Libretto for Il martirio di S. Adriano. Grove Music Online and similar items in WorldCat point to authorship by Girolamo Gigli for a composition by Giuseppe Fabrini, circa 1690.

Libretto for Giuditta. The preface is dated May 10, 1697. Gigli is identified here under the name Amaranto Sciaditico.

Libretto of the 1691 opera "Astrée" by Jean de la Fontaine. Pascal Collasse composed the music of the opera which premiered under the title "Astrée et Céladon" on November 25, 1692.

Libretto of the opera "Enée et Lavinie" by Bernard le Bovier de Fontenelle. Pascal Collasse composed the music of the opera which premiered on November 7, 1690. The plot, which Bovier de Fontenelle adapted from Virgil's "Aeneid, Book vii," revolves around the marriage of Enée (i.e., Aeneas) to the Latin bride Lavinia.

Und zugleich berühmteste ausüber von Anfang der Welt biss auff unsere Zeit in möglichster Kürtze erzehlet und vorgestellet werden, aus denen vornehmsten Autorobus abgefasset und in Ordnung gebracht von Wolfgang Caspar Printzen, von Waldthurn.

According to Grove Music, Gigli's 'Amore fra gli impossibili' is an eccentric work where "the pastoral setting is disturbed by mythological references and the addition of the characters Don Chisciotte and Coriandolo, in an ironic and grotesque atmosphere."

1724 score of André Cardinal Destouches' opera Issé. Destouches’s Issé premiered in 1697, just nine years after the death of Jean-Baptiste Lully. The tradition of featuring new operas at the court prior to a public premiere—common during Lully’s later years—was reinstated with this work. When Destouches revived the opera in 1708, he enlarged the original three-act work to five acts. This allowed for expanded divertissements, choruses, and more elaborate arias, which appealed to contemporary public preferences. The volume in the Virtual Rare Book Room is the five-act version.