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Twin oaks: A Comic Opera in One Act
Twin Oaks: A Comic Opera in One Act is a chamber opera approximately 60 minutes in length. Its accompanying ensemble is scored for flute (doubling piccolo), oboe (doubling English horn), B-flat clarinet, bass clarinet, bassoon, trumpet (in C and B-flat), F horn, percussion, piano, 2 violins, viola, violoncello and double bass. It is a Number Opera with 10 numbers. There is a single case in which there is music played under the dialogue. The text is based off the W.S. Gilbert Play: Eyes and No Eyes: or The Art of Seeing.
Date:
August 1995
Creator:
Kuniyasu, Kurt Kazuo, 1958-
System:
The UNT Digital Library
Missa Salve Regina
Missa Salve Regina, a five movement work, is approximately twenty minutes in duration. The work is a setting of the Ordinary of the Mass in Latin with additional text in the vernacular drawn from the writings of Miguel de Unamuno. The composition is scored for four speaking soloists (SATB), mixed chorus (SATB, percussion (player 1: tam tam, three suspended cymbal, bass drum, three tom-toms, glockenspiel, maracas, and marimba), and digital synthesizer optionally on tape. The Missa Salve Regina is concerned with the spiritual implications of the mass and its ritual. The music is composed for both concert presentation and use within the liturgy and deals with the conflict between faith and reason in the human mind, discussed at length, by Unamuno.
Date:
May 1985
Creator:
Waschka, Rodney, II, 1958-
System:
The UNT Digital Library
Freshman Music Students' Identification With Expected Tasks in the Music Theory Class as a Relevant Part of Becoming a Musician
The purpose of the study was to investigate freshman music students' identification with expected tasks in music theory class including aural, written, and performance requirements. The second research problem compared students' descriptions with actions in class to determine the presence of role taking (the conscious adherence to a set of behaviors) or role playing (the unconscious assumption of a set of behaviors).
Date:
December 1996
Creator:
Kteily-O'Sullivan, Laila Rose
System:
The UNT Digital Library
The Wind Was There
The Wind Was There is a setting for soprano voice and orchestra of two poems by Bravig Imbs (1904-46). Imbs was an American writer active in France for most of his career. He was also a violinist and amateur composer. The piece is in two movements, with a total duration of approximately twenty-five minutes. Each movement represents a different stylistic approach to the musical material. Movement one represents the spirit, though not the harmonic language, of the early twentieth century. The second movement shows the influence of Lutoslawski and Lugeti. This eclectic approach was chosen due to the quite different moods imparted to me by the two poems.The relationship between the soprano and the orchestra is not one between soloist and accompaniment, but is more in the nature of a symphonic dialogue.
Date:
December 1982
Creator:
Matthews, Michael
System:
The UNT Digital Library
An Ensemble Brass Method for College Brass Classes.
The primary objective of this study is to write a brass method which will give the college student a thorough foundation in articulation, tone production, intonation, and other factors involved in the playing of the trumpet, French horn, bass and trombone. This brass method will be written for college level brass classes.
Date:
January 1949
Creator:
Averyt, Alton Roger
System:
The UNT Digital Library
Devadasi : The Slave of God
Devadasi is an abstraction of primitive dance rites for nine dancers and five percussionists. Though based on fertility rites and religious temple ceremonies, no actual representation of events is intended. It it approximately sixteen minutes and twenty seconds long, and is composed in six sections. Detailed choreography for the dancers is not included, but entrance and exit cues are shown, and the character of each dance is suggested by the music. Suggestion for lighting and costuming are also included in the score.
Date:
May 1977
Creator:
Bales, W. Kenton
System:
The UNT Digital Library
In Morte Nobilis
In Morte Nobilis is a cantata for chamber orchestra and three vocal soloists, and is approximately seventeen minutes in duration. Each of the three movements features a different vocal soloists (soprano, baritone, or tenor) and each movement concerns a specific Christian martyr. Texts for In Morte Nobilis are extracted from the writings and biographies of the martyrs. Each text gives the listener some insight as to how each martyr faced their death with courage and unwavering faith. The music of In Morte Nobilis gives additional insight as to what these martyrs faced. This is accomplished through a building and release of tension and dissonance, as well as some use of non-standard vocal technique.
