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Igor Stravinsky's Use of the Bassoon in his Compositions from 1908 to 1948 (open access)

Igor Stravinsky's Use of the Bassoon in his Compositions from 1908 to 1948

Igor Stravinsky is widely considered one of the most important and influential composers of the 20th century and a pivotal figure in modernist music. This study analyzed how Stravinsky absorbed the bassoon's solo and ensemble functions which he inherited and later significantly extended the scope of these functions by adapting them to his individual needs. The study concluded that Stravinsky's compositions are and will remain important landmarks in the history of bassoon literature.
Date: August 1973
Creator: Schroeder, Daniel F.
System: The UNT Digital Library
The Physical Development of the Bassoon (open access)

The Physical Development of the Bassoon

This paper explores the history of the bassoon and its construction. Bob A. Sparks analyzes its evolution over time, from the versions created in France and Germany to the bassoon of the twentieth century.
Date: August 1973
Creator: Sparks, Bob A.
System: The UNT Digital Library
Some Influences of French Classical Organ Music Upon the Chorale Partita Auf Meinen Lieben Gott by Georg Böhm (open access)

Some Influences of French Classical Organ Music Upon the Chorale Partita Auf Meinen Lieben Gott by Georg Böhm

This paper discusses how German composer Georg Böhm was influenced by French classical organ music, and how this style is reflected in Böhm's chorale partita Auf Meinen Lieben Gott.
Date: December 1973
Creator: Schaper, Victor D.
System: The UNT Digital Library
Some Aspects of Unity in Beethoven’s Piano Sonata Op. 81A (open access)

Some Aspects of Unity in Beethoven’s Piano Sonata Op. 81A

This paper highlights aspects of unity in Ludwig van Beethoven's Piano Sonata Op. 81A. Jannis M. Peterson provides historical background to the work, identifies the problem of unity, and analyzes the piece.
Date: August 1973
Creator: Peterson, Jannis M.
System: The UNT Digital Library
Ultra-Rationality and Anti-rationality as Pre-compositional Techniques of the Twentieth Century (open access)

Ultra-Rationality and Anti-rationality as Pre-compositional Techniques of the Twentieth Century

Thesis analyzes the concepts of ultra-rationality and anti-rationality as pre-compositional techniques and then compares and contrasts the two. John W. Petersen discusses the development and use of the two techniques and their impact on the history of music.
Date: August 1973
Creator: Petersen, John W.
System: The UNT Digital Library
An Analysis of Method Books for the Bass Trombone (open access)

An Analysis of Method Books for the Bass Trombone

This paper provides a survey and analysis of eight method books for the bass trombone. Robert G. Hurst describes each of these titles with detail and explores the methods discussed in the texts, as well as the history and construction of the bass trombone.
Date: December 1973
Creator: Hurst, Robert G.
System: The UNT Digital Library
Established Fabric Techniques Used to Create Motorized Forms (open access)

Established Fabric Techniques Used to Create Motorized Forms

The ancient artist's influences can still be felt in today's craftsmen. For example, the contemporary weaver Sheila Hick's prayer rugs are an assimulation of the textile techniques of ancient Peru, Persia, and India, and the macramed forms of the contemporary Spanish artist, Aurelis Munoz, are suggestive of the woven huts of many primitive cultures. Because of this influence upon the current investigation, the evolvement of weaving and its techniques, as well as the three-dimensional techniques of basketry, in different parts of the world and in different historical periods are reviewed briefly.
Date: December 1973
Creator: Laman, Jean B.
System: The UNT Digital Library
Interpretive Drawing: Self-Portraits (open access)

Interpretive Drawing: Self-Portraits

The objectives of the creative problem may be stated in two parts. First, the utilization of the self-portrait theme in order to explore a variety of drawing techniques, media combinations, and surface manipulations; and second, the maintenance of a sketchbook-diary which accompanies the study as supportive data. The sketchbook entries include not only pertinent visual material but also verbal commentary. The sketchbook-diary is sequential and denotes the various stages of development as well as the progression of the study.
Date: December 1973
Creator: Taylor, Sandra L.
System: The UNT Digital Library
Uto (open access)

Uto

The composition is in seven major sections with a coda at the end. The work requires approximately fifteen minutes for performance. The discussion and analysis includes a description of the play and an explanation of the treatment of the elements of music. The work requires the following instrumentation: two flutes, two piccolos, two alto flutes, two oboes, two English horns, one bassoon, one contra-bassoon, one French horn, one trumpet, one flugelhorn, one melodion, one piano, one vibraphone, one xylophone, three timpani, mixed percussion, one solo soprano, two solo tenors, one solo bass, a choir of three women and two men, violin, and cello.
Date: August 1973
Creator: Sapp, Gary J.
System: The UNT Digital Library
Intermedia Piece (open access)

