Wavy ribbons recede into the distance which is encased in a framed gradation of color and in the background a circular opening through which the ribbons reach.

The horizontally oriented surface designed textile art includes depictions of pink ribbons rippling through the sky into the distant background. At the lower edge is seen a silhouette of a mountainous horizon.

Silk yardage dyed in horizontal wash patterns in blues, pinks, and greens.

Silk yardage dyed in pinks and oranges with large circular lines and small spots resembling eyes or knots of wood.

Dyed silk yardage in dark blues with horizontal yellow and blue wave patterns are broken with intervals of vertical lines.

Silk yardage dyed in vertical linear patterns of oranges, greens, reds, and browns spotted with circular shapes resembling eyes or knots in wood.

The yardage of dyed silk includes vertical blue and brown stripes with circular shapes that resemble eyes or wood knots covering the yardage.

Ensemble of rose silk. The suit consists of a jacket, two skirts and a blouse. The jacket is made from a 1930's sari of pale pink silk embroidered with gold and silver threads, beads, and pink sequins in designs of vines, flowers and abstract line patterns. Jacket has a floating yoke and full leg-o-mutton sleeves with long narrow cuffs that have zipper closures. The jacket itself has a center front opening with no closure. The neckline, edges of closure, hem, and cuffs are edged in heavily beaded bands added by the designer. Designer's label sewn inside back at neck: "Richard Brooks". The blouse is of heavy pink silk, collarless, with round neckline. It is short-sleeved, with pleating at the shoulder. Vertical seaming on front and back for structure. There is a concealed center-back closure with snap at top and 5 clear plastic circular buttons down the length. The blouse is lined in a dark, dusty pink silk and has sewn-in shoulder pads. Designer's label is sewn inside back to the left of the opening: "Richard Brooks". The two skirts are are both of identical pink silk, matching the blouse, of identical construction. One is knee-length, and the other is full-length. …

Evening dress of fuchsia silk satin with bow embellishments on short, off-shoulder sleeves. Sleeves are bell-shaped and have cartridge pleats at upper portion. Strapless bodice is fitted; princess seams. Skirt is gathered at drop waist at hips and around back; falls just below knees. Center-back zipper closure with hook and eye. Fully lined in fuchsia synthetic with attached net underskirt. Designer's label at center back neckline: "Victor Costa" Union label at bottom of designer's label: "Crafted with Pride / in U.S.A." Fabric/care/size label at inside left seam.

The view is of the bridge looking east across the old riverbed of the Turia river.

The view shows both the automobile and the pedestrian paths. The view is looking south.

The view is from underneath the bridge and looks eastward.

The view is of the northwest facade with attached pyramidal structures.

Ensemble consisting of a dress and jacket.

Shirt of white cotton gabardine with black embroidered floral design; self covered buttons, shirt collar and cuffs. Label: Times 7

Shirt of multi-colored pieced rayon in block design; button front; shirt collar; orange cuffs; side vents. Designer Label: Times Seven / 7 / Todd Oldham

Shirt of white rayon with grommet and black criss-cross lacings; pointed collar with black blanket stitching trim. Designer Label: Times Seven / 7 / Todd Oldham

McCall's Fashion Basics Pattern #5585 to make an unlined jacket in two lengths with buttoned front, back and front darts, patch pockets with optional flaps, and extended shoulders with shoulder pads, including illustrations of the finished pieces and information about sizing and construction on the back.

Evening gown of black velvet with wide, chevron-shaped alternating bands of black silk satin and black silk velvet.

None

Painting of blue, red, and yellow loose brush strokes featuring a large white cat in the center of the composition.

None

The museum displayed a version of the image of the empty double bed on the gallery wall with a note about the twenty-four locations throughout the city where the same image was depicted on billboards.

The artwork consists of a piece of white fabric with dark stitching around the edges and some stitching in the center and the number 34.