Date:
August 1983
Creator:
Jones, Wilma Katherine
System:
The UNT Digital Library
Polymetrics
Polymetrics is a one-movement work for symphonic wind ensemble, of approximately 8 minutes' duration. The instrumentation includes thirty woodwinds, thirteen brasses, and ten percussionists. The pitch organization is based on two hexachords that encompass all twelve pitch classes.
Date:
August 1962
Creator:
Pumphrey, James A. (James Allen)
System:
The UNT Digital Library
Finger Spirits: Piano Concerto
Finger Spirits is a concerto for piano and orchestra. The traditional concerto form of three, large, separate movements is not present here. It is a one-movement work in three continuous sections. Certain premises of the concerto are retained: (1) the interplay of soloists and orchestra; (2) the display of vistuosity; and (3) the use of fixed thematic elements. Throughout the performance, the pianist alternates playing actual notes with gestures used in manual communication and mimetic elaborations created by the composer. The gestures delineate shapes of particular objects and depict emotions that are present in the work as it unfolds. Finger Spirits explores the act of performance and alters the traditional concert ritual of audience-performer opposition. In addition, it incorporates gestures as an extension of the role of the pianist and thus represents a form of music theater.
Date:
August 1982
Creator:
Conlin, Virginia P. (Virginia Patricia)
System:
The UNT Digital Library
Symphonic Variations
The problem of classifying variations according to technical plan and stylistic treatment centers on the determination of which elements of the theme (melody, harmonic scheme, structure) are retained in each component variation and the compositional methods (elaboration, embellishment, motivic fragmentation) which are applied.
Date:
June 1965
Creator:
Miller, Lewis M., 1933-
System:
The UNT Digital Library
Simfonyah Hakodesh
This five movement cantata is scored for large SATB chorus, bass and soprano soloists, piano, organ, and percussion (2 players). The text, sung in Hebrew, comprises selections from the Psalms, Isaiah, and the Jewish daily prayer book. A transliteration into the Roman alphabet and an English translation (not for singing) are provided.
Date:
August 1984
Creator:
Griffith, Bobby G. (Bobby Glenn)
System:
The UNT Digital Library
Chamber Concerto
This composition is a concerto in two movements and has a total duration of approximately twenty-two minutes. The First Movement is prefaced by an Introduction, while the Second Movement is concluded with an Epilogue. The bass trombone functions in speeding up the tempo when it is featured in solo capacity. The horn, however, functions in slowing down the tempo when featured as a solo instrument. The speeding up and slowing down processes follow the principles of metric modulation.
Date:
August 1976
Creator:
Schimmel, David M.
System:
The UNT Digital Library
Triabolous
Triabolous is a three movement composition for trombone, woodwind quintet, and one percussionist. The three movements Agitato, Andante, and Allegro, are of equal length resulting in a total performance time of 15 minutes. The piece is primarily a trombone solo; however, the trombone does not function as a solo throughout the total composition. There are portions of every movement where the trombone is silent or added to the quintet as an auxiliary wind instrument.
Date:
August 1976
Creator:
Bradshaw, Curtis L.
System:
The UNT Digital Library
Two Movements : For Large Wind Ensemble
The composition consists of two movements: Adagio and Moderato. The first movement is mono-thematic, and is divided into three sections. The second movement offers contrast with the first by establishing an immediate tempo, dynamic, and color change.
Date:
May 1973
Creator:
Wolking, Henry, 1948-
System:
The UNT Digital Library
Hegira
Hegira is a work for full orchestra making use of piano as well as an augmented percussion section. The title, taken from Mohammed's flight to Mecca in 622 A.D., did suggest certain directions during the compositional process, but it does not imply a specific program for the music. The compositional process employed many techniques, including thematic transformation, serialization, rotation, contrapuntal textures, as well as the intuitive juxtaposition of material.
Date:
May 1979
Creator:
Whisenhunt, William O.
