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Water Phases

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Recording of Satoshi Sumitani's Water Phases.
Date: [1932..]
Creator: Sumitani, Satoshi, 1932-
Object Type: Sound
System: The UNT Digital Library

Quintaesencia

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Recording of Julio Roloff's, Quintaesencia. This piece features a wide ambience of frequencies, Roland piano improv, and electronically produced sounds. The frequent changes in energy and direction allow for free flowing ambient sections and intense section with strict rhythm.
Date: 1951
Creator: Roloff, Julio
Object Type: Sound
System: The UNT Digital Library

Fantasy in Space

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This is another in a series of pieces Luening made by recording himself playing flute, and then while listening on earphones, taped a second flute part over the first, and so forth.
Date: 1952
Creator: Luening, Otto, 1900-1996
Object Type: Sound
System: The UNT Digital Library

Invention in 12 Notes

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Recording of Otto Luening's Invention in 12 Notes.
Date: 1952
Creator: Luening, Otto, 1900-1996
Object Type: Sound
System: The UNT Digital Library

Low Speed

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The work is made around tape recordings of Luening's improvisations on the flute. The flute recordings were transposed through change of tape playback speed and transformed through "tape recorder feedback".
Date: 1952
Creator: Luening, Otto, 1900-1996
Object Type: Sound
System: The UNT Digital Library

Orphée 53

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Recording of Pierre Schaeffer's Orphée 53.
Date: 1953
Creator: Schaeffer, Pierre, 1910-1995
Object Type: Sound
System: The UNT Digital Library

Party

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Recording of Rune Lindblad's Party.
Date: 1953/1954
Creator: Lindblad, Rune, 1923-1991
Object Type: Sound
System: The UNT Digital Library

Rhapsodic Variations

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Recording of Otto Luening's Rhapsodic Variations.
Date: 1953/1954
Creator: Luening, Otto, 1900-1996
Object Type: Sound
System: The UNT Digital Library

Poem in Cycles and Bells

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Recording of Otto Luening's Poem in Cycles and Bells.
Date: 1954
Creator: Luening, Otto, 1900-1996
Object Type: Sound
System: The UNT Digital Library

Dripsody

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Recording of Hugh le Caine's Dripsody. It is an study for variable speed recorder. It was composed in one night. Le Caine used a recording of a drop of water falling into a bucket, which he re- recorded different speeds, obtaining the heights of a pentatonic scale. Using 25 connectors and the variable speed tape recorder, it produced thousands of sound effects. Dripsody begins with the original sound of the water drop, repetition loop. Shortly afterwards, by adding more loops, the density of the sound increases and an arpeggio figure is produced. The complete work, lasting one minute and twenty-six seconds, was finished at 7.30 am, and Le Caine played it for those who arrived at the laboratory.
Date: 1955
Creator: Le Caine, Hugh, 1914-1977
Object Type: Sound
System: The UNT Digital Library

Ninety nine Generators

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Recording of Hugh le Caine's Ninety nine Generators. The title refers to the 99 organ sound generators sensitive keys - a separate generator for each note of the keyboard that can all be operated simultaneously. Le Caine here uses a resonance pedal and a device that can change the pitch to produce a vibrato or long glissandi impossible to achieve on an organ. The particular reverb of this piece is caused by the unusual acoustics of the place where it was realized.
Date: 1956
Creator: Le Caine, Hugh, 1914-1977
Object Type: Sound
System: The UNT Digital Library

Sonotranjosti

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Recording of Bor Turel's Sonotranjosti.
Date: 1956
Creator: Turel, Bor
Object Type: Sound
System: The UNT Digital Library

Invocation

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Recording of Hugh Le Caine's Invocation. The piece opens with a trio of three recorded sounds: a glass that is broken with a hammer, a ping-pong ball hitting a racket, and a drop of water. These sounds are the "instruments" used throughout the piece. Drips are configured as fast ascending and descending glissandi. A series of chords is constructed from a sustained movement of glass stamps. The sound of the ping-pong ball - from the left to the right - gradually accelerates. Severe rumbling and sharp joints appears as sudden changes in channels multiply. The introduction of these gestures disrupts the orderly progression of loops and the inclusion of small strips of paper connected to the ribbon which produces rough and jerky sounds further accentuate this breaking effect. Towards the end of the piece, sustained sounds are played out in a chord, but as soon as this effect is installed, the tape slows down and stops, as if someone had unplugged the music player. Then we hear a particularly violent sound of glass breaking.
Date: 1957
Creator: Le Caine, Hugh, 1914-1977
Object Type: Sound
System: The UNT Digital Library

