Article accompanying the Proceedings of HCI 2011 The 25th BCS Conference on Human Computer Interaction. This paper explores the World Wide Web's effect on the Google Generation/those born after 1993.

This is an excerpt from the documentary, "The Skin Quilt Project," that focuses on skin color representation. The documentary features scholars, writers, and quilters from across the country, who discuss issues of skin-color politics in the African-American community. Through the stories of African-American quilters we are able to understand how the fellowship and practice of quilting has enriched peoples lives, and given them a sense of pride in their cultural heritage.

This book chapter describes a project to develop an informative green label that outlines the impact of a product on the environment, to help inform the consumer considering buying the product.

This article explores consumers' perceptions of sustainability labels on apparel products and examines sustainability labels as an effective means of determining consumers' purchase intentions using the technology acceptance model.

This article explores how the photographs of a basketmaker, as well as photographs of other refugee artisans published in the August 1956 issue of Interior magazine, served the American State Department agenda by characterizing its subject in terms of pathos and need.

Review of the book "Palace of the Mind: The Cloister of Silos and Spanish Sculpture of the Twelfth Century" by Elizabeth Valdez del Álamo.

This paper explores the development of Internet use in Latin America by exploring the macro- and micro-social expectations and actualities of Internet use.

This article uses a grounded theory approach to identify three major themes--business, soft power, and whitewashing--in the US media coverage of "The Great Wall" film.

This article situates Medieval Studies in the ever-evolving education environment that has linked the public rhetoric of the academy to business models.

This article provides retrospective insight on incorporating geographic information systems into medieval studies research.

This article discusses the expansion of Maillezais Abbey and the creation of its hydraulic infrastructure.

This article assesses the media visibility, a composite measure of attention and prominence, of China's President Xi Jinping's first 3-year governance in The New York Times.

This predominately black and white work consists of three main images, some text and several colorful marks moving across the face of the artwork. The larger text states, "Bush and Iraq's leader have video conference."

Bill Richardson, Governor of New Mexico, stands next to President Barack Obama. Both men are looking downward but smiling. The digital painting is a creative depiction of an AP photograph by Alex Brandon. Text below the image states, "Richardson gives endorsement to Obama." Included on top of the photo depiction are several loosely digitally painted colorful geometric shapes, an orange square, a green square, a pink rectangle and miscellaneous other loose yellow, red and turquoise marks. In the white margin at the bottom of the image of the men is a small inset image that depicts a highway overpass, a billboard and a car on the road with two dialogue bubbles.

This artwork consists of two portions, the top a grid, eight by seven, of colored squares and the lower dialogue between Caroline and Steve.

This monochromatic painting depicts the artist Paul Cezanne in the countryside with some of his plain-air paintings and on the left hand edge text and dialogue unrelated to Cezanne.

The left hand section of the painting depicts three men seated at a table with microphones while the right side consists of text, dialogue between two people, Steve and a woman.

This paper was awarded a Nicholas and Anna Ricco Award for 2013. This paper discusses Nazi-era art restitution. The author examines the unique history of the World War II art plunder and the dilemma and issues that heirs and museums face.

This head piece was created using mylar removed from floppy disks that were individually machine stitched into form, then hand sewn to create the overall look.

This presentation is part of the faculty lecture series UNT Speaks Out on Coming Home. The author discusses methods and findings from a project she participated in related to how veterans narrated their experiences through art. Her component of the study evaluated participants and described what they gained through creating arts and crafts.

The untitled set of photographs depict, in one, a man dressed in a suit and tie seated next to computer equipment and, in the second photograph, a man wearing a western style hat stands in front of a counter piled with many papers and objects as well as on the shelving behind him.

This pair of hand-made shoes includes a tail like feature. They are natural in color with a closed toe.

Image of the artwork as seen in the exhibition, From Here to There: Practice, Form, and Meaning, May 22 through August 4, 2012 in the Art Gallery at University of North Texas.

Image of two small casserole containers as seen in the exhibition From Here to There: Practice, Form, and Meaning, May 22 through August 4, 2012 in the Art Gallery at the University of North Texas.