This thesis explores the use of English loanwords in French discourse found on seven France-based corporate websites and the website of one government ministry in France. The following overarching question guided this research project: To what extent are English loanwords used in French for marketing purposes or other reasons? As expected, the results varied greatly from website to website, but it is clear from my analysis of this relatively small corpus that the use of English is widespread in French discourse. In this thesis, I allowed myself to engage in some speculation based on my own background and experiences. I acknowledge that further research is needed in order to provide a more comprehensive analysis of English loanwords in French since this is a very complicated topic that can be approached from many different angles.

One of the most important French grammar rules is the rule of superiority: Masculine subjects always trump feminine subjects when there are multiple subjects. Superiority is closely followed by the acceptance that all nouns have a grammatical gender, either masculine or feminine. Since 1984, and over the span of forty years, these rules have been challenged on multiple levels of French society. The research conducted over the course of this thesis focuses on the mentality and reactions of the French people towards inclusive language made up of inclusive writing campaigns, the feminization of traditionally masculine names, career positions, and titles, and the introduction of gender-neutral forms of conjugating and neo-pronouns. The studied responses are be categorized into those of the French government, the Académie Française, as well as those from the Canadian government and the Office québécois de la langue française. Research demonstrates the existence of a clear division between "traditionalist" and progressive values at work within the afore-mentioned levels of French societal attitudes. While official government publications and committees seem to reflect a positive attitude towards the adoption of feminized terms, the lack of support for inclusive writing systems by the government contradicts this. This thesis outlines these responses …

This thesis is focused on dynamic assessment (DA), an instructional approach based on Vygotskian sociocultural theory, applied to French pronunciation instruction, which can be neglected or inconsistent in the foreign language curriculum. DA aims to combine instruction and assessment into a cooperative, mediated approach in which the mediator works with the learner to identify and develop emergent abilities. These emergent abilities can appear in what is often referred to as the zone of proximal development (ZPD), or the difference between what a learner can do independently and what he/she can do with mediation, which in the present study was the difference between what the participant could pronounce correctly with or without mediation. In carrying out an individual DA session with a learner, the author aimed to find suggestions of potential benefits by applying DA to French pronunciation instruction and gain a more detailed understanding of the learner's performance than is generally possible from a traditional assessment, which is totally devoid of mediation for the sake of validity and reliability. The study includes a discussion of some potential benefits and limitations related to the use of DA for teaching French pronunciation to intermediate L2 learners based on what was observed in …

This thesis examines the current system of education in Quebec. Quebec spends as much money on education as Ontario but is not seeing the same results. In this analysis the reasons for Ontario's success and the challenges that Quebec is facing are outlined along with suggestions for reform in order to improve outcomes in Quebec.

The Quebec of the Quiet Revolution invites a fascinating sociocultural study, and this analysis provides an overview of major changes there during the 1960s and 1970s. The author analyzes how artistic, literary, and musical contributions of the era reflected the public's sentiments toward this metamorphosis. References to political cartoons, plays, poetry, songs, and non-fiction works such as essays and manifestos illustrate attitudes toward the shifting role of the Catholic Church, the arrival of a Liberal government following an ultra-conservative administration, the feminist movement, economic and education reform, and the transformation of Quebec's identity through fierce debates over the status of French and English in the province. Policies enacted by Quebec Prime Ministers, especially Maurice Duplessis, Jean Lesage, and René Lévesque were pivotal to the emerging society. Events such as Vatican II, the publication of the Encyclical letter Humanae Vitae, and the efforts of Catholic Action revealed two concurrent strains of Catholicism present in Quebec and the extent to which the Church had become disconnected from society. This study examines major feminist aims within the historical and literary context and considers how collective efforts were critical to advancing their agenda. Ambitious economic measures enabled Quebec's francophone population to catch up to …

Over the past 25 years, research on the effectiveness of new technologies in teaching has been constantly evolving as teachers try to keep up with educational trends. With the current evolution of technology, it is important to find out how students feel about the use of technologies in both the classroom setting and the non-traditional learning environment. The objective of this project is to determine which applications the students of French 1010 (first semester of college-level French) at the University of North Texas use for language learning to supplement and reinforce the concepts learned in class. Two questions guided this project: (1) what are the new technologies that students in French 1010 use? and (2) if UNT were to implement hybrid classes, would students be interested in taking them? In order to answer these questions, a survey was distributed to 184 students of French 1010 at UNT during the fall 2019 semester. From these surveys, 100 were selected for analysis in the present study, and three students were interviewed as a way to collect additional data. The results of the survey showed that Duolingo was the most used application for language learning purposes, while the interviews showed that the students …