Walkin' by the River

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This is a manuscript score of Joseph [Joe] A. Coccia's arrangement for jazz ensemble of the song "Walkin' by the River," by Una Mae Carlisle. It includes chord symbols and sections of the music, dynamics and solo entrances were marked using red pencil. On the back of the last page of the manuscript, there are suggested performance instructions and an alternative ending addressed to Stan [Kenton]. Each page of the manuscript bears the inscription "Stan Kenton Orch."
Date: July 16, 1957
Creator: Carlisle, Una Mae, 1915-1956. & Sour, Robert, 1905-
Object Type: Musical Score/Notation
System: The UNT Digital Library

I Am In Love: Bass Part

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Manuscript copy of a bass part for a custom musical arrangement of "I Am In Love" by Cole Porter.
Date: 1958
Creator: Piazzolla, Astor & Porter, Cole, 1891-1964
Object Type: Musical Score/Notation
System: The UNT Digital Library

I Am In Love: Cello Part

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Manuscript copy of a cello part for a custom musical arrangement of "I Am In Love" by Cole Porter.
Date: 1958
Creator: Piazzolla, Astor & Porter, Cole, 1891-1964
Object Type: Musical Score/Notation
System: The UNT Digital Library

I Am In Love: Clarinet Part

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Manuscript copy of a clarinet part for a custom musical arrangement of "I Am In Love" by Cole Porter.
Date: 1958
Creator: Piazzolla, Astor & Porter, Cole, 1891-1964
Object Type: Musical Score/Notation
System: The UNT Digital Library

I Am In Love: Drum Part

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Manuscript copy of a drum part for a custom musical arrangement of "I Am In Love" by Cole Porter.
Date: 1958
Creator: Piazzolla, Astor & Porter, Cole, 1891-1964
Object Type: Musical Score/Notation
System: The UNT Digital Library

I Am In Love: Flute Part

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Manuscript copy of a flute part for a custom musical arrangement of "I Am In Love" by Cole Porter.
Date: 1958
Creator: Piazzolla, Astor & Porter, Cole, 1891-1964
Object Type: Musical Score/Notation
System: The UNT Digital Library

I Am In Love: Oboe Part

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Manuscript copy of a oboe part for a custom musical arrangement of "I Am In Love" by Cole Porter.
Date: 1958
Creator: Piazzolla, Astor & Porter, Cole, 1891-1964
Object Type: Musical Score/Notation
System: The UNT Digital Library

I Am In Love: Viola Part

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Two manuscript copies of a viola part for a custom musical arrangement of "I Am In Love" by Cole Porter.
Date: 1958
Creator: Piazzolla, Astor & Porter, Cole, 1891-1964
Object Type: Musical Score/Notation
System: The UNT Digital Library

I Am In Love: Violin A Part, Corrected

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Manuscript copy of a corrected first (1st) violin part for a custom musical arrangement of "I Am In Love" by Cole Porter.
Date: 1958
Creator: Piazzolla, Astor & Porter, Cole, 1891-1964
Object Type: Musical Score/Notation
System: The UNT Digital Library

I Am In Love: Violin B Part

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Three manuscript copies of a second (2nd) violin part for a custom musical arrangement of "I Am In Love" by Cole Porter.
Date: 1958
Creator: Piazzolla, Astor & Porter, Cole, 1891-1964
Object Type: Musical Score/Notation
System: The UNT Digital Library

I Am In Love: Voice Part

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Manuscript copy of a voice part for a custom musical arrangement of "I Am In Love" by Cole Porter.
Date: 1958
Creator: Piazzolla, Astor & Porter, Cole, 1891-1964
Object Type: Musical Score/Notation
System: The UNT Digital Library