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A 1

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Recording of Daniel Schachter's A 1. This piece uses traditional electronic technique and emphasizes on musical gestures. The sounds are mostly synthetically constructed and are heard throughout the piece.
Date: 1992
Creator: Schachter, Daniel, 1953-
Object Type: Sound
System: The UNT Digital Library

1...789

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Haris XANTHOUDAKIS: 1 ... 789 It is the setting to music (of the "setting in rhythm", more precisely) of two Greek texts talking about the French revolution and illustrating two opposite aspects of its impact in Greece, still occupied by the Turks, of the end of the seventeenth century: a "Patriarchal letter" (sort of circular of the Patriarch of Constantinople, to read in the Orthodox churches), condemning the French who "practiced the fraticide, killed their king and lost their faith in God" (in this order) and, on the other hand, a poem by Antonios Martelaos (1754-1818), congratulating the French for having shed blood for the freedom of the people. The first text is played at the beginning and end of the song (phonetically reversed and in a normal voice, respectively). The other forms slowly, parallel to a rhythmic accompaniment, of "disco" nature. This double reconstitution will be done in steps of proportion 1: 2: 3: ...: 7: 8: 9. A portion of this proportion, namely 1: 7: 8: 9, serves to generate an interval pattern (semitone, fifth, sixth minor, sixth major) that appears in both its sequential and simultaneous forms. Repetitive music, "disco" music, serial music, for a piece that …
Date: 1989
Creator: Xanthoudakēs, Charēs
Object Type: Sound
System: The UNT Digital Library

2 pièces + 2 exemples

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Recording of John Chowning's 2 pièces + 2 exemples.
Date: unknown
Creator: Chowning, John M.
Object Type: Sound
System: The UNT Digital Library

2 poems

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Recording of Janos Decsenyl's 2 poems.
Date: unknown
Creator: Decsenyl, Janos
Object Type: Sound
System: The UNT Digital Library

2, rue Charles Dubois

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Recording of Etienne Saur's 2, rue Charles Dubois. The title of this piece is the address of the house where Jules Verne lived in Amiens. This work is comprised of 3 movements inspired by one of Verne's novels and was created as part of the open work project for the Synthèse Festival. The composer wrote this piece to explore Verne's fascination with the speed of means of communication.
Date: 2005
Creator: Saur, Etienne
Object Type: Sound
System: The UNT Digital Library

3 divertissements numériques (1 franchir le rubicon, 2 fission, 3 mange ta télévision)

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Recording of Jean-François Cavro's 3 divertissements numériques (1 franchir le rubicon, 2 fission, 3 mange ta télévision). This work is created with electronics and uses traditional electronic technique. There is present noise elements within this work's texture, which establish a good balance within the orchestration of sound. By working with electronic sound effects and pre-recorded sounds of many qualities or frequencies, balance is found.
Date: 1989/1993
Creator: Cavro, Jean-François
Object Type: Sound
System: The UNT Digital Library

3 elektronische Studien

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Recording of Lothar Voigtländer's 3 elektronische Studien. The basis for the composition are the poems of the poet Erich Arendt. The poems were written around 1925 in his Expressionist creative period. Accordingly, the compositional means: concrete musical material is mixed with electronic sounds to achieve a strongly expressive and suggestive associative effect. It is less thought of as a "setting" of the texts, but should be added to the often strongly symbolic language formulations as a different, musical dimension. The vocals and the piano usually work live. The piano is mostly treated as unrecognizable - this is to achieve a seamless insertion into the electro-acoustic sound material. In a performance, both piano and singer can be electro-acoustically amplified and to a lesser extent technically manipulated (reverberation, iteration, etc).
Date: 1975
Creator: Voigtländer, Lothar, 1943-
Object Type: Sound
System: The UNT Digital Library

