Miao People, Thailand/Laos, Festival Outfit A) Jacket. Jacket of black cotton, waist length, with standing collar. Front opening with no closure, worn with sides overlapping and forming "V" neckline. Standing collar faced with machine-embroidered ribbon of black ground with purple-ish flower blossoms with yellow centers, blue vines, and green leaves. This band continues along edge of opening to about 9 1/4" above hem. From that point to hem on each side of opening a different band is used, of purple and green foliate forms on black, with outer border of diagonal blue stripes and silver ovals on black ground with silver edges. A second machine-woven band of ribbon is applied as an outer border along the collar/upper opening band, with green, pink, and white stripes and bands of green and white trees(?) and a band of alternating green/yellow/white butterflies and same color flowers(?), all on a reddish ground. Long black sleeves have central wide band of orange satin with machine-embroidered multicolored sea dragons. Black fabric added after panels to form lower sections of sleeves. Garment is lined in black fabric, the collar and front opening backed with pink/purple fabric. Garment has a size tag sewn inside at back collar: "XXL". …

This poster created by an art student for the annual Voertman Award Competition and Exhibition depicts a tractor harvesting the year's crop. The colors are red, yellow, gray and black. The juror is listed on the poster as Ron Gleason, Director of the Tyler Museum of Art.

This almost square artwork begins with a light brown background and in the center a large pale blue sphere of concentric light blue circles and on the interior of the open sphere are light brown concentric circles and out of the ball shape seem to fly several sheets of paper.

The vertical hanging room divider consists of strips of color that start and stop creating geometric shapes. The colors are both warm and cool, pinks and blues.

This queen sized bedspread, screen printed on cotton velvet, was created while Spear studied at Cranbrook Art Academy in Bloomfield Hills, Michigan. The bedspread gradates from purples to blues with long wave shapes in a pale yellow gold color.

Square piece of paper divided into five vertical columns with horizontal lines and dots and dashes in light beige on toned paper.

Acrylic paint on paper depicting two large squares, one turned forty-five degrees and both filled with small lines, dots, and dashes creating many more small grids. Light blues and purples dominate.

The vertical strip of printed cloth depicts at forty-five degree angle wave like forms resembling water. At the left edge are orange square checkerboard shapes.

The vertical oriented room divider depicts a landscape type of scene with moon and sun type shapes floating through and among wave like shapes. The colors are in a range from warm orange and pale yellow to blue greens.

This long vertical work consists of a tie dyed or shibori method of screen printing. The imagery in the top portion of the work is a large red circle floating on an orange colored ground. The bottom portion of the work is a purple with many dark streaks running horizontally and a large light purple wave shape moves from the bottom edge of the work towards the top.

Dress of polychrome cotton print. The floor-length dress is of cotton fabric with a raised "zig-zag" texture, in the style of cotton piqué weaving. It is printed with a series of horizontal bands in geometric designs in blues, reds, greens, tan/brown, orange, and purple. The sleeveless dress has a shallow boat neckline in front and deep squared-off neckline at back. The fitted bodice section ends at the natural waist, into which the long skirt is slightly gathered. The front of the skirt has two patch pockets of the same material, with the print matched to disguise the pockets. One of the lower bands of the skirt is embellished with applied non-functional circular gold-colored "buttons". The hem of the dress has a 7 cm. wide band horizontal band of red wool trim, from which hangs red wool fringe. The center back zipper closure has a single hook-and-eye at top. The dress is lined in red fabric. The dress has two labels sewn inside. At left side at seam is designer's label "Lanvin / Paris New York"; at right side near zipper is size label "6".

Dress and coat of peacock feathers. The short, sleeveless dress is entirely covered with peacock breast feathers, accented with a 1" band of blue cording and chenille trim at neckline and with blue cord spaghetti straps. It is fully lined with navy polyester. The long, sleeveless coat is covered with peacock herl / flue feathers. It has a round neckline, and no closure. These pieces are part of a larger ensemble, consisting of a total of 9 pieces decorated with peacock and/or golden pheasant feathers. Worn to the Emmy Awards ceremony in Los Angeles, California, April 1976.

