Recording of Walter S. Kimmel's Cronaca.

Recording of Sten Hanson's Don't hesitate, do it right now. This work consists of 4 separate pieces: 'Che', 'The Glorious Desertion', 'Don't hesitate, do it right now', and 'Revolution'. This collection of pieces were inspired by the ADC (American Deserters Committee), a group of American soldiers that found sanctuary in Sweden after deserting the American army during the Vietnam war. The spoken text in this piece is sampled from a speech given by Che Guevara, a public figure who took part in Castro's revolution.

Recording of George Balch Wilson's Exigencies for eight channel tape. (https://en.wikipedia.org/wiki/George_Balch_Wilson)

Recording of Hans Ulrich Humpert's Der Frieden.

Recording of José Vicente Asuar's Gueraria repano

Scrapbook of materials including photographs, letters, newspaper clippings, performance programs, and various other notes and ephemera documenting the activities of the North Texas State University One O'Clock Lab Band during 1968.

Scrapbook of materials including photographs, letters, newspaper clippings, performance programs, and various other notes and ephemera documenting the activities of the North Texas State University One O'Clock Lab Band during 1968.

Scrapbook of materials including photographs, letters, newspaper clippings, performance programs, and various other notes and ephemera documenting the activities of the North Texas State University One O'Clock Lab Band during 1968-1969.

Recording of Christian Clozier's Lire à Lully. This work is the composer's first attempt at electroacoustic music. The sound source used for this piece is the piano which was not mixed but edited in "search of expressiveness".

Recording of Jean-Claude Risset's Little Boy computer suite for tape. The piece draws on various sound synthesis experiences that I did between 1964 and 1968, working with Max Mathews at Bell Laboratories. These experiences are described in particular in my 1969 sound catalog, which presents a recording of various synthesized sounds with the synth "scores" of these sounds: these scores are both production recipes and exhaustive descriptions of the sound. microstructure of sounds, just as a score describes the combination of various sounds. The Suite is part of a music composed for the play Little Boy by Pierre Halet (Editions du Seuil, Paris 1968), music which also includes vocal and instrumental sections. The theme of the play is the bombing of Hiroshima, relived through the fantasies of pilot Eatherly. In the Suite, the action is condensed into three parts. During the first, Flight and Countdown, the dream of the flight to Hiroshima is accompanied by moving textures, pierced by two fugitive episodes (jazz, gong) then the countdown of the bomb drop, chanted with the rigor of a metronome. In the second part, Chute, the sound travels among various rockets in the great circles of an indefinite descent: indeed the pilot …

A partial set of playlists for individual Music USA programs 4750 through 5115, broadcast in 1968. There are 172 pages in this document.

Recording of John Gilliland interviewing producer and director Lou Adler in Bel Air, California for the Pop Chronicles radio program series.

Recording of John Gilliland interviewing guitarist Chet Atkins in Nashville for the Pop Chronicles radio program series.

Richard Perry interviews Fats Domino in Las Vegas. John Gilliland used this recording for the Pop Chronicles radio program series.

Recording of John Gilliland interviewing Steve Winwood, Jim Capaldi, and Chris Wood of the group Traffic in London for the Pop Chronicles radio program series. The interview took place either on January 19 or 29, 1968.

Interview with John Lennon and Paul McCartney. John Gilliland used the recording for the Pop Chronicles radio program series.

Recording of John Gilliland interviewing Judy Collins, Joni Mitchell, and Leonard Cohen for the Pop Chronicles radio program series. The interview with Cohen includes the playing of several of his songs.

Recording of the Pop Chronicles theme song, as performed by Len Chandler. This recording was included among the interviews.

Recording of Pierre Boeswillwald's La promenade du dimanche. First encounter with the widest possible electroacoustic language. The shape and geometry of sounds fade away in favor of emotion, images and climates. Sunday, day of rest where we do nothing but the simulacrum of what we would like to do!

Recording of Pierre Boeswillwald's La Promenade du Dimanche.

Fall/Spring performances program book from the 1967-1968 school year at the North Texas State University School of Music.

Compositions for solo piano.

Recording of John Gilliland interviewing Little Richard in Hollywood for the Pop Chronicles radio program series. He discusses his musical style and influences, career, opinions on religious studies and race, and changes in popular music.

Recording of John Gilliland interviewing Ian and Sylvia Tyson in Pasadena, California for the Pop Chronicles radio program series.