Photograph of the Halászbástya and Matthias Church in Budapest, Hungary. The church is visible in the left foreground. A section of the Halászbástya is visible beside the church in the left middle ground.

Photograph of a church in Austria. The church is visible in the foreground with a row of parked cars in front. The bell tower rises out of the picture frame on the right side.

Photograph of a tall pillar with a statue of Jesus in Austria. The pillar is visible on the right side covered with statues. Stone figures climb up the tower. Jesus is at the top. A building is visible in the background.

Photograph of a yellow clock tower in Austria. A white building is visible in the left foreground. A yellow clock tower sticks out of a building on the right.

Photograph of a street in Austria. On the right, a street curves up and around a row of buildings. Trees and more buildings are visible on the left side of the frame.

Photograph of a the statue of St. Stephen in front of the Matthias Church in Budapest, Hungary. Tree branches intersect the foreground in the top right corner. The statue of St. Stephen riding a horse is visible on the right side. The Matthias Church is visible beyond the statue as well as another building in the background.

Photograph of St. Peter's Church in Vienna, Austria. The church is visible in the foreground. The church has a dome roof and two bell towers.

Photograph of the interior of the Jesuit Church in Vienna, Austria. An ornate window is visible in the foreground. The window is encased in green marble with gold painted highlights on a white marble wall. A pink curtain is visible through the window. The church is located on the Dr. Ignaz Seipel-Platz.

Photograph of a streetscape in Vienna, Austria. In the foreground, numerous shop signs and blue cafe umbrellas are visible; orange umbrellas are visible in the middle ground; more buildings and a sculpture in scaffolding are visible in the background.

Photograph of the Andromeda Fountain in the courtyard of the old town hall in Vienna, Austria. The fountain sits in the center foreground of the image. The fountain is inset into the building exterior. The bronze figure of Andromeda was created by the sculptor Georg Raphael Donner.

Evening gown of black polyester velvet and satin. Heart shaped sweetheart velvet bodice with beaded leaf pattern applique embellishing surface. Long puffed satin sleeves with appliques at shoulders and black bugle bead and braid trimmed cuffs; zipper closure. V-shaped waistline has 4 long beaded tassels that tie at center front. Full length, gathered satin skirt with black net underskirt. Designer's label at back right shoulder: "Victor Costa" Care and content/size tags under designer label.

Dress of brown wool flannel, with piping of blue wool flannel. Standing collar; long raglan sleeves with large armholes; beaded medallion CF on bodice; bodice gathered into low waistline; 3 gored skirt; knee length.

Two piece woman's suit.

Jacket of off-white linen.

Dress of red silk crepe. Collarless, V-shaped neckline. Empire waistline with knotted tie at center front having trailing, pointed ends. Long bishop sleeves with decorative tie cuffs and two snaps for closure. Below knee length; flared skirt. Center back zipper with hook & eye. Lined in red silk. Designer's label at left of zipper at neckline: "Mollie Parnis Boutique / New York" Retailer's label at right of zipper at neckline: "Del Ann's / Dallas" Cleaning instructions and union label on center back seam of lining below zipper.

keywords: panorama ; View of historic city w. gazebo in foreground

keywords: panorama ; Telephoto view towards Santa Croce

keywords: panorama ; View of Piazza della Signoria and the Bargello

keywords: panorama ; View of San Miniato al Monte w. hills and suburban villas

keywords: panorama ; View NE of Campo Santa Maria Formosa w. Palazzo Priuli-Ruzzini (Bart. Monopola, ca. 1580)

Contemporary, View from right

Contemporary, Total from right front

Poster used in the Polish Solidarity movement during the 1980s depicting a portrait of the Catholic priest Jerzy Popiełuszko. The figure is depicted in black on a white background. In the margins, registration marks can be seen for creating multiples of this image and in the lower right are the handwritten in pencil words, kolor czarny (drugi), color black, second.

Stamps used in the Polish Solidarity movement during the 1980s. On the left side of each of the four, a man's face is depicted in black. On the right side a number, 40 PRL, 30 PRL, 20 PRL, and 10, 40 LAT PRL, a red line aligns each stamp and forms a unified design that depicts a plummeting red mark.