Cocktail dress of fuchsia pink silk chiffon. Knee-length, princess-line sheath with moderate scooped neckline and short sleeves. The set-in sleeves are attached to a U-shaped armseye opening set below a dropped shoulder line. The short sleeves are horizontally pleated in five tiers with each pleat slightly wider than the one above it. Two pleats fall from off the left front neckline to mid-thigh. Asymmetrical waistband curving up over the left hip. Chiffon overskirt falling from the waistband. The overskirt has an asymmetrical hem that curves upward around the left side. The overskirt's hem is embellished with four wide horizontal pleats. The bodice pleat detail becomes a separate pleated panel as it falls from the waistband to the overskirt's hem. It is caught up into the hem. Knee-length underskirt of fuchsia silk chiffon. Center back zipper bodice closure from the neck to the hip line with a single hook&eye at the neckline. Piece lined in fuchsia pink silk satin. Right side seam slit in underskirt about 6 inches. Label located inside center back beside the zipper. The zipper is faced with fuchsia pink chiffon. Designer label left of zipper: "By / Lilli Wolff / Dallas, Texas"

Maxi dress of ivory jersey knit. Long sleeves with zippered wrists. Scooped neckline. Bodice is accented with orange and red geometric insets at neckline and waist. Side slit pockets. Center back zipper. Lined in ivory polyester. Designer's label at base of zipper: "Ronald Amey / New York" Cleaning instructions tag with designer label.

a) Shift style T-shirt dress of plum-colored cotton jersey. Scoop neck; short sleeves with designers name written on left sleeve. 6" left side slit. b) 1 1/2" self belt.

Women's cotton pants ensemble in "Ferro" print with "Emilio" signature in print.

Sleeveless turquoise polyester/rayon dress with white rope belt.

Men's shirt of light tan, gold-orange, dark and light blue polyester; acorn and leaf motif with pointed collar and long sleeves

Evening pajamas that include slim pants and a sleeveless, black, slipper satin, tunic top.

Ensemble of black polyester. A) Blouse. V-neckline. pointed collar; long dolman sleeves; cut out trim around neckline in shape of square and at cuffs. Designer's label: "Geoffrey Beene" B) Pleated skirt of same. side zipper. applied belt at L side. Cut out trim approximately 8 " from hem.

Shirt of ivory silk with black and bright green butterfly print; shirt collar and button front, with mother-of-pearl buttons; self buttons on 3 1/8'' cuffs. Designer label at center back.

Lounging pajamas ensemble of pink/orange, pink, black and white floral print satin. The floral print is by Andy Warhol.

Robe of black nylon with printed geometric design in blues, green and white. Half-length sleeves. High collar. Center back zipper closure. Maker's label "Gottex" / Made in Israel / 100% Nylon" Size label "L". Care label "Hand wash / Mild soap - cool water / Don't wring - dry in shade".

Navy-blue knee-length, wool skirt and cashmere sweater with a coordinating full-length wool coat.

Thai temple dancer costume with jewelry and head piece, including: A) Skirt in wrap style of black cotton printed in gold and red scroll design. Ankle length. Closure of two hook & bars on 1" waistband. B) Bodice/top of red synthetic satin. Strapless. Center back hook & eye closure. D) Shoulder drape of green tulle (narrow). E) Waist drape of green tulle. Constructed with three pleats across the top, large hanging triangle at the center and hanging drape off of one end.

Thailand - Hmong Hill Tribe Festival Attire A) Bodice of Black satin bodice with square neckline. Neckline "framed by embellished bands consisting of red outer and inner borders, "zig-zags" of red and blue bands, and applied flower-shaped pink and iridescent sequins with beads. Bands extend down front of bodice, and are around cuffs of the long sleeves. Around the neckline and cuffs of the 3/4-length sleeves are hung beaded pendants with silver-colored coins. Front opening along left side vertical band, with 4 hidden snaps. Unlined. No labels or tags in garment. B) Skirt, Knee- or Below-Knee-Length skirt of finely pleated black fabric. Wrap style, with plain panels at ends. Narrow waistband. Unlined, but faced at ends and with band near hem. No labels or tags in garment. C) Apron, Vertical front panel of black satin with an embellished "frame" composed of wide bands of decoration. Red outer and inner borders, "zig-zags" of red and blue bands, and applied flower-shaped pink and iridescent sequins with beads. Hung in rows across the apron are beaded pendants with silver-colored coins. Wide waistband matching the "frame" of the vertical panel, hung with beaded/coin pendants along most of lower edge. No labels or tags in …