Intermedia Piece

This work, Intermedia Piece, is a statement of the idea that there are common musical drives present in musicians which cannot be completely suppressed by intellectual achievement or training. the drives presented are those of basic rhythm and direct reaction to rhythm by movement. Aural and visual elements are used to make the statement. All scored events are necessary for successful performance. It is therefore a true intermedia work.
Date: August 1973
Creator: Mathew, David Wylie, 1945-
System: The UNT Digital Library
Sonata for Violin and Piano (open access)

Sonata for Violin and Piano

This is a sonata in four movements for violin and piano. Since certain thematic or accompanimental statements relate the four movements to each other, the sonata may be considered a cyclic work. The four movements are balanced stylistically, rhythmically, and tonally, with the first movement related to the third, and second to the fourth. Movements I and III are characterized bu "traditional" form and content, while II and IV are improvisatory in character.
Date: August 1973
Creator: Lyall, Harry Robert
System: The UNT Digital Library
Two Movements : For Large Wind Ensemble (open access)

Two Movements : For Large Wind Ensemble

The composition consists of two movements: Adagio and Moderato. The first movement is mono-thematic, and is divided into three sections. The second movement offers contrast with the first by establishing an immediate tempo, dynamic, and color change.
Date: May 1973
Creator: Wolking, Henry, 1948-
System: The UNT Digital Library
Serenade for Viola and Orchestra (open access)

Serenade for Viola and Orchestra

The Serenade for Viola and Orchestra is a one-movement composition of three connecting sections with two main themes of contrasting character. The "relatedness" of the sections does not depend on common thematic material, but rather on a system whereby motives evolve out of the thematic material and from elements in preceding sections. The sonorous timbre of the viola is exploited and becomes the central tessitura for the piece. The title is representative of the lyrical nature of the composition as a whole, especially the first and third section.
Date: May 1973
Creator: Richardson, Sharon Lynne
System: The UNT Digital Library
Psalm (open access)

Psalm

Psalm is a composition for symphony orchestra. The duration is from twelve to fifteen minutes. The form is sonata-allegro. Tonal organization is twelve-tone, although melodic development is by traditional methods rather than by row technique. Tempo modulation has replaced the traditional tonal modulation of sonata form. The first theme provides the harmonic basis for the entire work after the introduction. The second theme is used extensively in the development. The development is a fugue in which the techniques of retrograde, inversion, diminution, and augmentation are used. As a study in textures, Psalm displays variety rather than development.
Date: December 1973
Creator: Zorko, George Mathew
System: The UNT Digital Library
Four Preludes (open access)

Four Preludes

Four Preludes is a musical setting of Carl Sandburg's poem, "Four Preludes on Playthings of the Wind." The music consists of four movements scored for chorus, soprano solo, baritone solo, and full orchestra. The movements are connected by orchestral interludes between each of the four verses. The total performance time is approximately twelve minutes.
Date: August 1973
Creator: Blauer, Gary (Gary Alan)
System: The UNT Digital Library
Radon Progeny Control in Buildings. Final Report (open access)

Radon Progeny Control in Buildings. Final Report

None
Date: May 1, 1973
Creator: Culot, M.V.J.; Olson, H.G. & Schiager, K.J.
System: The UNT Digital Library
Development and application of a discrete ordinates adjoint difference method for one-dimensional shield weight optimization (open access)

Development and application of a discrete ordinates adjoint difference method for one-dimensional shield weight optimization

None
Date: June 1, 1973
Creator: Childs, R. L.; Engle, W. W., Jr.; Robinson, J. C. & Mynatt, F. R.
System: The UNT Digital Library
Radiative corrections in hydrogen-like systems (open access)

Radiative corrections in hydrogen-like systems

None
Date: May 14, 1973
Creator: Mohr, P. J.
System: The UNT Digital Library
System for measuring normal spectral emittance at high temperatures (open access)

System for measuring normal spectral emittance at high temperatures

None
Date: August 1, 1973
Creator: Hylton, J. O.
System: The UNT Digital Library
Measurement of the polarization parameter in $pi$$sup +-$p scattering from 356 to 519 MeV/c. (open access)

Measurement of the polarization parameter in $pi$$sup +-$p scattering from 356 to 519 MeV/c.

None
Date: January 1, 1973
Creator: Gorn, W.
System: The UNT Digital Library
Ultrasonic attenuation and phase-velocity measurements of rotational impurities in alkali halides. (open access)

Ultrasonic attenuation and phase-velocity measurements of rotational impurities in alkali halides.

None
Date: January 1, 1973
Creator: Viertl, J. R. M.
System: The UNT Digital Library
Polarized crystal absorption spectra for dibromo(ethylenediamine)platinum(II) (open access)

Polarized crystal absorption spectra for dibromo(ethylenediamine)platinum(II)

None
Date: February 1, 1973
Creator: Kroening, R. F.
System: The UNT Digital Library