System:
The UNT Digital Library
String Quartet
The String Quartet is comprised of three movements: Allegro, Adagio, and Vivace. The Allegro utilizes a monothematic Sonata Allegro form: the Adagio is through-composed, and the Vivace is a Rondo. All three movements feature a lean harmonic texture, much of the harmony resulting from linear movement, i.e. counterpoint.
Date:
January 1964
Creator:
Steele, Robert Lanny
System:
The UNT Digital Library
In Memoriam H.W. Reese
In Memoriam H. W. Reese is written for chamber orchestra and small mixed chorus, in honor of the composer's father, Hardy W. Reese (March 22, 1926-Nov. 23, 1982). The piece is written in one continuous movement with a total duration of approximately fifteen minutes. Within the work there are three distinct sections, each on texts dealing with a different stage in the process of reconciliation with death.
Date:
May 1985
Creator:
Reese, Janette E.
System:
The UNT Digital Library
The Icarus Triptych: A Composition in Three Movements for Symphonic Wind and Percussion Ensemble
The composition was written as a laboratory experience in contemporary music especially for the Symphonic Wind Ensemble of the Skyline Career Development Center in Dallas, Texas. Based upon the Greek myth of Icarus, the movements are entitled, "Imprisoned", "Flight" , and "The Fall." The approximate performance time is 17 minutes, 45 seconds.
Date:
May 1976
Creator:
Cornell, Douglas T.
System:
The UNT Digital Library
An Original Composition, "Peace"
The composition which follows is a sacred cantata entitled Peace. It is a musical composition utilizing soprano, tenor, and baritone soli and mixed chorus with keyboard accompaniment, and deals with peace as it applies to the much discussed problem of world unity. It may be presented effectively with piano or organ accompaniment and mey be arranged for orchestra or ensemble accompaniment.
Date:
August 1947
Creator:
McConnell, James W., 1917-
System:
The UNT Digital Library
Bay Psalmes - 1640 (Symphony no. 3)
Bay Psalmes-1640 is a large work in four movements for orchestra and chorus. The chorus employed is SATB but each of the four sections may be divided into firsts and seconds as required. The orchestra is a standard symphony orchestra consisting of woodwinds in threes, brass of four horns, three trumpets, three trombones, tuba, percussion including orchestral bells, timpani, snare drum, bass drum, triangle, cymbals and suspended cymbal. Special instruments include the harp and the celesta. The orchestra is completed by the usual complement of strings.
Date:
1970
Creator:
Ehle, Robert C.
System:
The UNT Digital Library
String Quartet
The first movement of the "String Quartet" opens with a gradual unfolding of the lead motive in the first six measures of the section marked "Largo." The second theme is heard in the first two measures of the section marked "Moderato" after a false start by the first violin. The third movement utilizes the essential dance characteristics of the "Minuet" marking.
Date:
June 1963
Creator:
Riley, James.
System:
The UNT Digital Library
Echo and Narcissus : Music for a Dancing-Pantomime
The composition is in four scenes and requires approximately twenty-two minutes for performance. The discussion and analysis includes a brief description of the plot, the techniques used for unification, and an explanation of the treatment of the musical parameters in each scene.
Date:
August 1975
Creator:
Plevock, John Richard
System:
The UNT Digital Library
Concertante : For Violoncello and Magnetic Tape
The composition is in one movement for cello and two-channel tape, requiring approximately twelve minutes for performance. The character of the work is aggressive and decisive in nature, with areas of repose occurring only at the beginning and before the conclusion. The title "concertante" is used to describe a concert-piece in which each of the two instruments.
Date:
May 1978
Creator:
Headrick, Samuel Philip, 1952-
System:
The UNT Digital Library
Six Pieces for Orchestra
The six Pieces for Orchestra are short twelve-tone compositions . Each piece is an individual entity in itself, but they all stem from the same twelve-tone row. The method of composition with twelve tones evolved through the works of Arnold Schoenberg (1874-1951). It was utilized by his disciples and has won general acceptance by a wide variety of composers.
Date:
August 1986
Creator:
Greene, Michael, 1939-
System:
The UNT Digital Library