Festival garment of Karen Hill Tribe A) Tunic. Black cotton square mid-length tunic, sides sewn except arm-holes, vertical slit at center front/back to form head-hole/neckline. Head-hole slit and arm holes edged with tiny white seeds. Body of tunic with horizontal bands of embroidery in various patterns (checkerboards, zig-zags, diamonds, "flowers") and colors (red, green, yellow, purple, pink, blue, orange), and horizontal bands of white seeds. At each side, and at center front and center back are "tassels" formed from the embroidery yarn. Bottom edge of tunic with fringe. Unlined. No labels or tags in garment. B) Skirt. Wrap skirt formed of rectangular panel of hand-woven cotton with horizontal woven wide stripes of red and black, with narrow stripes of green white, yellow, red, and black. Narrow ends with embroidered bands/edging of white triangles, red, yellow, green, pink, white, black, brown, etc. geometric inter-lace forms. 32 1/4" x ca. 68". No labels or tags in garment. c ) Necklace of nickel silver, large disk.

Uzbekistan Wedding ensemble a) Pants - ikat in diagonal stripes, white, pinks, purples, etc. and with green upper panels b) Dress - matching ikat, no green panels c) Coat - Purple, embroidery, floral edging d) Veil- white, embroidered, beads, etc. f) Face shield of matching silk ikat covered cardboard with gold fringe along bottom edges. Machine embroidered in yellow lotus(?) flowers with gold bugle bead centers. E) Headpiece. Ornate headpiece of cardboard in the kokoshnik style. Large, triangular panel is covered in gold couched metallic cording with beaded rosettes and sequin backgrounds. Lower edge with fringe of gold beads ending in gold teardrop beads. Upper edge with multicolored row of feathers. Elastic strap across back holding it into shape, and to secure to wearer's head.

Nubian Ensemble. A) Jirjara robe (Nubian-style young woman's galabeya) of sheer black machine made lace with floral pattern woven into the lace. Full-length, with rounded neckline. Wide rounded, almost boat-neckline edged with row of large, spaced golden discs. A second row of gold discs runs slightly lower across upper chest. Long sleeves with slight cuffs. Dropped waist with wide horizontal pin-tucks. Skirt gathered into sewn band just below bottom pin-tuck. B) Under-dress of blue cotton printed with ancient Egyptian-inspired motifs including lotus and flying birds, done in gold, red, and black. Full-length, with "keyhole" neckline, lower part of keyhole with scalloped edge. Slits at side seams from hem up to mid-calf. Very short sleeves. Garment cut to create very slight "A"-line shape, by cutting in under arms. Unlined. C) Head scarf of very fine black fabric. Triangular in shape, with edging of crochet/knitting of black yarn threaded with small clear crystal/glass cylindrical beads. Outer edge of beaded loop "tassels" of the same beads.

Egyptian Ensemble. A) Galabeya. Full-length galabeya of black cotton, with rounded neckline cut at base to for a shallow "V". Caftan style, with long sleeves and slit from hem upwards on right side. Front of galabeya with embroidered and applique decoration. Around neck and front of bodice is floral decoration and scrolls in gold, greens, red, and blue, and central shield-shaped gold satin applique piece with embroidered scroll work in gold and blue. Lower part of galabeya with matching, but inverted similar gold satin appliques with embroidered scrolls, and embroidered floral forms. Long sleeves with thin rectangular embroidered gold bands along wrist. Unlined. B) Head Scarf. Rectangle of fine red fabric, lower edge scalloped. Upper edge with sewn border incorporating spaced gold cylindrical beads. Ends of scarf and scalloped area of lower edge with thin crocheted/sewn band with spaced gold tear-drop beads and simulated gold coins. Applied to center of scarf are two bands of red crocheted/knitted net with gold spherical beads and pendant simulated gold coins.

Festival Attire, Hmong Tribe, Eastern Thailand-Western Laos. A) Bodice. Waist/upper hip-length, of black velvet with all-over printed pattern in textured "paint" of leaves/flowers in dark reds/purples done in "dots", outlined in silvery white. No collar. Center front opening edged on inside with wide band of needlework with "zig-zag" in red, pink, and green cross-stitch, bordered in green and yellow, and in band of sparkly silver ovals containing green, red, and yellow metallic reflective strands. Outer edge of "saw teeth" in groups of red, green, pale green, and white. Cuffs of the long sleeves with same wide bands. Back of bodice with "flap" at neck, edged with pink and green, upper section of black cloth with printed flowers in green, pink, purple, and white, edged in places with gold. Lower part of flap of cross-stitch/needlework in pink and green with dark on white forming zig-zig-based pattern. Bodice lined in white fabric printed with dense, all-over pattern of small purple flowers with green leaves. No labels or tags in bodice. b) Skirt. Wrap-style skirt, knee-length or lower. Wide woven blue waistband into which main body of skirt is tightly pleated. Upper section of skirt of plain blue fabric. Lower part of a …