Teaching a foreign language using task-based language teaching (TBLT) has garnered a lot of attention and has been the object of worldwide scientific studies for the last thirty years. Few of these studies, however, include an evaluation of this method by the teachers themselves, or are conducted by them directly. My thesis, centered around the notion of task-based language learning, a teaching method recommended more and more though sometimes still snubbed, relies on my professional experience as a teacher of secondary level FLE classes in the United States and on the analysis of reference studies conducted in this field. I have adopted the methodology of research-action with the goal of offering a pedagogic intervention. First I identify certain hurdles encountered by high school foreign language teachers. After this introduction, I evaluate the methods and didactic principles that stood out to lead to a teaching philosophy centered around communication, such as task-based language teaching. The second part of the thesis presents some important studies that evaluate the pros and cons of this approach. The next section examines in turn each of three tasks offered as contrast against the traditional model consisting of presentation, practice and production, known as "PPP." Finally the …

This thesis contains four chapters. The first chapter gives an overview of the current situation concerning same-sex parent families in France. This involves discussions of the PACS (Pacte civil de solidarité), adoption, and marriage, as well as the societal influences that caused the massive negative response to the Taubira law. The second chapter goes into more detail concerning portrayals of homosexuality in French media throughout the years. There is a focus, however, on one of the earliest portrayals of lesbianism in French literature: The Nun by Diderot. Lastly, the third chapter involves further explanation of the history of homosexuality and same-sex parent families. This chapter explores these ideas specifically in the context of French history, as well as how conditions for same-sex parent families have changed in recent years. The fourth and final chapter presents conclusions of the research.

This thesis seeks to examine the respective histories of London and Paris, two of the most influential and iconic cities in the world, in order to better understand how each respectively developed and their impact upon modern urban planning. Comparisons are made between, not only the history, but also the noble classes and gentry, religions, and cultural values which influenced the development of each capital city. Additionally, this thesis also seeks to explore how the development of Paris can still greatly assist modern developers in the twenty-first century.

Cette analyse littéraire examine les parallèles entre les deux romans Lettres persanes de Montesquieu (1721) et Lettres d'une Péruvienne de Françoise de Graffigny (1747) en se concentrant sur le sort des femmes et leur rébellion contre la claustration. Leurs révoltes transformatrices révèlent une volonté qui refuse et puis transcende les barreaux de leur captivité pour vivre librement. La philosophie de Simone de Beauvoir (1908-1986) personnifie leurs luttes pour devenir et exister, ce qui se traduit par leur capacité de dévoiler leur vraie nature. Elles se battent contre le néant de leurs existences où elles ne peuvent que succomber aux contraintes imposées. Elles se battent pour se définir et pour devenir. Cependant, c'est Graffigny qui nous offre une réponse plus proto-féministe dépassant les paramètres masculins de la société. Son livre répond directement aux Lettres persanes pour créer une nouvelle femme iconoclaste qui transcende les barrières de la société pour se réinventer.

This study shows similarities in the attitudes of and literary influences upon Maurice Maeterlinck and Nathaniel Hawthorne, especially in Maeterlinck's drama Pelleas et Melisande and Hawthorne's novel The Scarlet Letter. Circumstantial evidence indicates Maeterlinck's familiarity with Hawthorne's novel. Since no previous comparative study of Pelleas et Melisande and The Scarlet Letter exists, the works themselves are the major sources of information.

This study analyzes specific scenes in the novels dealt with in order to determine the type of women characters Mauriac has created. This study covers Mauriac's early, middle, and late periods as a novelist. The heroines are nearly all examined in relation to each other chronologically. The study shows that Mauriac first portrays a religious and simple heroine. The heroines become agnostic, if not atheistic in several of the subsequent novels. Through Therese, they become progressively more psychologically complex. They then become less complicated and, except for the last heroine, are religious. The last heroine is psychologically portrayed but is the least original of the heroines. The examination of Mauriac's women characters seems to show that the author is deeply sympathetic with the majority of them.

