Quantum Convention’s eight genre-bending stories balance precariously between reality and fantasy, the suburban and the magical, the quotidian and the strange. Caught at a crossroads in his marriage, a high school teacher attends a parallel universe convention, where he meets his multiple selves and explores the alternate paths of life’s what-ifs. The story of Margaret Hamilton, the actress who played the Wicked Witch of the West, parallels the coming of age of a cross-dressing boy whose crisis of identity is tied to The Wizard of Oz. Other stories feature characters labeled as “outcasts” by society—whether physically, morally, or fantastically: an alcoholic lucid dreamer, a closeted bisexual, a bachelor time-epileptic, orphans-turned-keeners, a vengeful banshee, a nerdy cyclops, and more. Many struggle to find what Dorothy and her entourage searched for: the wisdom to trust or discount their faith; the ability of the emotionally detached to love; the courage to speak up for oneself; a place to belong.

Music has long played a role in American presidential campaigns as a mode of both expressing candidates’ messages and criticizing the opposition. The 2016 campaign was no exception and was a game changer similar to the development of music in the 1840 campaign, when “Tippecanoe and Tyler Too” helped sing William Harrison into the White House. The ten chapters in this collection place music use in 2016 in historical perspective before examining musical messaging, strategy, and parody. The book ultimately explores causality: how do music and musicians affect presidential elections, and how do politicians and campaigns affect music and musicians? The authors explain this interaction from various perspectives, with methodological approaches from several fields, including political science, legal studies, musicology, cultural studies, rhetorical studies, and communications and journalism. These chapters will help the reader understand music in the 2016 election to realize how music will be relevant in 2020 and beyond.

"The Byrd Williams Collection at the University of North Texas contains more than 10,000 prints and 300,000 negatives, accumulated by four generations of Texas photographers, all named Byrd Moore Williams. Beginning in the 1880s in Gainesville, the four Byrds photographed customers in their studios, urban landscapes, crime scenes, Pancho Villa's soldiers, televangelists, and whatever aroused their unpredictable and wide-ranging curiosity. When Byrd IV sat down to choose a selection from this dizzying array, he came face to face with the nature of mortality and memory, his own and his family's. In some cases these photos are the only evidence remaining that someone lived and breathed on this earth"--Amazon. The contents include: Foreword : One bright thread / Roy Flukinger -- Photographs : The family album -- Landscape -- Postcard -- The Great Depression -- Studio -- People -- Non-people -- Violence and religion in Texas -- Night -- Afterword : Palimpsest / Anne Wilkes Tucker.

The stories in The Expense of a View explore the psyches of characters under extreme duress. In the title story, a woman who has moved across the country in an attempt to leave her past behind dumps an empty suitcase into the Columbia River over and over again. In another story, a woman who wakes up mornings only to discover she's been shooting heroin in a night trance, meets her doppelganger on a rainy Oregon beach. Most of the characters are displaced and disturbed; they suffer from dissociative disorders, denial, and delusions. The settings—Florida, eastern Washington, Seattle, and the Oregon coast—mirror their lunacies. While refusing to look at what’s right in front of themselves might destroy them, it’s equally likely to be just what they need.The contents include: Honey -- Night train -- Void of course -- The expense of a view -- Three of swords -- Thinking about Carson -- Compliance -- My old man -- My doppelganger's arms -- Festival -- How to make an island -- Blue plastic shades -- The grandmother's vision -- The island of cats.

Assigned as the senior medical advisor to the Army of the Republic of Vietnam in I Corps, an area close to the DMZ, James G. Van Straten traveled extensively and interacted with military officers and non-commissioned officers, peasant-class farmers, Buddhist bonzes, shopkeepers, scribes, physicians, nurses, the mentally ill, and even political operatives. He sent his wife daily letters from July 1966 through June 1967, describing in impressive detail his experiences, and those letters became the primary source for his memoir. The author is grateful that his wife retained all the letters he wrote to her and their children during the year they were apart. The author describes with great clarity and poignancy the anguish among the survivors when an American cargo plane in bad weather lands short of the Da Nang Air Base runway on Christmas Eve and crashes into a Vietnamese coastal village, killing more than 100 people and destroying their village; the heart-wrenching pleadings of a teenage girl that her shrapnel-ravaged leg not be amputated; and the anger of an American helicopter pilot who made repeated trips into a hot landing zone to evacuate the wounded, only to have the Vietnamese insist that the dead be given a …

A History of Fort Worth in Black & White fills a long-empty niche on the Fort Worth bookshelf: a scholarly history of the city's black community that starts at the beginning with Ripley Arnold and the early settlers, and comes down to today with our current battles over education, housing, and representation in city affairs. The book's sidebars on some noted and some not-so-noted African Americans make it appealing as a school text as well as a book for the general reader. Using a wealth of primary sources, Richard Selcer dispels several enduring myths, for instance the mistaken belief that Camp Bowie trained only white soldiers, and the spurious claim that Fort Worth managed to avoid the racial violence that plagued other American cities in the twentieth century. Selcer arrives at some surprisingly frank conclusions that will challenge current politically correct notions. "Selcer does a great job of exploring little-known history about the military, education, sports and even some social life and organizations."--Bob Ray Sanders, author of Calvin Littlejohn: Portrait of a Community in Black and White.