Hmong Hill Tribe festival ensemble, Thailand/Laos A) Bodice/jacket. Jacket of black velour, waist-length. Center front opening with no closures. On either side is wide applied band of embroidery in pink, green, white, and metallic gold, with braid border and outer colored "saw-tooth" edges of pink, green, red, and white triangles. Mid-length sleeves with matching wide bands at cuffs. Back of jacket with small square "flap" hanging from neckline made with same embroidered band. Fully lined in blue cloth printed with all-over dense floral pattern in pinks, blue, green, white, and yellow. No labels or tags in garment. B) Skirt. Mid-length skirt of various fabrics in horizontal bands. Uppermost band of black cotton(?) with elastic waistband. Next band from top is of blue cotton(?) heavily pleated into upper band, and with horizontal red lines embroidered/sewn in - one near top of panel, two near bottom of panel, with narrow band of "lattice" embroidered between the lower lines. Third panel from top is a dark brown/black more open-weave fabric with subtle reddish threads forming a repeated design of squares(?) around the band. This band has narrow dark purple velvet bands near the edges. Bottom band of skirt is a black velour. Unlined. …

Thai traditional temple dancer ensemble of yellow, green and red. a) Bustier style top of yellow/orange synthetic. Center back hook & eye closure. b) Skirt of red satin synthetic with horizontal rows of gold trimmed and white pleated decorations. Ankle length; elastic waist. c,d,e) Belt/panniers of green satin synthetic constructed with two strung on pleated/folded panels. f) Panel of green synthetic satin with jeweled edging.

Nubian Ensemble. A) Jirjara robe (Nubian-style young woman's galabeyah) of sheer black machine-made lace with scattered "tendrils" of various sized dots all-over which extend from hem upwards. Full-length, with rounded neckline and slight "V" at front. Full-length sleeves flaring to wrist. B) Under-dress of white cotton embroidered with ancient Egyptian-inspired motifs, including lotus blossoms. Full-length, with rounded neckline with small "V" at front. Neckline edged with green embroidery. Short sleeves edged with similar green embroidery, as are the short slits from the hem upwards. "Bib" at front of upper part of dress with green, yellow, blue, red, and pink embroidery of stylized lotus, scrolls, border lines, etc. Front of skirt with large embroidered motif of lotus(?) growing from bowl, with other blossoms around, in same colors. Back is plain. Unlined. C) Head scarf of very fine black fabric. Triangular in shape, with edging of simulated gold-colored coins. With suite of costume jewelery of gold-colored metal hung with faux coins, consisting of: 1) Necklace. Simple gold chain suspending triangular "net" of gold quaterfoil-shaped links hung with tiers of faux coins. Simple hook fastener. "Cascade" style. 2) Headpiece (?). Formed of two linked triangles of net with 6-lobed openwork links, hung with …

Bustier of a belly dancer's costume from the Banjara peoples of India. The bra-top of black cotton is embellished at front with silver coins and trimmed in multicolored cross stitch embroidery, mirror work, and Kangura patchwork appliqué. Plain black straps extend over shoulders and around back to tie.

Uzbekistan festival ensemble. a) Caftan/Dress of silk ikat. Full-length, very slight A-line, long sleeves. Shaped neckline. Body of caftan/dress of silk ikat in pattern of rectangular blocks of purple, white, yellow, and reddish-black with central ikat patterns of green, black, yellow, and pinkish, with white "eyes". Neckline is edged with band of rhinestones following the scrolling shapes, and continuing down to and across bust. Within band are small areas of "cutouts" backed with fine white mesh. Cuffs with scalloped edges and decorative stitching following edges. Unlined. No labels in garment. b) Coat of complimentary ikat. Full-length, sleeveless, center-front opening with no closure. Edges of neckline, center-front opening, hem, and deep side-slits are all edged with heavy yellow embroidered applique of scrolling bands with "strawberry-leaf" shapes, with yellow mesh backed openwork on leaves, tubular beads along the scrolling bands, and iridescent flower-shaped sequins accenting the edges. Unlined. The ikat pattern is same as dress, but predominantly in greens, blues, yellows, and white rather than reds and purple. No labels in coat. C) Hat. Square, box-form hat of stiffened dark brown(?) velvet almost totally covered in heavy gold metallic thread embroidery and with fine gold bugle beads and gold sequins. From top …