To Miss Carrie Roeder. Publisher number 14 = 3. Caption title: "The Brighton Polka."

This is a copy of the first volume of "Dictionary of Music and Musicians," edited by Sir George Grove. This volume, published in 1879, is an encyclopedic work that contains the biographies of well-known composers as well as articles contributed by various authors on music topics, concepts and definitions starting alphabetically from: "A" (i.e., the sixth note in the scale of C major) to "I" (impromptu). The names of contributing authors appear in a list on pp.[vii]-viii), signed "Bedford Street, Covent Garden, April 1, 1879." The titles of volumes I and II, indicate that the dictionary was issued in three volumes. However, the titles of the third and fourth volumes changed that statement to indicate that the publication of the dictionary was in four volumes.

Schottisch, "To M. Luther Brown." Publisher number 21 = 3. Caption title: "Spring Lake Schottisch." Other titles advertised on the bottom of pages 2, 3, and 4 of music.

No. 1 in the series Crown of Triumph, A Collection of Sacred Music. In C, for tenor solo, quartet, and organ. Publisher number L.B. 1=4. The C.M.E. Co., engraver.

No. 2 in the series Crown of Triumph, A Collection of Sacred Music. In D, for tenor solo, quartet, and organ. Publisher number L.B. 2=5. The Clayton Music Eng. Co., engraver. Credited to Ceruti on cover.

The present volume is a 1875 compendium of various Latin music treatises by Johannes Tinctoris gathered from manuscript sources from Brussels, Bologna and Gand. The present edition, edited by Charles Coussemaker, comprises ten of the twelve surviving manuscripts of Tinctoris's theoretical works. According to Oxford Music, these were written in the first few years of his employment at Ferrante's court and demonstrate Tinctoris's intellectual and pedagogical mastery of music theory. They also demonstrate his acquaintance with contemporaneous composers of the early Renaissance Burgundian composers like Antoine Busnoys, as well as with the music of Franco-Flemish composers such as Johannes Ockeghem. Below is a table of content listing the titles of each treatise and a brief description of the concepts they treat. Treatises and Description: "Expositio manus" - this treatise is divided in 10 chapters consisting of: definitions, places, clefs, voicing, properties, deductions, mutations, conjunctions, conclusion; "Liber de natura et proprietate tonorum" - this treatise is divided in 51 chapters containing: definitions and name of tones, concerning the species diatessaron and diapente, formation of first throughout the eighth tone, authentic and plagal modes, ascending and descending perfect/imperfect tones; "Tractatius de notis et pausi" - this treatise is divided in two books. …

Dedicated to the Hon. E. J. Shandley. Publisher number L.B. 7.

Bound compilation of sheet music, compiled by Florence B. Paulson. The collection was bound in 1870, and contains works published between 1830 and 1870. Many of the selections are patriotic, while others include dances, ballads, and selections from operas. A variety of composers are present, with S. Wesley Martin and Henry C. Work the most frequent, each with three compositions in the volume. Almost half of the selections were published in Chicago, with others from New York, Boston, Cincinnati, and Philadelphia. Lyrics in this volume include racial slurs and stereotyping.

"To the 'Band of Hope' of Rev. Dr. Theo. L. Cuyler's Church."