Bill for $125 in annual dues for the Ahavath Sholom Congregation, in Fort Worth, Texas. The dues statement is for congregation member, B. Max Mehl.

Recording of Elizabeth Anderson's Mimoyecques. The piece consists of two sets of recordings and electronics. One set of recordings would be made in and around the fortress and would serve as the base where the imprisonment, death, and transfiguration themes would be built. The second recording is in the languages of the 18 nationalities of the laborers. The central section of the work illustrates the idea of terror freedom is suddenly, inexplicably removed. The final section explores the concept of the departure of the souls of the victims.

Photograph of Mexican Insurrectos waiting to ambush Mexican Federal Soldiers. The insurrectos are waiting to engage Mexican Federal Troops.

Correspondence between Dr. Meyer Bodansky and Dr. M. Libenstein of the Municipal Hospital Hadassah. Dr. Bodansky's letters confirm that his publishers have sent a copy of his recent textbook, "Introduction to Physiological Chemistry" to Dr. Libenstein in Tel Aviv, Palestine.

Letters between Professor G. Weil and Dr. Meyer Bodansky concerning the receipt of an edition of Dr. Bodansky's book, "Introduction to Physiological Chemistry," at the Jewish National and University Library. Professor Weil thanks Dr. Bodansky for the book and asks to be included in the distribution of any future books. Dr. Bodansky agrees to send one further copy of his textbook.

Senior recital presented at the UNT College of Music Voertman Hall in partial fulfillment of the Bachelor of Music (BM) in Performance degree.

Recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.

Recording of Joseph Dorfman's The Stones of Jerusalem. This piece is divided into three movements and each includes readings in Hebrew from Genesis and Exodus, the first two books of the Torah. The first movement, "Galeed," incorporates text from Genesis 31:44-46. The second movement, "Altar," reads from Exodus 20:25. The third and final movement, "Tables of Testimony," uses texts from Exodus 31:18 and Exodus 34:1.

Two self-portraits and in the margin below is written a joke in English and Hebrew.

Greeting card from Louis Halfant with artwork of roses and a torah. The border of the card has drawn ribbon and flowers. The torah is tied up by a bow and on top of the card is a ribbon tied into the shape of a bow. In the top right corner is text reading "Happy New Year, Dear Children". Inside the card is artwork of the torah, roses, and a candle. There is a short rhyming poem and a message from Mr. Halfont.

Close-up photograph of a stained-glass window pane depicting a wooden platter in the shape of a Jewish star with a double eagle at the center and the date 1770 (in Hebrew). It is one of more than two dozen circular stained-glass discs created in 1947 for the sanctuary of Fort Worth's Temple Beth-El; most of the images were copied from a book on Jewish treasures to represent a collection of Judaica in miniature. This kind of platter is meant to hold Matzo at Passover. The double eagle is a symbol of the Austro-Hungarian Empire. When Beth-El moved in August of 2000, this pane was removed, framed and presented to Broadway Baptist Church, Beth-El's long-time neighbor on Broadway Avenue on the city's near Southside.

Photograph of a stained-glass window pane depicting two stone tablets inscribed with the Ten Commandments; each of the lines contains the opening words of a commandment. It is one of more than two dozen circular stained-glass discs created for the sanctuary of Fort Worth's Temple Beth-El; most of the images were copied from a book on Jewish treasures to represent a collection of Judaica in miniature. When the congregation moved to a new building, this disc was removed and placed in the Temple Archives.

Recital presented at the UNT College of Music Voertman Hall in partial fulfillment of the Master of Music (MM) degree.

Weekly Jewish newspaper from Fort Worth, Texas that includes local, state, national, and religious news along with extensive advertising.

Choral concert presented at the UNT College of Music Winspear Performance Hall.

Plate 52 - Libson, Rabbi Elieser, 1489, Type 1, 4

Confirmation Bible, Beth-El Congregation. Presented to Rose Levenson for Confirmation on Shevuoth, May 26, 1909 at Fort Worth, Texas by Rabbi George Zepin. Title page and inscription of the bible states that this volume contains "the Twenty-Four Books of the Holy Scriptures, carefully translated according to the Massoretic text, after the best Jewish authority by Isaac Lesser."

Sample marriage certificate (called a Ketubah) presented to couples married at the Congregation Ahavath Sholom in Fort Worth, Texas as of 1990. The certificate includes three panels. On the far left, text primarily in English describes the vows of marriage. In the center, the main text of the certificate is in Hebrew with blanks for specific information; the text is surrounded by illustrations of plants and crops. On the far right there are lines for names and signatures of participants and witnesses. This form was designed by the Rabbinical Assembly (an organization of American Conservative rabbis).

Choir festival concert performed at the UNT College of Music Winspear Hall.

Photograph of a confirmation class in a Jewish temple. An older man stands at the center of an altar decorated with plants and books, flanked by several students. They stand in front of an Torah ark and several stained glass windows. A biographical note about the photographer is written at the back.

This work was created from a story entitled "The Confession" that I wrote in 1989. In Spanish originally, it was translated into Hebrew, French, English and German. Some of these texts in different languages have been integrated into the work. "Confession" records the psychological oscillations - from mental stability to madness or vice versa - that the protagonist goes through. "The Confession" of the human voice, the electronic instruments (synclaiver), the acoustic instruments (harp, trombone, cello, flute, percussion) and the concrete sounds create a semantic interaction with the syntax of the musical language.

Student recital presented at the UNT College of Music Recital Hall.

Photograph of a multi-story Jewish Synagogue with a clay shingled roof, a clock tower, and two separate clock face displays. The first clock face is closer to the edge of the roof top, and numbered in Hebrew numbers. The second clock face appears on all four sides at the top of the clock tower, and is numbered with roman numerals.

Choral concert performed at the UNT College of Music Winspear Hall.