"Prodromus Musicalis" (published in 1702) is bound, here, with "Motets à une et deux voix, mélez de symphonies, livre premier" (1704); thus, the latter gate is used for this item as a unit. Both sets of motets consist of Latin-texted music preceded by a title page in French. A Table of Contents either at the front or back of each collection describes the motets contained therein. Content is printed on both sides of each leaf. "Prodromus" also has a note from Brossard informing the reader that a Dictionary of Music, published at the same time as "Prodomus," contains French translations of Italian, Greek, and Latin terms, knowledge of which is vital to the understanding and performance of the present music. The contents of "Prodromus" are as follows: "Ave vivens hostia," "O Jesu quam dulce," "Congratulamini filiae Sion," "O vos aetherei," "Festivi martyres" "Angele sancte" "Sonitus armorum," "Quemadmodum desiderat," and "O plenus irarum dies." "Motets à une et deux voix" contains the following pieces: "Venite exultemus," "Gaudete Mortales," "Ad mensam caelitus paratam," "Ave Regina coelorum," "Animae Amantes ad Deum esurientes," "Ite gemmae, Ite flores," "Anxiatus est super me spiritus meus," "Festivi Martyres, festivae Virgines," "Nisi Dominus aedificaverit domum."

Bound compilation of sheet music from a variety of composers, with multiple works from Giuseppe Verdi, M.W. Balfe, and Gaetano Donizetti. This volume is held by Duke University, and is posted here in conjunction with the Binders Volumes Research Initiative, a project funded by a grant from the National Endowment for the Humanities - Humanities Collections and Reference Resources (PW-290538-23).

Bound compilation of sheet music, collected by Florence B. Paulson. This volume consists primarily of ballads and love songs, most of which were published in Philadelphia, New York, and Boston.

Ensemble concert performed at the UNT College of Music Concert Hall.

Choral concert performed at the UNT College of Music Concert Hall.

Choral concert performed at the UNT College of Music Concert Hall.

Concert performed at the UNT College of Music Concert Hall.

Recording of Henri Heuze's Le sacerdoce et le curé d'Ars.

Concert Choir concert performed at the UNT College of Music Concert Hall.

Ensembles concert performed at the UNT College of Music Concert Hall.

UNT Symphony Orchestra and Grand Chorus concert performed at the UNT College of Music College Hall.

Recording of Philippe Ménard's Rep-à-quatre. This piece is inspired by François Rabelais and his satire, grotesque, and bawdy jokes and songs. On a technical level, most of the sound material comes from samples of the texts (ASR 10 sampler) and the musical organization is managed by the MAX software, my improvising assistant.

Canticum Novum choir concert performed at the UNT College of Music Recital Hall.

Recording of Eric La Casa's Ouroboros 5.

UNT Canticum Novum concert presented at the UNT College of Music Recital Hall.

Ensemble concert performed at the UNT College of Music Concert Hall.

Symphony concert performed at the UNT College of Music Concert Hall.

Recording of Juan Manuel Marrero's Come la voce della coscienza.

Concert performed at the UNT College of Music Concert Hall.

Recording of Frank Schweizer's Songline. This work is made up of 10 untitled movements and contains various concrete and electronic sounds.

A concert choir concert performed at the UNT College of Music Winspear Hall.

Concert presented at Winspear Hall at the Murchison Performing Arts Center.

Ensemble performance at the UNT College of Music Concert Hall

Ensemble concert performed at the UNT College of Music Winspear Hall.