Recording of John Gilliland interviewing Gene Autry for the Pop Chronicles radio program series.

Fall/Spring performances program book from the 1970-1971 school year at the North Texas State University School of Music.

A short promotional film, perhaps designed as a "day in the life" of Willis Conover. The film follows him from the Voice of America studios to a tour of the John F. Kennedy Center for the Performing Arts under construction, to the New York City club Jim and Andy's, at the piano with his wife at the time, Shirley Conover, and back to the studio.

Recording of David Bates's SST

Photograph of a four lane street with cars along both sides of the road. There are traffic lights that are green, and there are trees and streetlights along the road. There are clear buildings and signs on the right side of the photo, and more obscured buildings on the left.

Recording of Walter S. Kimmel's Switched-off Bach: Bachanalysis.

Recording of Peter Klausmeyer's Teddy's bears' picnic

Recording of Pierre Boeswillwald's Un téléphone.

Photograph of three adults standing in front of a building. There are stairs leading up to a door on the building and a scalloped awning above the porch. There are windows on the building as tall as the door, and green foliage next to the porch.

Photograph of three people standing in front of a building. There are stairs leading up to a porch behind them. There is green foliage on either side of the porch, and long windows next to the front door.

Photograph of three people standing next to a light blue car with one of its doors open. The adult to the left is standing with their hands behind their back, wearing brown pants and a tan button down shirt, and looking off to the right side of the camera. The adult in the middle is wearing a colorful paisley dress and is looking directly at the camera. The adult to the right is closest to the car, is wearing a dark purple patterned dress, and is looking off to the left side of the camera. There is a street, buildings, trees, and foliage behind them.

Photograph of three trees in front of a wooden fence. Other trees are also visible in the background.

Photograph of two adults standing next to a light blue car with its doors open. One of the adults is wearing a colorful paisely dress and is looking at the camera. The other adult is looking down and holding the arm of the first adult. There is a sidewalk behind them next to a small street. There are trees and driveways that connect through the sidewalk to the main street. There are buildings behind the adults that are obscured by trees and foliage.

Photograph of two white buildings with a large tree between them. In the foreground, there is a smaller building which has a red sign and two windows. The building in the background is larger, and it has arched windows.

Recording of Elżbieta Sikora's La vue par la fenêtre.

Photograph of a white house by the road. There is a telephone pole and a sign in front of the house.

Recording of Dieter Kaufmann's Wiener werkel.

Maury Higdon interviews Willis Conover in late 1971.

Recording of José Maria Neves's Un-X-2. This piece proposes formal breaks and shows rich expressive possibilities in a non-Eurocentric posture through the use of all natural sounds.

Faculty recital performed at the NTSU School of Music Recital Hall.

Recital presented at NTSU School of Music Recital Hall.

A recording of a rehearsal of Bill Berry's New York Band with trombonist Bill Watrous

Part 3 of 4 segments of raw audio of Willis Conover's 1970 interview with Johnny Mercer, which was used in the series of seven memorial broadcasts between program numbers #7879-A and #7893-A.

Recording of John Gilliland interviewing James Brown in Hollywood for the Pop Chronicles radio program series. The last track is from a different recording, with pre-recorded interview questions for Billy Vaughn.