Funny, heartbreaking, and real--these twelve stories showcase a dynamic range of voices belonging to characters who can't stop confessing. They are obsessive storytellers, disturbed professors, depressed auctioneers, gambling clergy. A fourteen-year-old boy gets baptized and speaks in tongues to win the love of a girl who ushers him into adulthood; a troubled insomniac searches the woods behind his mother's house for the "awful pretty" singing that begins each midnight; a school-system employee plans a year-end party at the site of a child's drowning; a burned-out health-care administrator retires from New England to coastal Georgia and stumbles upon a life-changing moment inside Walmart. These big-hearted people--tethered to the places that shape them--survive their daily sorrows and absurdities with well-timed laughter; they slouch toward forgiveness, and they point their ears toward the Holy Ghost's last words. "In its precise prose and spooky intelligence and sharp-eyed examination of the condemned kind we are, Last Words of the Holy Ghost is an original. Listen: if you can find a collection of stories more cohesive, more ambitious in reach, more generous in its passion, and fancier in its footwork, I will buy it for you and deliver it in person. In the meantime, put some …

Guss, Felix, and Jim Upshaw founded the community of County Line in the 1870s in northwest Nacogdoches County, in deep East Texas. As with hundreds of other relatively autonomous black communities created at that time, the Upshaws sought a safe place to raise their children and create a livelihood during Reconstruction and Jim Crow Texas. In the late 1980s photographer Richard Orton visited County Line for the first time and became aware of a world he did not know existed as a white man. He went down the rabbit hole, so to speak, and met some remarkable people there who changed his life. The more than 50 duotone photographs and text convey the contemporary experience of growing up in a "freedom colony." Covering a period of twenty-five years, photographer Richard Orton juxtaposes his images with text from people who grew up in and have remained connected to their birthplace. Thad Sitton's foreword sets the community in historical context and Roy Flukinger points out the beauty of the documentary photographs. This book should appeal to anyone interested in American or Texas history, particularly the history of African Americans in the South in the aftermath of the Civil War. The book should …

The sharp-witted stories in Becky Adnot-Haynes' debut collection explore the secret lives of people—how they deal with the parts of themselves that they choose not to share with their closest confidants—and with the world. A pole-vaulter practices his sport only before dawn. A recently divorced woman signs up for a hallucinogenic drug excursion in the Arizona desert. An uncertain girlfriend goes out into the world wearing a false pregnancy belly. In The Year of Perfect Happiness, the universe is recognizable but slightly askew, a world whose corners can be peeled back to reveal the strange and often comic outcomes of acting out your most self-destructive desires. It is also a winner ofKatherine Anne Porter Prize in Short Fiction Series.

A sweet slipstream stew, a call and response to Hemingway’s In Our Time, Geoff Schmidt’s debut collection Out of Time is a meditation on meaning and mortality, and the ways that story and the imagined life can sustain us. In these stories, vengeful infants destroy and rebuild the world, rivalrous siblings and their mother encounter witches and ghosts and the possessed, Barack Obama and Keith Richards smoke their last cigarettes, men and women with cancer variously don gorilla suits or experience all time simultaneously. Time is running out for all of the people in these stories, yet the power of language, the human ability to tell, to imagine and invent, is a redemptive force. “The stories in Out of Time chase after the secrets and sorrows of families, revealing the lengths people will go, and the harm they will do, to keep their worlds together. These characters are not crazy, they are in love and afraid. Geoff Schmidt writes a lucid, new mythology in prose that's limned with fear and awe. To read these stories is to feel the force and urgency of a new and vital literary voice.”—Ben Marcus, author of Age of Wire and String, and judge

The 2010 U.S. Census data showed that over the last decade the Latino population grew from 35.3 million to 50.5 million, accounting for more than half of the nation’s population growth. The editors of The Roots of Latino Urban Agency, Sharon Navarro and Rodolfo Rosales, have collected essays that examine this phenomenal growth. The greatest demographic expansion of communities of Mexican Americans, Puerto Ricans, and Cuban Americans seeking political inclusion and access has been observed in Los Angeles, Miami, Chicago, and San Antonio. Three premises guide this study. The first premise holds that in order to understand the Latino community in all its diversity, the analysis has to begin at the grassroots level. The second premise maintains that the political future of the Latino community in the United States in the twenty-first century will be largely determined by the various roles they have played in the major urban centers across the nation. The third premise argues that across the urban political landscape the Latino community has experienced different political formations, strategies and ultimately political outcomes in their various urban settings. These essays collectively suggest that political agency can encompass everything from voting, lobbying, networking, grassroots organizing, and mobilization, to dramatic …

