The work is a coiled piece of paper that measures 2,490 feet when unwound. Pieces of white string tie sections to hold it in place.

Image of concentric circles drawn in graphite and centered on cream color rectangular piece of paper.

Image of concentric circles drawn in graphite and centered on cream color rectangular piece of paper with lines also radiating from the center.

Image of artwork consisting of loosely drawn concentric circles centered on the cream color rectangular piece of paper.

The work consists of a series of six books. They were included in the exhibition From Here to There: Practice, Form, and Meaning, May 22 - August 4, 2012.

This article explores how the photographs of a basketmaker, as well as photographs of other refugee artisans published in the August 1956 issue of Interior magazine, served the American State Department agenda by characterizing its subject in terms of pathos and need.

This article assesses the media visibility, a composite measure of attention and prominence, of China's President Xi Jinping's first 3-year governance in The New York Times.

The brooch is to be worn on the shoulder and is in the form of an attic vent. The piece spins.

The two paper pieces consists of many layers, hang on the wall and protrude into the space. These pieces were included in the exhibition From Here to There: Practice, Form, and Meaning, May 22 - August 4, 2012.

This head piece was created using mylar removed from floppy disks that were individually machine stitched into form, then hand sewn to create the overall look.

Image of painting that depicts two hooded men chained together. The view is from below showing the ceiling which resembles a cathedral.

Review of the book "Palace of the Mind: The Cloister of Silos and Spanish Sculpture of the Twelfth Century" by Elizabeth Valdez del Álamo.

This article uses a grounded theory approach to identify three major themes--business, soft power, and whitewashing--in the US media coverage of "The Great Wall" film.

This low-chroma ink wash painting depicts an abandoned cart. The artist was selected by the Union Art Gallery Committee to have a one-person exhibition in the Union Gallery. This painting was exhibited in the Union Gallery, Union Building, from August 27 until September 13, 2012.

This monochromatic painting depicts the artist Paul Cezanne in the countryside with some of his plain-air paintings and on the left hand edge text and dialogue unrelated to Cezanne.

Image of the entire brooch from above.

Detail image of the brooch front.

Detail image of the side of the brooch.

This presentation is part of the faculty lecture series UNT Speaks Out on Coming Home. The author discusses methods and findings from a project she participated in related to how veterans narrated their experiences through art. Her component of the study evaluated participants and described what they gained through creating arts and crafts.

This monochromatic painting shows the front of the main building from the view of the southwestern porch, with a column prominently in the foreground.The artist was selected by the Union Art Gallery Committee to have a one-person exhibition in the Union Gallery. This painting was exhibited in the Union Gallery, Union Building, from August 27 until September 13, 2012.

This article discusses the expansion of Maillezais Abbey and the creation of its hydraulic infrastructure.

This low-chroma ink wash painting shows the dining hall of the estate, particularly focusing on the windows. The sunshine lights the floor highlighting the debris and ruin. The artist was selected by the Union Art Gallery Committee to have a one-person exhibition in the Union Gallery. This painting was exhibited in the Union Gallery, Union Building, from August 27 until September 13, 2012.

Image of two color inkjet prints mounted on a wall as part of an art exhibition. These two photographs depict the popular Barbie toy doll. In one photograph, she is in front of a pink background and in the second photograph, Barbie is seen amid sparkling lights. These photographs were included in the exhibition, Parallax Presents: Self-Conceptions, University of North Texas Fine Art Photography Club which was held in the Lightwell Gallery, Art Building, September 2012.

This low-chroma painting depicts the dumbwaiter that resides at the back of the dining hall. The artist was selected by the Union Art Gallery Committee to have a one-person exhibition in the Union Gallery. This painting was exhibited in the Union Gallery, Union Building, from August 27 until September 13, 2012.