Recording of Hasil Murad having a discussion over Daghowan Dolas, a cultural practice. This discussion is in Urdu.

Recording of Samina explaining the story "Haghur ke Phut" in Urdu. This is a popular story about a flying horse and a monster. The story was originally narrated by Mahida Murad in the Hunza dialect of Burushaski, and this is an explanation/translation of it into Urdu by Mahida's daughter, Samina.

Recording of Ghulamuddin Hunzai translating the story Wahdate Shaan into Urdu.

Recording of Muhib Uddin Hunzai, a speaker of Hunza Burushaski from Gilgit, describing a traditional house of Hunza. The recording was made in Danyor, a small village near Gilgit town.

Recording of Wazir Shafi translating the popular story "Torti and Puturti," from the Yasin dialect of Burushaski into Urdu.

Recording of Muhammad Wazir Khan (or "Wazir Shafi") explaining the "story of a sparrow" in Urdu. The story was originally recited by Khan in the Yasin dialect of Burushaski, which he is a speaker of.

Recording of Muhammad Wazir Khan (or "Wazir Shafi") translating and discussing the story of an owl (known as "Chok-e Minas" in Burushaski) in Urdu. The story was originally recording in Yasin Burushaski, which Khan is a speaker of.

Recording of Naseema Ali translating Ruqayya's recipes for čʰap-šuro, diram-phiṭi, and mulo-šuro from Burushaski into Urdu.

Recording of Piar Karim translating Surung Thuko from Burushaski into Urdu.

Recording of Piar Karim and Naseema Ali explaining recipes for suančale hoi, garma, and mul given by Ruqayya from Nagar Burushaski into Urdu.

Recording of Piar Karim translating the recipes for nagere šarbat, ɣumaldi, and burus ṣapik given by Ruqayya from Nagar Burushaski to Urdu.

Recording of an analytical discussion of the words "Khajuna" and the word "Phaṭor Ṣape" in Urdu language.

Video recording of Sher Ahmad having a discussion in Urdu.

Recording of Wazir Shafi translating the story of Saada Chinan from the Yasin dialect of Burushaski into Urdu.

Recording of Piar Karim and Naseema Ali translating the story of Surung Thuko from Nagar Burushaski into Urdu.

Video of Muhibuddin describing (in Urdu) a traditional Burusho house in the village Sultanabad, Gilgit.

This is a retelling of the story of Raja Janmejai and of the King and Queen of Mehnagar narrated by Toofani Kaka

This is a conversation in Karmainī village, situated in the floodplains of the Ghaghra river in North of Azamgarh, with the women of the Naṭ community. They hail from a nearby village named Nakkīb Khojaulī, and identify themselves as (Sunni) Muslims. Badrun Nisa and Sharfun Nisa start by describing why they’ve come to Karmaini. Mateenuddin, Maaz’s grandfather, asks them to narrate how their community was provided with essential supplies during lockdown due to COVID-19. They do so, after which Sharfun Nisa sings a song on demonetization and the problems faced because of it. They then give information about their village and its demography.

This is a conversation between four people in Sonwārā, the researcher’s village. Maaz, accompanied by his cousin Noman, visits Shahida Bano to document some folk songs mostly sung on the occasion of marriages. Rehana Bano—the neighbor of Shahida Bano—on noticing some folksongs being sung and recording taking place, joins the gathering at the request of Shahida. Maaz and Noman then ask her to brief them on topics such as changing times, a description of the demography of the village Sonwārā, the languages/ varieties spoken by Muslims and Hindus. Meanwhile, Maaz—on having noticed Shahida’s language to match with Bhojpuri than Azamgarhi—starts records the ongoing conversation. Shahida then extends the conversation to cover family members and some significant events along with some personal narratives. While Shahida Bano talks in Bhojpuri, the other people converse in Azamgarhi.

This is a conversation primarily with Mr. Jameel, the former and currently contesting Pardhān (village head) of Rāmpūr village. Mr. Jameel explains to Maaz the presence of dichotomy in speech among the population of Azamgarh and the variety spoken in Rāmpūr and other nearby Muslim-dominated villages. In the last part of the recording, Mr. Jameel talks with a villager who passes by.

This is a conversation primarily with Mr. Jameel, the former and currently contesting Pardhān (village head) of Rampur village. Mr. Jameel gives the researcher information regarding the presence of dichotomy in speech among the population of Azamgarh and the variety spoken in Rampur and other nearby Muslim-dominated villages. In the last part of the recording, Mr. Jameel talks with a villager who passes by.

This is a conversation initially between Munni, her sister, Maaz, and his uncle when they visit her home in Ladhuwāī̃ village. Munni is the wife of Naushad, who has worked with the Maaz’s family for several decades. After a while, Mr. Naushad arrives, and he too joins the conversation.

The transcription and free translations in English, Urdu, and Hindi of a performance of a drama by the title – Gharphū̃kan patōh 'Spendthrift daughter-in-law' (in English). The drama depicts a typical rural life of the North Indian plains where a woman and her family are very frustrated by the misdeeds of the daughter-in-law because she is a spendthrift.

This is a video recording of a conversation between Nazneen Shaikh — a semi-speaker of the Azamgarhi language — and Safwan Shaikh, a native Azamgarhi speaking child. Safwan is practicing writing the Arabic alphabet on a wooden writing board as homework given by his Maulānā of the Madrasāh. Nazneen seems interested in this and keenly observes his writing while making a video of him. She asks a few questions to Safwan and directs him. Safwan — still a beginner — struggles with writing and messes up while each time laughing at his own mistakes. Nazneen guides him through. Finally, the disconnection of the electricity supply puts an end to the video.