Recording of Pedro Caryeyschi's Analogias paraboloides.

Recording of Gabriel Brnčić's Quodlibet VIII (version 2a)

Recording of Lucian Mețianu's Pythagoreis.

Recording of Carlos Fariñas' and Sergio Barroso's Corales poema sonoro. This piece is excerpted from a show, "Dialogues," for band, instruments, images, and the public performed with Sergio Barroso in 1971. The sound poem is based on a montage of Cuban poems, which goes from a poetic enumeration of Cuban plants and trees to quotes from Macbeth and fragments of the Campaign Journal and other political narratives of José Martí (revolutionary, poet, founder of the Cuban Revolutionary Party, ideologist, pioneer of Latin strategic anti-imperialist thinking) written on the eve of his fall, fighting. Texts read, transformed concretely and electronically.

Recording of Jan W. Morthenson's Ultra.

Recording of Bülent Arel's Stereo electronic music n°2.

Recording of Juan Amenábar's Sueño de un niño.

Recording of Gustav Ciamaga's Two-part invention n°8 for tape.

Recording of Eduardo Kusnir's La Panaderia

Part 3 of 4 segments of raw audio of Willis Conover's 1970 interview with Johnny Mercer, which was used in the series of seven memorial broadcasts between program numbers #7879-A and #7893-A.

The One O'Clock Lab Band on their 1970 trip to Germany. Video only.

A recording of a rehearsal of Bill Berry's New York Band with trombonist Bill Watrous

Recording of Ariel Martínez's El gloton de pepperland.

Recording of Horacio Vaggione's L'ascension d'Euclide.

Recording of Debravko Detoni's Graphie III.

Recording of John Gilliland interviewing James Brown in Hollywood for the Pop Chronicles radio program series. The last track is from a different recording, with pre-recorded interview questions for Billy Vaughn.

Fall/Spring performances program book from the 1969-1970 school year at the North Texas State University School of Music.

Six compositions for solo piano.

Recording of John Heineman's Air Piece. Air Piece is a theatrical piece made on magnetic tape. Essentially made up of aircraft sounds recorded at the airport, on the airstrip and inside the terminal itself, the various sound elements are only edited and mixed together as in cinematographic technique. The piece was created at the Electronic Laboratory of the Conservatory of Pesaro.

Recital presented at NTSU School of Music Recital Hall.

Recording of Alain Savouret's Didactic Party.

Recording of Trevor Wishart's Journey into Space. Miscellaneous sound-sources were collected form metal work-shops, toy-shops, builders' yard etc. some of the material for the original source-tapes was group-improvisation on these collected objects, and/or instruments and voices, some very free, others less so, and yet other sections strictly notated. other sound--sources were recorded individually and mixed or edited later in the studio. all these sounds were sorted, selected, pre-edited, and some treated, from this point the process of tape-composition proper could begin, the work involved was editing, mixing, re-editing, re-mixing, and treatments (speed-change, filtering, etc).

Faculty recital performed at the NTSU School of Music Recital Hall.

Recording of Francisco Kröpfl's Nocturno. The intention of this work is to produce a piece for work without great contrasts. Comprised of three sections: the first of slow evolution is the slow and constant in one harmonic patern. In the second section this material is re-elaborated obtaining irruptive sounds, similar to sleigh bells. Oriented movement is detained in the third section by a group of consonant related eight sounds of fixed pitch derived from the harmonic structure of the first section. Produced by means of a Buchla voltage controlled synthesizer.