the seminar on Culture and Origin of the Lamkangs. Organized by Lamkang Kurchuknao Kunpun at Charangching Khullen-Khunkha in 2006.

Lamkang traditional dance performers dancing the Reel Ruu kardaam at the seminar on Culture and origin of the Lamkangs

A photograph of the performance of a traditional Lamkang Kaang Klek dance, displaying the traditional Kaang, jewelry and costume of the Lamkang people, including porcupine quills on the women's dresses and hornbill feathers on the men's.

A photograph of the performance of a traditional Lamkang Khuu kthun dance steps, during the seminar on Culture and Origin of the Lamkangs. Held at Charangching Khullen-khunkha, organized by Lamkang Kurchuknao Kunpun.

Saa K'aai dance performance of a traditional Lamkang dance. The men is seen with spear used for hunting as the dance is a hunter's dance known as Saa K'aai usually performed after an animal is hunted and brought home.