3 for 5

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Recording of Richard Zvonar's 3 for 5 for percussion, performed by Daryl Pratt. The piece is divided into three movements, with a different set of instruments for each. These are set up in three locations, which form an arc left to right across the performance area. Four playback speakers are situated beside and between the three playing locations. The tape sounds are entirely derived from recorded sounds of the percussion instruments. Throughout the piece, the live and recorded sounds continuously diverge as the piece progresses until at the end, the original sounds have been greatly expanded and enriched through speed transposition, mixing, filtering, etc.
Date: 1979
Creator: Zvonar, Richard
Object Type: Sound
System: The UNT Digital Library

3 pièces pour double basse et bande

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Recording of Orlando Jacinto Garcia's 3 pièces pour double basse et bande. Was written for bassist Robert Black and completed in the summer of 1990. The tape part was made using the bass player's recordings of brief musical pieces (i.e. tremolos, harmonics...) which were then digitized by the composer, sometimes transforming and mixing the material in layers of sound. The second of the three pieces is characteristic of a genre of glissandos, register changes, and also long holds both on tape and for the live double bass part. Great care as to the correctness of tone and the control of timbre is necessary on the part of the double bass player.
Date: 1990
Creator: García, Orlando Jacinto
Object Type: Sound
System: The UNT Digital Library

4 in 1

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Recording of Herbert Mitschke's 4 in 1. This piece uses traditional electro-acoustic technique to alter recording sounds and explore musical possibilities.
Date: 1993
Creator: Mitschke, Herbert A., 1954-
Object Type: Sound
System: The UNT Digital Library

4 Piezas Instrumentales

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For being the round world, who walks away in the East looking for new landscapes, after many trips and adventures he will return to the starting point from the West ... perhaps without wanting to or looking for it. By listening to these 4 instrumental pieces, you will think that they consist of an interpretation made for traditional music instruments. However, for me, the composer is nothing but a new experience in the field of technological music. In this case the experimentation consists of a program that improvises, plays, exchanges in many different ways an initial succession of tones giving rise to very different sound tissues. It is an experiment of the same complexity and quality as others that I have used in the past and that have given me totally different sound results. In this case the experimentation uses shades of defined and adjustable height, creating clear intervalic, acordic, polyphonic organizations, etc. In this domain, a similarity with instrumental music is inevitably obtained. I did not want to avoid this reality using bands of noise or continuous changes of harmonicity, but, on the contrary, I highlight the winter using homogeneous sounds that parody some known acoustic instrument. The four …
Date: 1989
Creator: Asuar, José Vicente, 1933-
Object Type: Sound
System: The UNT Digital Library

4 Poèmes

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Recording of Eugeniusz Rudnik's 4 Poèmes made in a technique for a recording studio of hand-held electronic music. The sound material is based on electronic effects, rustling, instrumental and vocal sounds. Each part is integral, allowing them to present in the order of choice.
Date: 1976
Creator: Rudnik, Eugeniusz
Object Type: Sound
System: The UNT Digital Library

5 Cookie jars and a broomstick

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Recording of Paul Geladi's 5 Cookie jars and a broomstick. The piece is based on percussive sound. These come from 5 cookie jars and a broken aluminum broomstick found in a garbage container. All the sound were recorded with a SONY ECM 979 stereo microphone.
Date: 1996
Creator: Geladi, Paul
Object Type: Sound
System: The UNT Digital Library

5 Cookies

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Recording of Paul Geladi's 5 Cookies. This piece is based on percussive sounds that come mainly from 5 cookie jars and a broken aluminum broomstick. It is a reworked version of "5 cookie jars and a broomstick" from 1995.
Date: 1998
Creator: Geladi, Paul
Object Type: Sound
System: The UNT Digital Library

5 Interazioni cicliche alle differenze sensibili

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Recording of Scipio di Agostino's 5 Interazioni cicliche alle differenze sensibili. This work consists of 5 untitled movements. This composition was written for string quartet and computer processing. The string instrumentals are not meant to sound like their traditional timbre and instead have become something that is algorithmically conceived and interactively regulated.
Date: 1998
Creator: di Scipio, Agostino
Object Type: Sound
System: The UNT Digital Library

