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Iniflow
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Recording of Olle Aberg's Iniflow. The composer states that this piece is about the music itself and explores the idea of sounds meeting and vibrating together in the air. Aberg compares it to hearing church bells making a homogeneous tone and creating overtones.
Date:
2003
Creator:
Aberg, Olle
Object Type:
Sound
System:
The UNT Digital Library
INIT
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Use of this item is restricted to the UNT Community
Recording of Olle Aberg's INIT. This work represents the idea of initiation and starting a new phase of life. The composer states that the change is not perceptible until several days/months/years have gone by, but then by looking back we see it as "initiation". The composer has segmented this work into four parts: 1. preparations are made, 2. looking back to old things, 3. new things will appear, and 4. summary and rest.
Date:
2003
Creator:
Aberg, Olle
Object Type:
Sound
System:
The UNT Digital Library
The wonderful adventures of Dr Olyd and her time-shaping machine
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Recording of Olle Aberg's The wonderful adventures of Dr Olyd and her time-shaping machine. This is a work for electronics that tells the story of a scientist working on a machine that will alter space-time. The composer feels the title suggests a feeling of childhood adventures where anything could happen, which is reflected in the story. The piece has several layers and connotations, and the music amplifies the whole feeling.
Date:
2005
Creator:
Aberg, Olle
Object Type:
Sound
System:
The UNT Digital Library
Fermata via Media
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A shower of grains with an average duration of 80 milliseconds but perceived as a continuous sound produces shifts of changing timbres. The sound source for this granulation made in real time comes from samples whose mathematical data are recorded on a hard disk (it is quanta whose frequency modulation (FM) and the spectral envelope (formants) have been predetermined. ). The reading mode of these data is controlled in a way (as if read stuttering) to perceive as a musical gesture what could otherwise be a succession of brief and irreducible sound events. The piece is a psychological poem that explores aspects of pitch and interval, temporal perception, and timbre in a context of selective listening (auditory streaming). "Fermata via media" was produced (1990) at Simon Fraser University's Electroacoustic Music Laboratory with the help of GSAMX sampling programs for granular synthesis and compositional PDFILX developed by Barry Truax.
Date:
1990?
Creator:
Ablenas, Robert, 1959-
Object Type:
Sound
System:
The UNT Digital Library
Puntos de Partida
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Recording of Guillermo Acevedo's Puntos de Partida. This is a work for electronics that was included in a project published by Laboratorio Arte Alameda and curated by Manuel Rocha Iturbide and Israel Martínez. This project ran under the name "Electroacoustic Mexico 1960-2007" and highlighted various Mexican electroacoustic works and artists.
Date:
2004
Creator:
Acevedo, Guillermo
Object Type:
Sound
System:
The UNT Digital Library
Si tan solo fueramos libres...
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Recording of Rodolfo Acosta's Si tan solo fueramos libres. This work is for guitar and electronics. This work explores the possibilities of electronically manipulated guitar and a wide variety of traditional electroacoustic technique.
Date:
1993
Creator:
Acosta R., Rodolfo, 1970-
Object Type:
Sound
System:
The UNT Digital Library
Metallika Glypta III
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"Metallika Glypta III", is the third release of a series of three works under the same title, was written in February 1972. Their processing and the final realization were made in the studio of the author. The sculpture exhibition of Loukoupoulos (1972) was the starting point of "Metallika Glypta". The idea of using sounds taken exclusively from metal sculptures was a particularly challenging stimulus. The musical activity starts at the first moment when the sound material was collected. The ideas on the making of sounds were preconceived, they came one after the other. Each successful essay highlights the emotion of the first creative success. The same emotion was found in later treatments and their inclusion in large units. The form of the work -fluent and evolving without stop- serves the integration of musical ideas in a composition that has not denied the original material. The feeling of metal is thus always present.
Date:
1972
Creator:
Adamis, Michael
Object Type:
Sound
System:
The UNT Digital Library
A Scent of lilac drifts the bank of county 282
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Use of this item is restricted to the UNT Community
Recording of Scott Adamson's A Scent of lilac drifts the bank of county 282. For electronics and electronic instruments.
Date:
1997
Creator:
Adamson, Scott (Composer)
Object Type:
Sound
System:
The UNT Digital Library
Tincanchant
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Recording of Milan Adamciak's Tincanchant. For electronics, manipulated pre-recorded sound, and samples from varying sources. Created using traditional electro-acoustic technique.
Date:
1995
Creator:
Adamčiak, Milan
Object Type:
Sound
System:
The UNT Digital Library
Clothed in the Soft Horizon
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Recording of Mathew Adkins' Clothed in the Soft Horizon. The work presents a communitive interaction between electronically built sounds and the original unprocessed sounds, which are modelled after water droplets and the motion of a wave that builds, crashes, and breaks. This use of processed and unprocessed sound is the overall bas of the work and also the Spectro morphological design of many of the individual sounds. Overall, the work is both a physical representation of the flow and motion of the water and a personal response to it.
Date:
1994
Creator:
Adkins, Mathew, 1972-
Object Type:
Sound
System:
The UNT Digital Library
Melt
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Use of this item is restricted to the UNT Community
Recording of Mathew Adkin's Melt. Melt is the description of a train journey. The work is based on the mediation between: regular movement and impulse, and raw sounds or computerized sounds. The basis of the work is live recordings of trains, metro announcements, crowds, synthesized sounds with characteristics of natural sources, and synthesized sounds. Throughout the work, the sounds of the real world mix with the synthetic equivalents of the dream world, like a traveler falling back in and out of a dream day.
