Recording of Jan W. Morthenson's Neutron star. This work is based on thermodynamics. The sensation of gravity and compression is represented by acoustic means. The whole sound mass breaks up into glissandos and is dissolved in an echo giving an illusion that the imaginary event has taken place in space. The great quantity of impulses and the focal point in "Neutron Star" necessitated the use of a computer (SAAB D-21), which has itself produced the electronic impulses (with frequencies chosen by a random generator) and been programmed to let the impulses appear at on the whole fixed intervals.

Recording of Jon Appleton's Chef d'oeuvre.

Recording of Bogusław Schäffer's Symphonie. Both in its original conception and in its accomplishment, of which a considerable part of the credit goes to Mr. Bohdan Mazurek, sound engineer of a remarkable creative experience, the Symphony comprising four parts, presented, in accordance with the idea of ​​the composer, of the structural arrangements, techniques, transposition processes, time relationships and aesthetic and auditory principles which vary from part to part. The work in the studio was made from a score which did not have to take account of the sound situations, but which had to constitute a bridge between the composer and the director, sound engineer. The diagram of the Symphony constituted a system of signs offering a rather distant relation to their musical representation, conventional signs, homologous to a certain extent only to the unfolding of the work. The following electronic devices were used in the composition of the song: sound generators, square wave generators, sawtooth wave generators, white noise generator, pulse generator, filters, ring modulator and amplitude discriminator. The work on the Symphony in stereo was completed in the spring of 1966.

Recording of Paul Pedersen's Fantasie. This 8 minute, 2-track tape piece was composed in 1967 at the Mc Gill University electronic Music Studio. The work was conceived as a multimedia presentation using 3 projectors with hand painted slides by the Montreal artist Gino Bielanski. The piece is in 15 sections, which are synchronized with the fifteen slides used in the centre projector. Pitch organization in the work is centered on a 9 pitch series between 77 and 2335 Hz with successive pitches 200 Mels apart. Two sections involve the use of the Shephard Scale. The basic sound sources used are limited to white noise, sine and square waves. Much of the synthesis of the work was done using the channel Spectrogram developed by Dr. Hugh Le Caine of the National Research Council of Canada.

Recording of John Gilliland interviewing Bobby Darin in Beverly Hills, California for the Pop Chronicles radio program series. Due to problems with the original tape, the playback speed varies over the course of the interview.

Live performance from the Pacific Coast Jazz Festival, held October 6-8, 1967. The performers include Big Mama Thornton and the Original Hound Dogs, and possibly T-Bone Walker, from October 8. While this recording does not include interviews, it was included in the broader interview collection.

Recording of John Gilliland interviewing Milt Jackson in Orange, California for the Pop Chronicles radio program series.

Recording of John Gilliland interviewing Carl Perkins in Los Angeles for the Pop Chronicles radio program series.

Excerpts of interviews with members of The Mamas and the Papas for the Pop Chronicles radio program series. The speakers are not identified, but include Cass Elliot (interviewed June 18, 1967 in Monterey).

Recording of John Gilliland interviewing Johnny Cash in Los Angeles for the Pop Chronicles radio program series.

Recording of John Gilliland interviewing Kay Starr in Los Angeles for the Pop Chronicles radio program series.

Recording of John Gilliland interviewing Rick Nelson in Hollywood for the Pop Chronicles radio program series.

Recording of John Gilliland interviewing members of The Hollies in Hollywood for the Pop Chronicles radio program series.

Recording of John Gilliland interviewing Anita Kerr in Hollywood for the Pop Chronicles radio program series. The recording also includes components of the song "No Salt On Her Tail" as they were assembled in the studio.

Recording of John Gilliland interviewing Hank Williams, Jr. in Culver City, California for the Pop Chronicles radio program series.

Interview of Joan Baez in Los Angeles. John Gilliland used this recording for the Pop Chronicles radio program series.

The Bee Gees appear on KRLA's Open Session program. John Gilliland used this recording for the Pop Chronicles radio program series.

Buffy Sainte-Marie appears on KRLA's Open Session program. John Gilliland used this recording for the Pop Chronicles radio program series.

Dick LaPalm interviewing Howlin' Wolf. John Gilliland used this recording for the Pop Chronicles radio program series.

Interviews used for the Bee Gees' appearance on KRLA's Open Session program. John Gilliland used this recording for the Pop Chronicles radio program series. An unidentified speaker may be Vince Melouney.

Recording of John Gilliland interviewing Tennessee Ernie Ford in Hollywood for the Pop Chronicles radio program series.

Recording of John Gilliland interviewing Johnny Rivers in Hollywood for the Pop Chronicles radio program series.

Recording of Jerry Wexler's eulogy at the funeral of Otis Redding.

Petula Clark appears on KRLA's Open Session program. John Gilliland used this recording for the Pop Chronicles radio program series.