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Analysis of "The Seven Songs" From The Pilgrim's Progress By Ralph Vaughan Williams
The opera, The Pilgrim's Progress, was written by Ralph Vaughan Williams in 1949. "The Seven Songs" are analyzed for performance, examining the elements of music and text of the songs, including melody, harmony, form, vocal line and accompaniment, with the intent of forming conclusions in regard to their usefulness as singular selections, or as a group, for performance.
Date:
May 1968
Creator:
Hindman, Jannette
System:
The UNT Digital Library
Sonata 1972
A composition in three movements for piano, the duration of which is approximately seven minutes and thirty seconds. The tonal organization employs quickly changing tonal centers. Linear aspects are of more structural importance than vertical sonorities. Frequent changes of meter, syncopation, and ostinato figurations are utilized in each movement. Primarily, a two-voiced texture is employed to effect a transparent quality of sound. A detailed thematic and formal analysis of each movement is included in the "Discussion and Analysis".
Date:
August 1972
Creator:
O'Preska, John
System:
The UNT Digital Library
A Realization and Edition of Three Sonatas by Corelli for Two Violins and Harpsichord
This thesis covers the history of Archangelo Corelli, and includes the creation of and three sonatas by Corelli.
Date:
August 1948
Creator:
Cox, Bobby Wayne, 1926-
System:
The UNT Digital Library
Mulima
Mulima is a work intended to be used as the score for a ballet. The composition utilizes a large orchestra: 2-3-3-3, 4-3-3-1, 5 percussion, and full strings. The work is constructed in one large act which is comprised of three scenes and lasts approximately 45 to 50 minutes.
Date:
August 1978
Creator:
Long, David J.
System:
The UNT Digital Library
Nyiragongo
Nyiragongo is a composition for large orchestra. The title is taken from Mount Nyiragongo, an active volcano in the Virunga Mountains of east central Africa. The composition is in one movement and the performance time is approximately eight to nine minutes.
Date:
May 1975
Creator:
Long, David J.
System:
The UNT Digital Library
Makropterosuus
Makropterosuus, a single movement composition for full orchestra, is approximately sixteen minutes in duration. The work is scored for piccolo, two flutes, two oboes, two clarinets in B-flat, two tenor trombones, bass trombone, tuba, percussion, and strings. The composition of Makropterosuus involved the development of specialized computational procedures for the generation of melodic and rhythmic data.
Date:
December 1982
Creator:
Meinecke, Jon
System:
The UNT Digital Library
Sensible Sentiments : A Composition for Double Trio
The instrumentation is flute, B-flat clarinet, bassoon, violin, viola, and cello. The individual movements last four and one-half, four, and six minutes, respectively, with a total duration of fourteen and one-half minutes. The first movement is a theme and a series of nine sections that employ the variation principle. The second movement is characterized by its slow tempo and by its texture which is almost entirely homophonic. It is primarily concerned with gradual timbral changes created by special effects. The third movement, which is rapid in tempo, employs one main theme which provides four motives. This material is developed throughout the movement by frequent changes in meter, range, texture, and dynamics.
Date:
August 1980
Creator:
Dressler, Wendy Lynn
System:
The UNT Digital Library
Reinhard Keiser and His Opera Fredegunda : a Study in the History of Early German Opera
The purpose of this investigation is to trace briefly the development of opera in Germany during and after the Thirty Year's War as a background for the understanding of the milieu in which Keiser's Pregunda was created, and to study in detail this work as a representative of contemporary North German opera.
Date:
August 1966
Creator:
Brooks, Eulan Von
System:
The UNT Digital Library
Air for Band
Air for Band is an original composition by Lawrence Weiner.
Date:
1970
Creator:
Weiner, Lawrence, 1932-2009.
System:
The UNT Digital Library
The Cycle of Life Symphony
This symphony is a representation of the composer's philosophy of life, which includes a belief in a pre-existent life (Beginnings), a mortal life (Searchings and Wanderings), and a life after death (Return Home). Three out of four of the cyclic elements in the Symphony are symbolic. Theme one represents the influence for good which emanates from a living God; motive one represents the influence for evil, or the Devil; motive two represents the influence of Christ. All three of these influences were present in the pre-existence, they are present in earth life and in the life after death, where good will ultimately triumph over evil. Motive three is found in both first and third movements, but has no symbolic meaning.
Date:
May 1977
Creator:
Dean, Lynn C.
System:
The UNT Digital Library
Symphony No. I, "An American Symphony"
In Symphony No.I, the form of the first movement follows the broad outlines of the sonata. The second movement is in Rondo form, the first section of which has a definite ABA character, the second part has but a single theme extended in treatment, and the third section a recapitulation of the first. The final movement again uses the ABA form.
Date:
August 1941
Creator:
Gillis, Don, 1912-1978
System:
The UNT Digital Library
Symphony No. 1
Symphony No. 1 is a three-movement work for orchestra. The movements have the following tempo indications: (I) Allegro ma non troppo, (II) Lento, and (III) Allegro giocoso. The composition is scored for 3 flutes (3rd flute interchangeable with piccolo), 2 oboes, 2 clarinets in B-flat, bass clarinet in B-flat, 2 bassoons, contra-bassoon, 4 horns in F, 3 trumpets in B-flat, 2 tenor trombones, bass trombone, tuba, percussion (timpani, snare drum, and triangle), and the usual complement of strings.
Date:
June 1967
Creator:
Watson, Walter, 1933-2014.
System:
The UNT Digital Library
She Had No Peer: A Chamber Opera
The work is a chamber opera in five movements. The vocal forces include soprano, mezzo-soprano and baritone solos and a small mixed chorus. The instrumental forces include flute, oboe, alto and tenor saxophone, bassoon, cello and percussion. The opera is a character study of Eve and the Virgin Mary that compares and contrasts their evolving emotions. Recurring motives and texts are used to help the characters portray their emotions . The English texts were chosen from poetry ranging primarily from the 16th to the 20th century.