Donut Dolly puts you in the Vietnam War face down in the dirt under a sniper attack, inside a helicopter being struck by lightning, at dinner next to a commanding general, and slogging through the mud along a line of foxholes. You see the war through the eyes of one of the first women officially allowed in the combat zone. When Joann Puffer Kotcher left for Vietnam in 1966, she was fresh out of the University of Michigan with a year of teaching, and a year as an American Red Cross Donut Dolly in Korea. All she wanted was to go someplace exciting. In Vietnam, she visited troops from the Central Highlands to the Mekong Delta, from the South China Sea to the Cambodian border. At four duty stations, she set up recreation centers and made mobile visits wherever commanders requested. That included Special Forces Teams in remote combat zone jungles. She brought reminders of home, thoughts of a sister or the girl next door. Officers asked her to take risks because they believed her visits to the front lines were important to the men. Every Vietnam veteran who meets her thinks of her as a brother-at-arms. Donut Dolly is …

Houston Blue offers the first comprehensive history of one of the nation’s largest police forces, the Houston Police Department. Through extensive archival research and more than one hundred interviews with prominent Houston police figures, politicians, news reporters, attorneys, and others, authors Mitchel P. Roth and Tom Kennedy chronicle the development of policing in the Bayou City from its days as a grimy trading post in the 1830s to its current status as the nation’s fourth largest city. Prominent historical figures who have brushed shoulders with Houston’s Finest over the past 175 years include Houdini, Teddy Roosevelt and his Rough Riders, O. Henry, former Texas Ranger Frank Hamer, hatchet wielding temperance leader Carrie Nation, the Hilton Siamese Twins, blues musician Leadbelly, oilman Silver Dollar Jim West, and many others. The Houston Police Department was one of the first cities in the South to adopt fingerprinting as an identification system and use the polygraph test, and under the leadership of its first African American police chief, Lee Brown, put the theory of neighborhood oriented policing into practice in the 1980s. The force has been embroiled in controversy and high profile criminal cases as well. Among the cases chronicled in the book are …

The short stories in this rich debut collection embody in their complexity Alice Munro’s description of the short story as “a world seen in a quick, glancing light.” In chiseled and elegant prose, Lieberman conjures wildly disparate worlds. A middle aged window washer, mourning his wife and an estranged daughter, begins to grow attached to a young woman he sees through the glass; a writer, against his better judgment, pursues a new relationship with a femme fatale who years ago broke his heart; and the daughter of a Holocaust survivor struggles with the delicate decision of whether to finally ask her aging mother how it was that she survived. It is all here—the exigencies of love, of lust, the raw, unlit terrain of grief. Whether plumbing the darker depths or casting a humorous eye on a doomed relationship, these stories never force a choice between tragedy and redemption, but rather invite us into the private moments and crucibles of lives as hungry and flawed as our own. “Quiet, moving, masterfully crafted. Such are the nine stories in Venus in the Afternoon. Tehila Lieberman writes with precision, restraint, with a compassionate heart. She inhabits her characters, young or old, men or …

When an unwed pregnant woman is pressured to get married by her boyfriend, parents, and the entire culture around her, she sees a feverish intensity emanating from the path to domesticity, a “paved path shaded by thick-trunked trees, lined with trim grass and manicured mansions, where miniature houses play mailboxes and animals play lawn ornaments and people play happiness.” Jessica Hollander’s debut collection exposes a culture that glorifies and disparages traditional domesticity, where people’s confusion, apathy, and anxiety about the institutions of marriage and family often drive them to self-destruction. The world in Hollander’s nineteen stories appears at once familiar and vividly unsettling, with undercurrents of anger and violence attached to everyday objects and spaces: a pink room is “a woman exploded,” home smells “of laundered clothes and gas from the grill,” and the sun “is so bright the sky fills with over-exposure, wilting the corners to orange, to red, to black.” Here people adopt extreme and erratic behavior: hack at furniture, have affairs with high school students, fantasize about sex with “monsters,” laden flower bouquets with messages of hate; but these self-destructive acts and fantasies feel strangely like a form of growth or enlightenment, or at least the only …

John Thomas Biggers (1924–2001) was one of the most significant African American artists of the twentieth century. He was known for his murals, but also for his drawings, paintings, and lithographs, and was honored by a major traveling retrospective exhibition from 1995 to 1997. He created archetypal imagery that spoke positively to the rich and varied ethnic heritage of African Americans, long before the Civil Rights era drew attention to their African cultural roots. His influence upon other artists was profound, both for the power of his art and as professor and elder statesman to younger generations. Olive Jensen Theisen’s long-time commitment to the art of John Biggers resulted from the serendipitous discovery of an early Biggers mural in a school storeroom in the mid-1980s. Theisen immediately recognized the artist, the work, and its significance. She then set about returning The History of Negro Education in Morris County, Texas to a place of honor and found herself becoming a friend and recorder of John Biggers’s stories and experiences relating to the creation of his other murals too, including Family Unity at Texas Southern University. Containing more than eighty color and black-and-white illustrations, Walls That Speak is a richly illustrated update …