Recording of Tomasz Wiracki's Przedwiosnie. This is a work for electronics and includes various concrete sounds.

Recording of Jan Oleszkowicz's Atavi.

Recording of Alexander Gabrys' Eco-Ethno-Polish-Mountains-Music-Spheroid. This work is composed of four parts on acoustic material borrowed from recordings of authentic Polish mountain folklore. Despite a very advanced technical and sound transformation, the nature of folklore is highlighting its dynamic character. The sound developed from: "gajdy" (bagpipes), "krzapoki" (goat bells), shepherd's horn, Polish violin, and by a pseudo instrument composed of a kind of whip used to flagellate horses.

Recording of Eugeniusz Rudnik's Pourquoi Cocteau – epitafium na smierc Wielkiego Aktora. For electronics and pre-recorded sound with vocal and instrumental sound.

Recording of Pawel Mykientyn's Epiphora. For voice, piano, and tape. The piece is dedicated to Maciej Grzybowski and is a collaborative work.

Recording of Jan Oleszkowicz's Métamorphoses de la petite pluie.

Recording of Daniel Park's Piatek. This work uses voice in different languages and styles, which are interrupted by fragments of electronics. The synthesized sound are very still and have many harmonies. The segments of speech are either processed and put through effects or kept as is containing little to no digital processing.

Recording of Elżbieta Sikora's The waste land, for fixed media. The piece is a journey through time and spaces. The present is mixed with the past, the ordinary with the extraordinary, dream with reality. The work was commissioned by the Experimental Studio of Polish Radio and was realized in October 1979. The text comes from T. Elliot's poem "The Waste Land."

Recording of Bohdan Mazurek's Daisy Story. Key sonorities include the twittering of birds, the croaking of frogs, and vocal phrases as well as whispers, laughter and shouts. The piece was realizes at the Polish Radio Experimental Studio in Warsaw.

Recording of Ryszard Klisowski's Memento for tape.

Recording of Eugeniusz Rudnik's Nous.

Recording of Eugeniusz Rudnik's Lekcja.

An extended montage of street musicians in New York City.

Documentary broadcast on Poland's TVP2, from Conover's final visit to Poland in 1995. The program includes comments from Andrzej Jaroszewski, Paweł Brodowski, Jan Ptaszyn Wróblewski, Andrzej Trzaskowski, and photos from Marek Karewicz. The program is followed by a musical interlude, and the news program Panorama, and additional programming.

Video program in tribute to jazz broadcaster Willis Conover, hosted by photographer Marek Karewicz.

The entire program for the jazz hour (second hour) of Music USA, broadcast July 22, 1959. This episode was the third of a series following Conover's trip to Poland earlier that year, and featured the second part of the first concert at the Warsaw Philharmonic Hall during Conover's visit.

The entire program for the jazz hour (second hour) of Music USA, broadcast July 23, 1959. This episode was the fourth of a series following Conover's trip to Poland earlier that year, and featured the first part of the second concert at the Warsaw Philharmonic Hall during Conover's visit.

The entire program for the jazz hour (second hour) of Music USA, broadcast July 28, 1959. This episode was the fifth and final part of a series following Conover's trip to Poland earlier that year, and featured the second part of the second concert at the Warsaw Philharmonic Hall during Conover's visit.

The entire program for the jazz hour (second hour) of Music USA, broadcast July 21, 1959. This episode was the second of a series following Conover's highly successful trip to Poland earlier that year, and featured the first part of the first concert at the Warsaw Philharmonic Hall during Conover's visit.

Recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Master of Music (MM) degree.