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Ensemble: 2017-09-20 – UNT Symphony Orchestra [Stage Perspective]

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Orchestra concert performed at the UNT College of Music Winspear Hall. This video is shot from the orchestra's perspective, showing the conductor.
Date: September 20, 2017
Creator: University of North Texas. Symphony Orchestra.
Object Type: Video
System: The UNT Digital Library

Ensemble: 2017-09-20 – UNT Symphony Orchestra

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Orchestra concert performed at the UNT College of Music Winspear Hall.
Date: September 20, 2017
Creator: University of North Texas. Symphony Orchestra.
Object Type: Video
System: The UNT Digital Library

Ensemble: 2017-09-27 – UNT Concert Orchestra [Stage Perspective]

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Orchestra concert performed at the UNT College of Music Winspear Hall. This video is shot from the orchestra's perspective, showing the conductor.
Date: September 27, 2017
Creator: UNT Concert Orchestra
Object Type: Video
System: The UNT Digital Library

Ensemble: 2017-10-25 – UNT Concert Orchestra

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Orchestra concert performed at the UNT College of Music Winspear Hall.
Date: October 25, 2017
Creator: UNT Concert Orchestra
Object Type: Video
System: The UNT Digital Library

Ensemble: 2017-09-27 – UNT Concert Orchestra

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Orchestra concert performed at the UNT College of Music Winspear Hall.
Date: September 27, 2017
Creator: UNT Concert Orchestra
Object Type: Video
System: The UNT Digital Library

Ensemble: 2017-11-02 – UNT Wind Symphony [Stage Perspective]

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Band concert performed at the UNT College of Music Winspear Hall. This video is shot from the band's perspective, showing the conductor.
Date: November 2, 2017
Creator: North Texas Wind Symphony
Object Type: Video
System: The UNT Digital Library

Ensemble: 2017-09-28 – UNT Wind Symphony

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Band concert performed at the UNT College of Music Winspear Hall.
Date: September 28, 2017
Creator: North Texas Wind Symphony
Object Type: Video
System: The UNT Digital Library

Transits élémentaires

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Recording of Francis Dhomont's "Transits élémentaires" ("Elementary Transits"). The piece is a question of a crossing that could be compared - very modestly - to that of Dante's Virgil. From fire through air, from central magma to the high layers of the atmosphere, the traveler crosses through then Alice's looking glass. The perception then becomes mental. At the formal level, the piece has five concave movements, all of unequal duration articulated by a constantly varied pattern, a sort of hinge. The piece was realized in Dhomont's personal studio as well of the GMEM (Centre National de Création Musicale) in Marseille for the synthesizer sound materials.
Date: 1982/1983
Creator: Dhomont, Francis, 1926-
Object Type: Sound
System: The UNT Digital Library

Beyond the Clouds

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Recording of Keiki Okasako's Beyond the Clouds.
Date: 1976
Creator: Okasako, Keiki
Object Type: Sound
System: The UNT Digital Library

Imagones d'une histoire en redondo (imposible a la equis)

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Recording of Joaquín Orellana's "Imagones d'une histoire en redondo (imposible a la equis)" for tape.
Date: 1980
Creator: Orellana, Joaquín, 1937-
Object Type: Sound
System: The UNT Digital Library

Studio per due sorgenti

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Recording of Francesco Galante's "Studio per die sorgenti" ("Study for Two Sources"). The musical form is a comtinuum and the music is a passage from a low to high complexity of sound materials, of the shape of textures and the succession of the events in the acceleration of time. It was realized in the electronic music studios at the Experimental Music Center in Rome in 1978.
Date: 1978
Creator: Galante, Francesco
Object Type: Sound
System: The UNT Digital Library

Fabulas

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Recording of Ricardo Mandolini's Fabulas. It is a piece that creates a soundscape of fantasy, reminiscent of stories from childhood. Uses electronic and instrumental sound material.
Date: 1979
Creator: Mandolini, Ricardo, 1950-
Object Type: Sound
System: The UNT Digital Library

Eq

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Recording of Jonty Harrison's Eq for live saxophone and tape. It is the third in a series of works that features saxophones. This piece like the others, is also concerned with 'cu' (here made manifest by the interaction of live saxophone and recorded sounds on tape), 'Q' (a filter is used to sweet the producing melodic material out of static harmony) and spatial articulation. 'EQ' is studio slang for 'equalization - a more sophisticated version of the treble and bass controls on a domestic hi-fi system and a fundamental device for sound modification in the studio. EQ was commissioned by John Harle with funds made available by the arts Council of Great Britain. It received it's first performance in the Purcell Room, London in November 1980. The tape was produced in the Electronic Music Studios of the University of New York and the City University, London.
Date: 1980
Creator: Harrison, Jonty, 1952-
Object Type: Sound
System: The UNT Digital Library