Date:
1994
Creator:
Adkins, Mathew, 1972-
Object Type:
Sound
System:
The UNT Digital Library
Noumena
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Use of this item is restricted to the UNT Community
Recording of Mathew Adkin's Noumena. "Noumena" was a term used by Kant referring to the things that underline our experience both of the physical world and of our own mental state. This work is a number of short discrete sections that play continuously, with the sections alternating between "inner" and "outer" senses.
Date:
1999/2000
Creator:
Adkins, Mathew, 1972-
Object Type:
Sound
System:
The UNT Digital Library
Pagan Circus
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Use of this item is restricted to the UNT Community
Recording of Mathew Adkin's Pagan Circus. For electronics, manipulated voice, and pre-recorded sound. This work is based upon two sources: the poem Pagan Circus by Rose Dodd and the circus paintings of Frantisek Tichy (1896-1961).
Date:
1996/1997
Creator:
Adkins, Mathew, 1972-
Object Type:
Sound
System:
The UNT Digital Library
Silent red
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Use of this item is restricted to the UNT Community
Recording of Mathew Adkins' Silent red. This work was written as part of a multimedia performance. For three dancers, three video projections and electroacoustic sound. This work was inspired by the triptych paintings of Francis Bacon. The sound was created from recording of the dancers during improvisation sessions. This current version is a shortened concert version of the original dance presentation.
Date:
1997
Creator:
Adkins, Mathew, 1972-
Object Type:
Sound
System:
The UNT Digital Library
Aerial
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Recording of Monty Adkins' Aerial. This is a work for electronics and is included on the album "Mondes Inconnus" by the composer.
Date:
2002
Creator:
Adkins, Monty
Object Type:
Sound
System:
The UNT Digital Library
Breaking
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Recording of Mathew Adkins' Breaking. This work mixes electronic sounds with those of classic R&B music.
Date:
1999
Creator:
Adkins, Monty
Object Type:
Sound
System:
The UNT Digital Library
Deepfield
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Recording of Mathew Adkins' Deepfield. This work was commissioned by the Césaré Musical Creation Studio at the Reims Planetarium and premiered there in 2000. The sounds in this work come from rocks of various sizes and gas cylinders, creating a sonar exploration of deep space and worlds unknown, inspired by the discoveries made with the Hubble telescope.
Date:
2000
Creator:
Adkins, Monty
Object Type:
Sound
System:
The UNT Digital Library
Mapping
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Use of this item is restricted to the UNT Community
Recording of Mathew Adkins' Mapping. According to the composer, this work depicts the slow evolution of a landscape and brings the listener through unknown territory as sounds from the real world are transformed. The piece deals with the notion of "beginning" and the perception of objects over time.
Date:
1997/1998
Creator:
Adkins, Monty
Object Type:
Sound
System:
The UNT Digital Library
Neutrotransmission
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Recording of Mathew Adkins' Neutrotransmission. This is a work for electronics.
Date:
1998
Creator:
Adkins, Monty
Object Type:
Sound
System:
The UNT Digital Library
Dencias
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Recording of Alfredo Marcano Adrianza's Dencias. “Dencias” was realized at the Laboratory of Electronic Music (CICMAT) of Buenos Aires. The work is conceived as a large surface of electronic sounds that appear and disappear in different harmonic combinations, on a resonant background of delicate character, formed by percussion sounds of instrumental origin. The slow, somewhat hypnotic unfolding of the work is sometimes interrupted by the violent appearance of fortissimo attacks.
Date:
1977
Creator:
Adrianza, Alfredo Marcano
Object Type:
Sound
System:
The UNT Digital Library
Un souffle, une Ombre, un rien
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Recording of Ondřej Adámek's Un souffle, une Ombre, un rien. This is the composer's first electroacoustic composition and includes various concrete sounds that have been both untouched and transformed.
Date:
2001
Creator:
Adámek, Ondřej, 1979-
Object Type:
Sound
System:
The UNT Digital Library
The Circle of Existence
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Recording of Mihail Afanasiev's The Circle of Existence. This is an opening of the new way of the author's expression. The syntheses of instrumental and studio thinking and the use of synthetic instruments. The fragment of the quartette of the composer V.Belyaev, with whom the composer studied with in conservatory, is used in composition.
Date:
1996
Creator:
Afanasiev, Mihail
Object Type:
Sound
System:
The UNT Digital Library
Ni le rêve, ni lumière, ni la tristesse…
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Recording of Mihail Afanasiev's Ni le rêve, ni lumière, ni la tristesse…. This is a work for electronics and is the continuation of the new sound space mastering.
Date:
1998
Creator:
Afanasiev, Mihail
Object Type:
Sound
System:
The UNT Digital Library
SBA
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Recording of Mihail Afanasiev's SBA. This is a work for electronics and is the first composition recorded by a method called "Transformational technology or new dramaturgy". Sound structures by A. Skryabin, "Beatles", and the composer are used.
Date:
2001
Creator:
Afanasiev, Mihail
Object Type:
Sound
System:
The UNT Digital Library