Satirical engraving of William Winstanley or "Poor Robin" circa 1600. The print was printed and published by Ben Harris in Bell Alley in Coleman Street, London, England. The image shows the poet Winstanley standing in his studio with a pen in one hand and a cup of wine in the other. He appears surrounded by alchemical symbols in a cloud around his head and on a square he stands in on the floor.

Portrait engraving of the French politician Maximillion de Bethune, circa 1650. The image is attributed to designer P.P. Rubens and shows a portrait in an oval frame above a paragraph of descriptive text.

Engraving print for the title page of a printing of the classical Iconies Variae circa 1675. The plate was designed, engraved and published by Flemish printer Jan Galle (1600-1675). Text includes both Greek and Latin.

Pastoral French etching and engraving of a landscape showing a small herd of cattle wadding through a stream that cuts through a hilly landscape with many trees. Two small figures appear conversing on the bank of the stream with a lone individual on a horse. The print is attributed to French designer and printmaker Adam Perelle and was published in Paris by Pierre Mariette.

Engraved portrait of German Catholic Archbishop Johann Von Schonenburgh, circa 1500-1600. The plate has the portrait framed by ornate scroll work including the face of a cherub, pears and ribbons. The description directly under the portrait reads "Religion and Wisdom".

Satirical Print of English preacher, political advisor and soldier who supported the Parliamentary cause during the English Civil War. The engraving, circa. 1600, shows Hugh Peters with a devil on his back with each foot on a stack of books that correspond to church and state while he holds the ties to bags of money that are labeled with "Revenue", "Plunder", "Thimbles" and "Benefices". Symbols of the monarchy and the church appear on the floor by his feet.