Greeting card from Nancy B. to Sterling Houston, prominent San Antonio playwright. It appears the note was sent after Nancy attended one of Sterling's plays. She writes admirably about what she experienced, his talent, and vision, and hopes that others can experience it as well. The front cover of the card shows a watercolor painting of a rooster.

Letter from Adrien-Alice Hansel, literary manager of the Actors Theatre of Louisville, to Sterling Houston, prominent San Antonio playwright. The letter informs Mr. Houston that his plays - Le Griffon and The Ballad of Henry Brown/Miz Johnson & Mr. Jones - have not been selected for production at an upcoming festival.

Letter from Arturo Madrid of Trinity University to Sterling Houston, prominent San Antonio playwright. He writes to invite him to a reception and dinner for Judith F. Baca, an artist-in-residence at the university, at Magnolia Gardens Restaurant. He asks that he please RSVP as soon as possible.

Typed letter from Dan Laurence to Sterling Houston. He writes thanking him for a recent note and pointing to an enclosed reading - which was not provided. Letter was written on Laurence's letterhead.

Letter from Dianne Monroe to Sterling Houston, prominent San Antonio playwright. She writes to congratulate him on a recent play, On the Pulse of the Morning. She shares recent updates in her life, including a book she co-wrote titled Scattered Children, and hopes that the two can get together again. A second letter written by Sterling is included along with an envelope, but it goes unmentioned in Dianne's letter.

Letter from Dr. Paul Harford to Sterling Houston, prominent San Antonio playwright. He writes sending him a list of information regarding medication and treatment of the HIV virus. His last item on the list is the contact information of a physician, Dr. Luis Alfredo Cisneros.

Letter from Sterling Houston, prominent San Antonio playwright, to the editor of the San Antonio Express-News, San Antonio's daily newspaper. He writes to defend the stance taken by the Coalition for Cultural Diversity to support public funding of the arts, noting that opposition arguments have been malicious and ill-conceived. He hopes that multicultural communities can serve as a wake-up call to a democracy no longer ruled by the whims of a white class elite.