Postcard used in the Polish Solidarity movement during the 1980s depicting a bird wearing a crown breaking out of an egg that is decorated with a red pattern.

Postcard used in the Polish Solidarity movement during the 1980s depicting a cracked egg inside a broken, red basket.

Poster used in the Polish Solidarity movement during the 1980s depicts a Christmas message, in Polish, across the top portion. A yellow star floats in the dark blue ground. Beneath are two figures, one resembles a donkey wearing sunglasses and the other a elephant or a man with huge ears. The two figures appear to be behind a trough, in red.

Postage stamps used in the Polish Solidarity movement during the 1980s depicting churches in the once Polish town of Lwowa, Poland, now L'viv, Ukraine. The background is silver with black depictions for the church structures and the crest. The words, Poczta Solidarność [Solidarity Stamp], are in red at the bottom of each stamp.

Lottery ticket used during the Polish Solidarity movement during the 1980s. Four tickets, each stamped with a number in purple, depict a pencil, broken on one end in the center of the ticket. The Polish Solidarity logo is in the lower right hand corner.

Poster used in the Polish Solidarity movement during the 1980s depicting a group of soldiers wearing gas masks and wielding clubs. Across the bottom part of the poster, in red, is the word Solidarność. The boot of one soldier encroaches upon the word, Solidarność.

Postcard used in the Polish Solidarity movement during the 1980s depicting best wishes for the year 1987. The words wesolego 1987 zyczy solidarność ciagle młody are in red on a brownish tan background. The year, 1987, is depicted with people forming the shapes of the numbers.

Poster used in the Polish Solidarity movement during the 1980s depicting a large group of upraised arms in black silhouette. Each of the hands is holding up two fingers. In the black sky above the crowd is a large white star with rays radiating from it. Across the bottom, the red portion contains the word Solidarność and a crest.

Postcard used in the Polish Solidarity movement during the 1980s depicting the side view, in black outline, a ram holding the Polish flag. The text above and below the image is also in black.

Postage stamps used in the Polish Solidarity movement during the 1980s depicting uprisings and invasions leading up to the 1980s Polish Solidarity movement.

Postage stamp depicting a young female in the center. At the top of the stamp are the letters RTPD and in the lower section, the denomination of the stamp, 20 złoty. The stamp is printed in all blue on a cream paper.

Poster used in the Polish Solidarity movement during the 1980s depicting an image of a man wearing dark glasses. Above his face is the word, WANTED, and beneath, the words, Dead or Alive 1.000.000. $

Poster used in the Polish Solidarity movement during the 1980s depicting a portrait of the Catholic priest Jerzy Popiełuszko. The background is red with the figure depicted in black and a thin white halo around his head. In the margins, registration marks can be seen for creating multiples of this image.

Poster used in the Polish Solidarity movement during the 1980s depicting five figures in reddish orange silhouette. The figure on the far left is chimpanzee like and the next four figures evolve to man. The man at the front of the line is holding a flower in one hand and his other hand holds up two fingers.

Poster used in the Polish Solidarity movement during the 1980s depicting a man with large ears, spectacles and spewing from his mouth. The words Zapluty karzeł reakcji are underneath the figure. The words and image are in black on a white ground.

Skirt suit of heather black/gray jersey wool.

Evening dress of periwinkle blue Marii pleated polyester silk. Full length column style; wide rounded neckline. Attached 3" waistband of quilted matching polyester silk with silver piping closes with hook&eyes at left waist. Long sleeves are heavily beaded throughout with floral motif at shoulders and cuffs; scalloped hem and zipper closures. Left side and center back zipper closures; unlined; padded shoulders. Designer label: Mary McFadden / Couture B) Bow tie shaped trim of quilted periwinkle silk with silver piping matching waistband.

Dress of acrylic/wool blend jersey. Scoop neck; square shoulders; knee-length. Left side of dress and right shoulder are hot pink; the rest is black. Center back zipper closure. Label in back of collar: "CH Carolina Herrera"

a) Dress of red silk with small white floral motif. Jewel neckline; fisheye darts in front and back; dropped waistline seam; skirt has vertical ruffles; 3/4 length; long sleeves. Center back zipper; white lining; shoulder pads. b) Belt of red satin ties into a bow.

Skirt suit of yellow boucle wool with black silk trim on jacket. A) Jacket is slightly fitted. Hip-length, long sleeves. Center front opening with six gold-tone buttons and single snap at banded neckline. Sleeves with three matching buttons and turned-back cuffs. Two functional flap pockets at hips; two false flaps at bust. Flaps, cuff turn-backs, and collar with black silk facings. Lined in yellow silk with gold chain weight at hemline. Designer's label: “Chanel / Boutique” Size/origin/content/style label. B) Straight skirt is just below knee length. Left back zipper. Lined in yellow silk.

Jacket of twill-look silver viscose rayon/cotton blend bordered and trimmed in metallic silver grosgrain. Long set-in sleeves; U-shaped neckline with triangular tabs at front. Center front zipper closure. Lined in silver silk. Designer's label: "Geoffrey Beene" Original sales tags with jacket.

Embroidered Panel for Trade. Triangular appliquéd blocks of cotton fabric in various colors along the edges with hand embroidered center of double spiral geometric motifs embroidered on a satin background. This is a contemporary piece yet true to the original work of the Hmong.

Shorts suit of gray wool flannel.

Dress ensemble of ivory silk damask in floral motif. A) Jacket. Square yoke shoulders with elbow length flared sleeves. Waist length. No closure; padded shoulders. Size 6. B) Bustier of matching cotton/nylon blend damask covered in ivory alençon lace. Unboned; spaghetti straps. Center back button closure. Size 10. C) Maxi skirt in tulip style. Center back zipper closure with button on waistband. Size 12.