5 little things mother taught me

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Recording of Jeffrey Faustman's 5 little things mother taught me. This work is a collection of five miniatures composed from three sound sources: the soprano voice from Edgar Varese's "Poem Electrique", the composer's voice, and a radio broadcast. The movements are titled: 1. Cantare, 2. Tedium, 3. Traumen, 4. Distance, and 5. Escape/Hallucination.
Date: 1998
Creator: Faustman, Jeffrey
Object Type: Sound
System: The UNT Digital Library

5 little things mother taught me

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Recording of Jeffrey Faustman's 5 little things mother taught me. This work is a collection of five miniatures composed from three sounds. Most of the material was generated from a single sample of an analog recording of a soprano voice - the soprano voice from Edgar Varese's POEM ELECTRIQUE "to be exact. The other two sound sources are the composer's voice and a radio broadcast.
Date: 1998
Creator: Faustman, Jeffrey
Object Type: Sound
System: The UNT Digital Library

5 microinfinitos

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Recording of Sergio Rojas de Carvalmo's 5 microinfinitos. A constellation of 27 micro-songs exploring new flirtations between poetry and music. Built-in, forgotten electro-acoustic design; music free of any adjective, without any fear or melodies or even rhythmic pulsations where the eroticism of the body is expressed. Poetic language at the limits of conciseness, flirting with prose, far from any domestication of literary genres. Dialogues of contrasting cultural spaces, dialogues of dimensions and above all dialogues where reason and concepts are silent and where everything is mystery.
Date: unknown
Creator: Rojas de Carvalmo, Sergio
Object Type: Sound
System: The UNT Digital Library

5 Minut pred

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Recording of Vlastislav Matoušek's 5 Minut pred. For pre-recorded sound and saxophone. This work used digital sound effects to enhance the listener's experience.
Date: unknown
Creator: Matoušek, Vlastislav, 1948-
Object Type: Sound
System: The UNT Digital Library

5 Piccoli Ritmi

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Recording of Agostino Di Scipio's 5 Piccoli Ritmi. For tape music with computer-processed guitar sounds and voice. This work divided into 5 short section, each announced by Spanish voice. The text being read is from a poem by H. Maturana. The sounds are derived from mixing and processing concrete sounds. The processing techniques includes an interactively operated method of real-time recursive granulation and time-shifting. Feedback controls were utilized, so that amplitude and density of the output sound affect the time shift ratio and the pitch in the algorithms.
Date: 1996
Creator: Di Scipio, Agostino
Object Type: Sound
System: The UNT Digital Library

6 electronic preludes

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Recording of Bohdan Mazurek's 6 electronic preludes for tape.
Date: 1981
Creator: Mazurek, Bohdan
Object Type: Sound
System: The UNT Digital Library

6 pièces avec voix

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Recording of Simon Jaunin's 6 pièces avec voix. For pre-recorded voice, percussion, and electronics. The composer writes: "An informal exchange between a reciter of considerable renown and not mentioned. The pieces revolve around the persistence of salient discursive elements in an unstable sound field. In addition, a strong tension is created between the mechanical aspect of development and freedom of tone."
Date: unknown
Creator: Juanin, Simon
Object Type: Sound
System: The UNT Digital Library

6 regards sur L.

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Recording of Xavier Garcia's 6 regards sur L. This piece uses voice and manipulates the sound to create unsettling and technical passages. There is a wide use of the music technique of spatialisation.
Date: 1991
Creator: Garcia, Xavier, 1959-
Object Type: Sound
System: The UNT Digital Library

7 Confusongs

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Recording of Carl Stone's 7 Confusongs.
Date: unknown
Creator: Stone, Carl, 1953-
Object Type: Sound
System: The UNT Digital Library