Klangbild

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Recording of Klaus Röder's Klangbild. The basis of this piece was a guitar improvisation. The tape with the recorded guitar sounds was cut at suitable points. The cut pieces were sorted and classified. So there were several small musical motifs which were instrumented afterwards by electronic means.
Date: 1979/1980
Creator: Röder, Klaus, 1948-
Object Type: Sound
System: The UNT Digital Library

Extraits de Ballet

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Recording of Leo Nilsson's Extraits de Ballet
Date: unknown
Creator: Nilsson, Leo
Object Type: Sound
System: The UNT Digital Library

Naturalia

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Recording of Costin Cazaban's Naturalia for piano and tape. Circular games on the harmonic sounds of the totally linear solo piano part. The direction of the music shows the process of disintegration on the environment. The idea for the work was aroused by the myth of the Sister of Albert Camus.
Date: 1980
Creator: Cazaban, Costin
Object Type: Sound
System: The UNT Digital Library

Walking Bells

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Recording of David Porter's Walking Bells for tape. The piece is a tour through an environmental/concrete landscape. It is another variation on the "cumulative form." This is the second in a series of four tape pieces. As with all these pieces, this piece comments on political and compositional methods and devices. In this instance, the piece makes reference to another composer whose style is borrowed. Other than that, it is pure experience. This piece should be listened to with speakers placed well apart and volume up the the highest comfortable level at the last two minutes of the piece.
Date: 1981
Creator: Porter, David, 1953-
Object Type: Sound
System: The UNT Digital Library

Phases - Events

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Recording of Enström's Phases - Events
Date: 1976
Creator: Enström, Rolf, 1951-
Object Type: Sound
System: The UNT Digital Library

Requiem per amanda

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Recording of Teresa Rampazzi's Requiem per amanda. Key musical features include two female voices in an echoing pattern and synthesized sounds.
Date: 1982
Creator: Rampazzi, Teresa
Object Type: Sound
System: The UNT Digital Library

November settting

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Recording of Gottfried Martin's November setting.
Date: 1974
Creator: Martin, Gottfried
Object Type: Sound
System: The UNT Digital Library

Kasaanin Synty (Genesis of Kazan)

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Recording of Pekka Sirén's "Kasaanin Synty (Genesis of Kazan)" performed by Leena Schönberg, speaker. The poem "The Founding of Kazan" is a Mordovinian poem from the collection "Heimokannel," original translation of text from Mordavinian to Finnish by Otto Maninen. Realized in Finnish Radio's Experimental Studio and at Stockholm's EMS Studio from 1978-1980
Date: 1978/1980
Creator: Sirén, Pekka
Object Type: Sound
System: The UNT Digital Library

Como un suspiro caido del cielo

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Recording of Eduardo Kusnir's "Como un suspiro caido del cielo" ("Like a sigh dropped from the sky").
Date: 1976
Creator: Kusnir, Eduardowordre
Object Type: Sound
System: The UNT Digital Library

Alidvoty "Les harmoniques"

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Recording of Tadeáš Salva's Alidvoty "Les harmoniques."
Date: unknown
Creator: Salva, Tadeáš, 1937-1995
Object Type: Sound
System: The UNT Digital Library

Inspiravit aeolus

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Recording of Pierre Barbaud's Inspiravit Aeolus. During the months of July - August 1979, Barbaud did his holiday homework on the island of Panarea, which is part of the eight Aeolian Islands in southern Italy. The title refers to the character Aeolus from Homer's Odyssey who is the Keeper of the Winds. In the hours of siesta, he blows with great gentleness on the bougainvillea; this is the inspiration for all of the algorithms in the piece. After returning to Paris, Barbaud asked Frank Brown and Geneviève Klein to provide the sound sampling program in data that did not provoke violent attacks. A poor telephone transmission during a first experiment, was the cause of a crash that did not lack beauty. The following communications were normal, and everything from those transmissions were kept in the piece.
Date: 1980
Creator: Barbaud, Pierre
Object Type: Sound
System: The UNT Digital Library