The purpose of this thesis is to examine evidences of dramatic technique in Diderot's three major fictional works, "La Reliieuse," "Le Neveu de Rameau," and "Jaccues le fataliste." The management of dialogue, setting, and gesture is of particular concern, along with style and structure and the recurrent theme of the actor. The conclusion reached is that the influence of dramatic technique is everywhere present in the three works under consideration. Diderot enlists the reader's visual and auditory participation by the use of fast-paced dialogue, striking gestures, and dynamic settings. He also borrows certain stylistic and structural devices from the theater and enhances the dramatic impression by presenting many of his main characters as actors playing their own special roles.

Four themes dominate Balzae's Pere Goriot: Paris, ambition, money, superman. Paris is described physically, socially and morally all strata of society are cruel and corrupt. The contrast between poverty and luxury arouses the ambition of young provincial Rastignae. While his ambition is mainly social, most of the characters of the novel have financial ambitions; money is their only valued Vautrin would kill and Goriot's daughters would reduce their father to pauperism for profit. Beth Vautrin and Goriot are presented as supermen, but while the former is a strong-willed ruthless ex-convict, the latter is a monomaniac, utterly blinded by paternal love. The four themes reflect contemporary society as well as Ralzac's own life and character. They recur throughout the Comdie Humalne but are skilfully condensed in Le Pere Goriot.

The purpose of this study is to ascertain the major aspects of the theoretical structure of Sartrian existentialism and to examine the portrayal of these in Sartre's fiction. The theoretical investigation is based largely on Sartre's "L'Être et le néant" and "L'Existentialisme est u humanisme." The fictional works are "La Nausée," the trilogy "Les Chemins de la liberté," and "Le Mur." The study is prefaced by an examination of the term existentialism and a brief historical comparison of essentialist and existentialist philosophy. The aspects of Sartrian existentialism discussed are: the question of the existence of God and its importance to Sartre's philosophy; the premise of existence preceding essence; the fact of contingency on absurdity and its attendant nausea; the doctrines of freedom and responsibility; the dilemma of choice, anguish, and commitment; and the themes of authenticity, transcendence, and death.

The study is a comparative analysis of Stendhal's romantic interpretation and Flaubert's realistic interpretation of outdated myths. The first purpose of the study is to reveal the linear development of Julien Sorel and Emma Bovary in quest of their respective myths. The second is to reveal technical devices used by the authors that lead to diverse interpretations of the myths. The sources of data used in the study are Le Rouge et le noir and Madame Bovary and secondary materials concerning the two novels. The study is divided into five chapters including an introduction, two chapters that develop Julien's and Emma's respective myths, a chapter concerning technical devices used in the novels and a conclusion.

The thesis states that the confidant in the tragedies of Jean Baptist Racine evolves from the traditional servant figure to a sophisticated intimate of the principal character. The confidant's identity becomes synonymous with that of the principal character: he appears as his alter ego. The sources used are six of Racine's secular tragedies, in addition to critical works and essays of his writings. The tragedies included in this study are La Thebaide, whose secondary characters serve as a comparison to the more developed confidants as found in Andromaque, B /r/nice, Mithridate, Britannicus, and Phedre. Racine presents a variety of tragic characters whose multifaceted personality emerges through the intervention of their confidant. Representing one side of the protagonist's character, or his "other self, " the confidant becomes Racine's dramatic tool to portray the internal struggle in all its aspects. Racine's preoccupation with moral issues and his desire to instruct his audience pervade his writings. It is thus possible to trace the development of the confidant from his part as self-effacing messenger to his role as alter ego to the principal figure where he dramatically demonstrates the tragic, inner division of man.

The problem with which this investigation is concerned is that of revealing certain liberated female traits that are to be found as early as the seventeenth century in certain plays of Moliere. A study of the major events in Moliere's life and of the social climate and salons of his time, together with a close analysis of the plays themselves, is necessary to understand this important aspect of his works. In essence, this study attempts to show how Moliere's women emerge as independent individuals who refuse the role society usually assigns them. Although these female characters are products of the seventeenth century, their actions and attitudes are used in this thesis to indicate a foreshadowing of the twentieth-century, liberated woman.