Date:
August 1987
Creator:
Whiteman, Lauren A. (Lauren Ann)
System:
The UNT Digital Library
Display
Display is a four-movement work for twenty-two instrumentalists, five singers, and a prepared tape. As the title implies, the composition is, in fact, a studied display, of numerous compositional and performance procedures, techniques, and effects. The performers must be of virtuoso caliber, and in some cases will need to know special techniques to produce some of the required effects.
Date:
August 1977
Creator:
Halloran, Donald C.
System:
The UNT Digital Library
Movement for Orchestra
The form of the movement is as follows: Slow introduction; forceful theme "A"; lyrical theme "B"; bridge between second theme and development section; development of theme "B"; another bridge developed from a fragment introduced immediately preceding the bridge which is used for a climax before theme "C" is introduced and developed. with the end of the development of theme "C", the development section ends, and thus begins the recapitulation of themes "B" and "A" in that order with little variation in either from that of the exposition. Theme "C", since it played such an integral part in the development section, is not brought back in the recapitulation.
Date:
August 1961
Creator:
Powell, Morgan, 1938-
System:
The UNT Digital Library
An Ode to the Four Rulers
This composition is a single-movement chamber work and has a total duration of approximately fourteen and one-half minutes. The instrumentation of the piece includes two Eb alto saxophones, two Bb tenor saxophones, two Bb trumpets, tenor trombone, bass trombone, four narrators, piano, double bass, trap set, triangle and chimes. The entire work is organized durationally through the use of eight simultaneous, independent click tracks. This information provides the tempos and is sent to the performers via headphones.
Date:
August 1980
Creator:
Milne, James Alexander
System:
The UNT Digital Library
Sonata for Woodwind Choir
The overall style of this sonata begins with music similar to pre-World War I French music in the first movement and become progressively more modern with each movement. The classical forms of composition are used for each movement. There is a different combination of instruments throughout every movement of the sonata to offer orchestral variation.
Date:
August 1959
Creator:
Bilderback, Harold Lloyd.
System:
The UNT Digital Library
Concerto for Piano and Orchestra
Concerto for Piano and Orchestra consists of three movements. The whole work follows a general character of Fast -- Slow -- Fast; but within each movement are sections with contrasting tempi. The performance time approximately eighteen minutes.
Date:
May 1975
Creator:
Burns, Forrest Glenn
System:
The UNT Digital Library
A Transcription for Band of the Second Movement of Cesar Franck's Symphony in D Minor : From the Orchestral Score
The problem of this study was to make a transcription of the second movement of Franck's Symphony in D Minor for a college symphonic band. A thorough discussion of problems of instrumentation and analysis, a brief history of the composer's life and works, and an evaluation of the contribution of the project is included in this document.
Date:
August 1948
Creator:
Franck, César, 1822-1890
System:
The UNT Digital Library
The Keyboard Ricercare in the Baroque Era: Volume 2
This study seeks to examine the history of the ricercare, specifically in the baroque era. In this work, all types of keyboard compositions that utilize imitative counterpoint have been examined. Late baroque fugues have been examined to determine which characteristics of the earlier ricercare remained in general use and which specific compositions contain elements causing them to resemble strongly the parent form. This volume is a musical supplement to the thesis.
Date:
August 1963
Creator:
Douglass, Robert S. (Robert Satterfield), 1919-
System:
The UNT Digital Library
Constellations: For Wind Ensemble and Computer Music
Constellations is a single movement work that explores the color between acoustic instruments and computer generated sounds. It is scored for four flutes (two doubling on piccolos), two oboes, two bassoons, eight B-flat clarinets, two bass B-flat clarinets; two alto saxophones, tenor saxophone, baritone saxophone; four trumpets in B-flat, four horns in F; three trombones, bass trombone; two tubas;piano; six percussionists; and contrabass. The duration of the work is nine minutes and twenty-eight seconds. Mapping of stellar constellations provide the primary material for all pitch and harmonic progressions throughout the work. Software synthesis and digital sampling techniques coalesce to produce the computer music on tape.
Date:
August 1992
Creator:
Chatham, Rick, 1962-
System:
The UNT Digital Library
String Septet
A thesis about the String Septet. The author explains that it deals with problems concerned in the reconciliation of contemporary aesthetics with extensions of romantic harmony, classical and pre-classical form, classical figuration and ornamentation, and contrapuntal organization.
Date:
August 1962
Creator:
Hughes, Phillip Ralph B. M.
System:
The UNT Digital Library
Arda
Arda is an instrumental chamber work scored for cello, percussion, and multiple keyboards with a total duration of approximately thirteen minutes. The work is structured in an arch form whose divisions are based on instrumental and textual groupings. The pitch organization utilizes prominent intervals, improvised passages on certain passages on certain pitches, and the double harmonic mode, which is derived from an Indian raga. Various instrumental techniques are also used throughout the work to alter timbres as well as to create more interesting vertical sonorities.
Date:
December 1982
Creator:
Howard, Bill (William Alan)
System:
The UNT Digital Library
Antithesis: Composition for Chamber Orchestra
Antithesis is a composition, approximately nine minutes long, for chamber orchestra (2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 trumpets, 2 horns, 1 percussionist, prepared electronic tape and strings). Although not formally divided into movements, there are four major sections, analagous to the classical symphony. The primary thrust of the work is to juxtapose opposing timbres, rhythms, and modes of sound generation (instrumental versus electronic) in ways that lead one to another without formal harmonic or melodic logic.
Date:
August 1977
Creator:
Crocker, R. Dean
System:
The UNT Digital Library