Suit in hot pink nubbly wool knit. The ensemble consists of three pieces: a jacket, matching skirt, and black silk shell. The jacket is hip-length, with a shawl collar which has an attached black silk tie. The center front closure has 6 circular brass buttons with central embossed lion's heads and black outer edges. There are four faux flap pockets at front, two on each side of opening, each with button matching those of the closure. The long sleeves have simulated closure, with a line of three buttons matching others on each sleeve. The pocket flaps, cuffs, collar, center front, and hem are all edged in black. Designer's label sewn inside jacket at collar: "Adolfo / New York", with retailer's label sewn in just below: "Neiman-Marcus". The matching skirt is below-knee length, of the same pink wool knit, with pleating beginning 7" below waistband and extending to hem. Skirt has designer's label sewn inside at waistband as jacket. The accompanying black silk blouse is sleeveless, with rounded neckline. Single black silk -covered button closure at back of neck. Shell has designer's label sewn inside at left of closure as jacket.

Water fountain is featured outdoors on the grounds of the St. Thomas Hospital to which is attached the Evelina Children's Hospital.

Black and white lithograph is abstract.

In a parking lot, a man and woman converse. Next to them is parked a pink Volkwagen car and behind the couple is a white Volkswagen car. The background is the side of a corrugated blue building with two small windows. In the foreground, sharp shadows of the man and woman overlap onto the stone sidewalk.

Splatters and stains on fabric was then gathered and hung from suspended cable and also attached to the wall at two additional places.

Visor cap of medium brown plastic. The open crown consists of a vertical band which runs around front and sides, with brown and white elastic band across back. Printed at front center of crown is the Neiman-Marcus logo. The wide front visor is printed with three rows of scattered white squares.

Choker of satin and feathers.

T-shirt of white cotton, having short sleeves and a rounded neckline, which is printed with an artistic rendering of a portrait of Che Guevara, arranged as large main central portrait in black, surrounded by four smaller renditions in pale gray. Acquired by the donor in Mexico City in 1971 from a vendor in the Mexico City Metro. Ernesto "Che" Guevara (b. June 14, 1928 in Rosario, Argentina - d. La Higuera, Bolivia, October 9, 1967) commonly known as El Che or simply Che, was an Argentine Marxist revolutionary, physician, author, intellectual, guerrilla leader, diplomat, military theorist, and major figure of the Cuban Revolution.

Dress of navy blue silk chiffon. The full-length dress is sleeveless, with narrow straps extending across shoulders and meeting at center of the 2 1/2" wide A-line band at neckline. The straps and neckline band are covered with faux jewels. From the band drops the long A-line skirt of finely-pleated silk chiffon, which conceals a narrow sheath dress underneath. This dress is similar in style to one produced for Halley's 1967 collection.

The lithograph has the style of a collage. A woman in the foreground holds a small doll or figurine and in the distance another woman and smaller figure walk away.

A woman seated on a bench appears to listen to two musicians. The work is colorful and loose.

Ensemble. A) Coat of brown and white felted wool. Knee-length or longer, long set-in sleeves. Center front opening with 5 large circular brown plastic buttons with bound buttonholes. Main body of coat of pale brown and white check design, with cuffs, collar, and lower band of coat (about hips to hem) of light brown. Light brown and white check self tie belt. Side slit pockets. Lined in pale taupe. Designer's label at center back neckline: "Norell" Hand-written label just above designer's label: "Deborah 929" B) Blouse of cream wool jersey. Long sleeves, high standing collar. Center back zipper closure running almost entire length of garment, from top of collar to about 3" above hem. Hook & eye at top of collar. Collar lined in satin, the rest of the blouse is unlined. Not hemmed. Hand-written label sewn in at neckline: "Deborah 929" C) Skirt of brown wool tweed. Mid-length; slight A-line. Narrow, 1-1/2" waistband. Fully lined in brown silk(?). Center back zipper closure with large hook & eye on waistband. Hand-written label "Deborah 1929". D) Belt of brown leather with wide square, self-covered buckle. Two inches wide. Belt is attached to skirt with inner bands of leather to which loops …