This thesis is intended to give a panorama of technology in foreign language pedagogy. Although my field of study is French, the computer applications under scrutiny do not relate solely to the teaching of French. This paper begins with a criticism of the rigid listen-and-repeat language laboratory concept while tracking the rise of communicative language learning theory; follows the microprocessor revolution in language consoles; documents the development of computer-assisted instruction; showcases software evaluations of computer-assisted language learning; explores telecommunications; discusses satellite dishes and other computer peripherals; presents the results of a survey of Texas universities; and concludes with the presentation of the evolving language media center.

The purpose of this thesis is to examine the letters of Diderot to Sophie Volland for the year 1759 as they are a source of important autobiographical, social, and psychological elements that shed light on Diderot's private and public life. In fact a turning point in the sentimental relationship between Diderot and Sophie Volland, the death of his father, the difficulties experienced in publishing the Encyclop6'die and consequently the coolness in his friendship with D'Alembert make 1759 a crucial year in Diderot's life. The conclusion reached is that the stylistically beautiful and modern letters to Sophie Volland of this year are self-revelatory for they show that the events of 1759 made a great psychological impact upon Diderot and started a process of maturity in his character. These letters can undoubtedly be considered a major part of Diderot's work and they can certainly contribute to a deeper understanding of this genius.

The primary purpose of this study is to demonstrate that the most consistent themes in the selected novels are love and happiness. The novels are: Bonjour tristesse, 1954; Un certain sourire, 1956; La chamade, 1965; Les merveilleux nuages, 1961; Un profil perdu, 1974; Aimez-vous Brahms, 1959; Le garde du coeur, 1968; and De guerre lasse, 1985. Sagan challanges her heroines, and her readers, to find happiness. Each of the heroines handles the individual search for love and happiness in her own specific way. Throughout the novels, love represents pain and suffering as Sagan describes the emptiness of life in modern society. Her works show the futility of love in a world preoccupied by superficial things.

In The Stranger, a novel by Albert Camus, and in “Funes the Memorious,” a short story by Jorge Luis Borges, the homodiegetic narrators have a significant effect on the referential aspect of their personal experiences. Chronologically these remembered experiences are positioned before the moment when they are narrated. The act of remembering is thus a form of subsequent narration. In both texts, memory is a project rather than an object because it is recounted and not found. In the sense that it is told, memory is necessarily a creative act and thus not faultless because the story of an experience is not the experience itself. The memories in The Stranger and in “Funes the Memorious” are not reconstituted but narrated. The peculiarity of the two texts lies in the fact that the narrators take an external position when describing their own past, emphasizing the imperfect aspect of the narrators’ memory. With a narratological approach to the texts and a Sartrean interpretation of memory, I study the effects of focalization on the act of remembering. By explaining the relationship between focalization, memory and the narratee, I show that the act of remembering is not a repetition of past events or experiences …

This study examines orthographic variation in synchronous computer-mediated French discourse. All nontraditional variations of selected frequently occuring items are quantified in order to provide an etic (i.e., from an external perspective) analysis. The primary variable of interest is age since this study focuses on providing a comparison of chat participants in their twenties versus those in their fifties. The widespread claim is that younger people communicate using more informal and/or nontraditional forms than older people; however, the results of the present study suggest that this is not always the case. The main finding of the present study is that the twentysomethings and the fiftysomethings produce the nontraditional orthography in a similar fashion in 52.2% of the terms, and in a non-similar fashion in 47.8% of the terms. Following the presentation and discussion of the results, directions for future research are provided.

The release of the two films, Madame Bovary (1992) by Claude Chabrol and Le Colonel Chabert (1994) by Yves Angelo, arouses an interest in a method which studies the rapport between the seventh art and literature. Following the studies of the narratologists, Gerard Genette, Yves Reuter, Gerard-Denis Farcy, Celestino Deleyto, Andre Gaudreault and Francois Jost, a method of analyzing and studying the relationship between literature and cinema can be developed. The principal interest of a comparative study can reside in the relationship between the story and the narration of the two genres of works. The study conducted at this level of analysis allows the appreciation of the impoverishments or the enrichments operated by the adapter. The comparative analysis of the works of Flaubert, Chabrol, Balzac, and Angelo reveal the problems relative to the cinematographic adaptation.