Photograph of a the horizon at either sunrise or sunset with a layer of dark trees at the bottom. The sky fades through colors, at the top is a deep purple to a dark pink to a lighter orange-yellow. The sun is above the line of trees.

Photograph of the horizon at either sunrise or sunset. The sky is an orange-yellow, and the sun is just above a line of dark trees.

Photograph of the treetops highlighted by the sky. There is one large cloud in the sky behind the trees.

John Fogerty and members of Creedence Clearwater Revival, interviewed in Los Angeles. John Gilliland used this recording for the Pop Chronicles radio program series.

George Harrison's comments on the Beatles' White Album. John Gilliland used this recording for the Pop Chronicles radio program series.

Excerpts of an interview with television personality Art Linkletter, which John Gilliland used in the Pop Chronicles radio program series. The interview, which focuses on drug use and popular culture, is dated from 1969. It appears to have occurred soon after the death of Linkletter's daughter, Diane, whose death he believed to have been caused by the use of LSD. The interview segments were made for broadcast, and are followed by a test tone and radio news announcement, more interview content, and a repeat of prior segments.

Audio segments related to performances by the comedy group The Credibility Gap in connection with the Pop Chronicles. The segments do not form a full program, the tracks apparently include material that was prerecorded for use in the assembly of a program, with some repetition from one track to the next.

Recording of Coriún Aharonián's Que, spoken text performed by Armando Halty. All of the sound material, besides the spoken text, is electronically generated sounds. It was composed between July and October 1969 and was realized in the Laboratorio de Moesica Electronica of the Centro Latinoamericano de Altos Estudios Musicales of the Instituto Torcuato Di Tella in Buenos Aires.

Compositions for solo organ

Fall/Spring performances program book from the 1968-1969 school year at the North Texas State University School of Music.

Recording of Hugh Davies' Shozyg 1 et 2,2. This work was created by reconstructing and modifying 4 instruments (an egg slicer, Aeolian harp, guitar string, and various springs) whose sound progresses from monophonic into stereophonic. The composer intends the piece to be performed with 4 speakers.

Recording of Bohdan Mazurek's Sinfonia Rustica.

Recording of Arne Nordheim's Solitaire.

Recording of Arne Nordheim's Solitaire. The composition was composed for the opening of the Museum Sonia Henko-Niels Onstad Foundation Museum of Contemporary Art in Oslo. The primary assumption of the composer was to give the composition in audiovisual form in which the latest technical possibilities of sounds and light projection would be utilized. However, this composition exists also in concert version, deprived of extra musical elements, in which a significant role is played by the spatial configuration of the composition realized in the original in a four channel version/on the record the Solitaire has a two channel form. Insofar as the sound material is concerned, the composer utilizes equivalently electronic instrumental and concrete sound, excusing the differences, which exist between them, and creating a uniform cohesive organism. It is worth emphasizing the unnatural richness of tones changing similarly to Schonberg's "Klangfarbenmelodies". The composition was realized in 1969 by E. Rudnik at the Experimental Studio of the Polish Radio.

Photograph of a pale stone building with an arched alcove. Inside the alcove is a statue of an adult and two children.

Photograph of multiple small stone buildings. There is a white building with an arched stone front and it has a statue of a person on top. There is sparse greenery on top of some of the buildings.

Photograph of a residential street with houses, cars, and shops.

Recording of Lucien Goethals's Studie VI. The basic material is rectangular waves. This material is subjected to various transformations by filtering. The octave is divided into 24 equal parts--it's quarter-tone music. Various sound layers (rhythm - melodic) are superimposed which gives form to a polyphonic playing. So it is mostly linear music with no use recorded sounds.

Recording of Douglas Lilburn's Summer Voices.

Photograph of six white chairs surrounding a table. There is a wooden bureau behind the table, and a candle sconce on either side of the bureau, each holding two candles. There wooden stands with a vase on top on each side of the bureau. There is part of a couch at the bottom of the image.

Photograph of six white chairs surrounding a wooden table in a room on top of a dark rug. There is a wooden bureau behind the table, and there are three tall candles on the table. There is a wooden candle sconce on each side of the bureau holding two candles. Underneath each sconce is a wooden stand with a vase.

Photograph of a long table with two candelabras and a large wedding cake in the center. The table is covered in a white tablecloth and outfitted with glasses, plates, and utensils.

Recording of Bengt Emil Johnson's Through the mirror of thirst.

Recording of Jon Appleton's Times Square Times Ten.