Recording of Sergio Rojas de Carvalmo's 5 microinfinitos. A constellation of 27 micro-songs exploring new flirtations between poetry and music. Built-in, forgotten electro-acoustic design; music free of any adjective, without any fear or melodies or even rhythmic pulsations where the eroticism of the body is expressed. Poetic language at the limits of conciseness, flirting with prose, far from any domestication of literary genres. Dialogues of contrasting cultural spaces, dialogues of dimensions and above all dialogues where reason and concepts are silent and where everything is mystery.

Recording of Miguel Azguime's O ar do texto opera a forma do som interior. The composer describes this as a sound poetry stage work for a speaker/actor. This piece is made of 4 sections that follow each other without interruption and have the following subtitles: "Ar do Texto" (the Air in the Text), "Formant-Melodies", "Sem Recurso" (Without Resources), and "O Som Interior" (the Inner Sound). Although there are some spoken words in Portuguese, most of the text is meaningless and was written as sound compositions.

Newspaper clipping about a performance of classical music by Padma Rangachari.

Newspaper clipping about Padma Rangachari promoting her music at Instituto de Música na Unicamp.

Newspaper clipping about a concert by Padma Rangachari.

Newspaper clipping about Padma Rangachari visit to Brazil.

Two undated newspaper clippings describing Padma Rangachari's visit to the Departamento de Música do Instituto de Artes da Unicamp (Universidade Estadual de Campinas) in Brazil.

Newspaper clipping about a Padma Rangachari recital. Publisher and date information handwritten on the clipping.

Recording of Miguel Azguime's Comunicacones. The sound materials in this piece come from concrete sounds from a Lisbon port, communication satellites, and texts in more than 30 different languages, as well as synthetic and instrumental sounds. This work was commissioned by the Lisbon World Fair Expo'98 and the concert version premiered at the "Musica em Novembro" festival in Lisbon.

Advertisement for "Concertos do Meio-Dia" (Midday Concerts) at Universidade Estadual de Campinas. Padma Rangachari is listed as performing Música Clàssica Indiana at the next concert.

Recital presented at the UNT College of Music Voertman Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.

Recital presented at the UNT College of Music Voertman Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.

Recital presented at the UNT College of Music Recital Hall.

Recital presented at the UNT College of Music Voertman Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.

Recording of Beatriz Ferreyra's "Echos" with vocals by Mercedes Cornu. The piece was made from the "destructuration" of four Latin American songs: two Argentinian and two Brazilian. Cornu uses a variety of vocal sounds (long and short sounds, breaths, coughs, etc.).

Women's Chorus performance at UNT College of Music Concert Hall.

Cello Choir concert performed at the UNT College of Music Concert Hall.

UNT Global Rhythms: Drums Around the World concert presented at the Morton H. Meyerson Symphony Center in Dallas, Texas.

Ensemble concert performed at the UNT College of Music Concert Hall.

Ensemble concert presented at the UNT College of Music Concert Hall.

Jazz concert performed at the UNT College of Music Lyric Theatre.

Afro-Cuban, Brazillian, and Latin jazz concert performed at the UNT College of Music Voertman Hall.

UNT Beginner and Advanced Afro-Cuban Ensemble, UNT Brazilian Ensemble, and UNT Latin Jazz Lab Band performed at the UNT College of Music Voertman Hall.

Chamber concert performed at the UNT College of Music Voertman Hall.