Heidi leaf illustration by Maud Fuller Petersham and Miska Petersham for Johanna Spyri's Heidi. Three leaves of plates originally bound with the volume. Illustrated t.-p. and lining-papers in colors.

Heidi leaf illustration by Maud Fuller Petersham and Miska Petersham for Johanna Spyri's Heidi. Three leaves of plates originally bound with the volume. Illustrated t.-p. and lining-papers in colors.

Heidi leaf illustration by Maud Fuller Petersham and Miska Petersham for Johanna Spyri's Heidi. Three leaves of plates originally bound with the volume. Illustrated t.-p. and lining-papers in colors.

Illustration for the book "Heidi" with two panels. The left image, labeled as page 14, depicts a young girl interacting with an older man who is seated on a bench outside a home. The panel to the right is a title page, with an image of a young boy and a woman climbing a hill with goats alongside them.

Rendering of the front of the Coldwell School in El Paso, Texas. There are windows along its length, with a main entrance in the middle. The ground is slanting up and to the right.

Rendering of the Reeves County Courthouse. It has a tall center with staggered wings moving downward left and right. The entrances have archway shapes.

Rendering of the Federal House of Detention in El Paso, Texas. It has a watch tower, a row of archways on both sides of the main entrance, and a decorated grand entrance.

Rendering of a rear addition to the American Legion Post 36 Building located at N. Santa Fe Street and W. Missouri Avenue in El Paso, Texas. The building has four tall archway windows to the right, columns on a slightly elevated balcony in the center, and landscaping with trees to the left near a flag.

Rendering of the Smelter School Building. It has a longer left side of the entrance than the right side, and the main entrance is taller than the rest of the building.

A humorous drawing, with text, of a steer by artist Oscar Strobel.

Painting of Joe Lett Ward, Sr. (1890-1944), wearing a navy coat, white shirt and maroon tie.

A bed sheet with text and/or artwork used as a visual aid to a preacher's sermon. This particular sermon chart attempts to provide Scriptural guidelines for determining acceptable and unacceptable types of enjoyment. Specific areas addressed are dance halls and shows. Provenance uncertain. Probably part of the G. Dallas Smith Collection.

A bed sheet with text and/or artwork used as a visual aid to a preacher's sermon. This particular sermon chart illustrates textually the results of sin and the results of neglecting one's Christian duties. Provenance uncertain. Probably part of the G. Dallas Smith Collection.

A bed sheet with text and/or artwork used as a visual aid to a preacher's sermon. This particular sermon chart addresses the issue of a Christian being cut off from God because one has strayed so far for so long (what Christians often refer to as falling from grace). The illustrator refers to that line as the Dead Line of Life. Provenance uncertain. Probably part of the G. Dallas Smith Collection.

A bed sheet with text and/or artwork used as a visual aid to a preacher's sermon. This particular sermon chart attempts to trace throughout Scripture the idea that God, through the Bible, has revealed to mankind an explicit pattern by which to live, and therfore, anything not specifically authorized in Scripture, is forbidden. Provenance uncertain. Probably part of the G. Dallas Smith Collection.

A bed sheet with text and/or artwork used as a visual aid to a preacher's sermon. This particular sermon chart chart parses out the text of John 3:16, which the illustrator refers to as "the Golden Text of the Bible." Provenance uncertain. Probably part of the G. Dallas Smith Collection.

A bed sheet with text and/or artwork used as a visual aid to a preacher's sermon. This textual sermon chart examines, from Scripture, the importance and all-sufficiency of the Word of God to guide the life of the Christian. Provenance uncertain. Probably part of the G. Dallas Smith Collection.

A bed sheet with text and/or artwork used as a visual aid to a preacher's sermon. This particular sermon chart traces throughout Scripture the blessings of God promised to faithful Christians. Provenance uncertain. Probably part of the G. Dallas Smith Collection.

A bed sheet with text and/or artwork used as a visual aid to a preacher's sermon. This very textual sermon chart examines the subject of sin using Biblical texts from both the Old Testament and the New Testament. Provenance uncertain. Probably part of the G. Dallas Smith Collection.

Charcoal drawing of a dark, winding forked path surrounded by grassy hills. There is a bright, cross-shaped star in the dark night sky. Lighted lamps line the road in the background of the image. There is the side of a structure visible on the right-hand side of the drawing. There is a handwritten note on the back of the drawing that reads, "To Dr. and Mrs. M. Bodansky, with wishes for a Happy New Year, A. J. Goldforb, and delightful memories of our visit with you".

None

The architectural relief depicts a man holding a set of calipers above the text, Wisdom and Knowledge Shall be the Stability of the Times. The Art Deco style is reflected in the angular body of the man as well as his long and geometric beard, the crown on his head and the cloud shapes behind the man.

Drawing by political cartoonist, C.K. Berryman. Done in black ink. The drawing shows caricatures of Sam Rayburn speaking to President Franklin D. Roosevelt. Rayburn is sweating profusely as he appears to say, "Everything is harmonious, Mr. President!" Roosevelt is seated at a desk looking at Rayburn. Roosevelt says, "You may think its harmony but sounds awful sour to me!" The dome of the U.S. Capitol stands in the background. Angry words can be seen around the capitol as if those inside are yelling. Words such as "Boo!" "Blah!" and "Throw him out!" can be seen. The cartoon is a commentary on the difficulty Rayburn had in organizing the Democratic party due to differing viewpoints from the various congressmen. Berryman autographed the cartoon in the lower right corner. It reads, "TO MY GOOD FRIEND RAYBURN WHO NEVER SAYS DIE! C.K. BERRYMAN EVENING STAR, JULY 30, 1939"

Drawing of Sam Rayburn and others. A political cartoon featuring Senate Minority Leader Charles McNary, Senate Majority Leader Alben Barkley, House Speaker William Bankhead, Vice President John Garner, House Minority Leader Joseph Martin and House Majority Leader Sam Rayburn. The men all hold dress suits (tuxedos) on hangers along with formal hats. They stand at a store with a sign outside that reads, "SECOND HAND TOGS TAKEN HERE--FAIR PRICES OFFERED!" The men (specifically John Nance Garner) says to the store attendent, " WHAT'LL YOU GIVE US? WE'VE GOT TO GET BACK TO WORK!" This cartoon is a commentary on the visit of the King of England, George VI and his wife Elizabeth to the United States in 1939. The congressional delegation selected to honor the royals consisted of those seen in the cartoon.