Recording of Masahiro Miwa's Dithirambe. This work is for voice and electronics. This work explores just how much the composer could use electronic processing to alter the sound of the voice. The piece introduces the unprocessed voice and slowly begins to add different effects including: pitch alteration, reverberation, speed, and sound placement.

Recording of Francis Dhomont's Figures de la nuit (Faces of the night). This piece is about dreams and the concept of one's existence within the night. There are samples of voices, sine tones, nature, and electronically built and/or manipulated sounds.

Recording of Todor Todoroff's Obsession. The sound materials of the piece comes mainly from two sources whose multiple transformations follow one another or are edited and mixed in such a way that contrasts and coincidences. The sound sources are recordings of flowing water and wave sounds used in different ways and texts which are fragmented, transformed, assembled and spatialized. This evolution, ranges from micro montage to the complete sentences and goes through a succession of words.

Recording of Pierre Mariétan's Paysmusique symphonie. This work is for large ensemble and tape. It includes sections of a large crowd talking all at once and sections of a symphony orchestra performing a work.

Recording of André Luc Desjardins' Le Pou.

Recording of Yves Potvin's Trim Assassia.

Recording of Bernard Fort's Le voyage d'Alice. This work is inspired by Lewis Carroll, and following Alice from "Alice's Adventures in Wonderland". The story behind this work puts music to surreal situations, imaginary spaces, and the mobility of sounds. There are different stages of Alice's journey will take turns climbing the levels of listening, from the simplest like Alice's garden to the additional complex acoustic sound material.

Recording of Yves Coffy's Ys. This piece is structured around two poems, one read by Jean-Pierre Niogret, "Beautiful City", and the other read by Mohammad, "Charnel-House Vertigo". In the first section, the timbres and the colors are organized around the first text: it overflows with the complexity of rumors, of savors, of secrets, and is progressively wound about by the second text in the language of Mohammad. In the third section, a sort of deep spatial envelope is obtained by the extreme slowing down of vinyl records, and then mixed. This symbolizes the silent crossing of the Medium.

Concert performed at the UNT College of Music Concert Hall.

Recital presented at the UNT College of Music Concert Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree

Recital presented at the UNT College of Music Concert Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.

A student recital presented at the UNT College of Music Recital Hall.

Recital presented at the UNT College of Music Concert Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.

Faculty recital performed at the UNT College of Music Concert Hall.